Pénélope Bagieu's Brazen is a collection of 29 comics biographies originally created for the Frenchnewspaper, Le Monde. Employing a clear concise line and limited but playfulcolor palette, for the most part within a well thought out nine-panel grid layout, Bagieu's work is eminently readable, and one finishes this 300 page volume ready for more.

Each of these pithy bios is informative and fun,pullingoff the coveted accomplishment of entertaining while educating. In other words, they're great comics! And, as an added bonus, each bio is topped off with a celebratory double-page splash illustration. All wrapped up in a great package for a...

FROM THE ARCHIVES

ONE, NICE FIRST PRINT (2011) copy, with back cover band still intact.

Currently in print at $45.00

Read the full Copacetic write up, HERE.

Fielder #3 is the comic book as meaning making machine. It is, literally, cover-to-cover comics –38 pages worth – and, not only that, there are two front covers; so, in one sense, it is actually two comics that meet in the middle.

There is so much COMICS here. It could also be said to be a comic book about what a comic book can be. Like, “look at all these different ways to approach the medium: you can do this, and that – and this, and that; and if you combine this you can do that –and if you add that you can do this. And you could draw it this way, or that way, or a combination of the two… and/or…"

There are six distinct sections plus an...

Who Needs Donuts has found its way back to civilization! After a relatively brief hiatus out in the wilderness of"out of print status", Mark Alan Stamaty's sui generis work, originally published way back in 1973,and then reissued in 2004, has returned to the fold and is now once again back in print, in this new, faithfully reproduced hardcover edition from D & Q. Yay!

Here's our write up for the earlier, 2004 reissue:

Stamaty’s cult masterpiece is now back in print after a thirty year hiatus, in a beautifully produced hardcover edition. Once you start looking at this book, it's really hard to stop. You just get sucked in. The appeal...

It's here: the last piece of the Spiegelman puzzle.Co-Mixpublishes an vast career-spanning array of Spiegelmania; taken together with the recently (re)publishedBreakdowns, it brings (back) into print the vast majority of Art's miscellanea: short pieces, comix, prints,New Yorkercovers, etc. While the wide world knows him almost solely through his perennial best-seller,Maus, within the world of comics his influence has been felt more through the works contained here. This book serves double duty as the catalogue for the exhibition of the same name that was produced by 9eArt+ for the 2012 Angoulême comics festival, and which, after travelling...

Break out the bongs, Blessed Be has arrived! Rick Altergott has been producing his unique (but definitely inspired by and to a degree derived from the classic Mad) brand of comics – at a painstakingly slow pace – for over three decades now. He's been working on Blessed Be in one form or another for something in the neighborhood of twenty years – but you can't rush quality, and we're here to tell you that it was worth the wait! Longtime readers will recognize some classic earlier Altergott-penned episodes from his and Ariel Bordeaux's early-aughts, two-person anthology series, Raisin Pie, reworked and repurposed here, all in the service of...

Stroppy is here: it's ALL NEW; it's a self-contained whole; it's by Canadian cartoonist extraordinaire, Marc Bell; it's...a giant-size, full-colour, underground comix classic presented to an unsuspecting [well, not for long] public in the guise of a hardcover graphic novella. Stroppy channels the vigorous populist cartooning energy that can trace its roots back to the classic comics strips – especially the depression-era Popeye by E.C. Segar and Harold Grey's Little Orphan Annie. This vital populism was an integral part of American life and lore, but with the advent of the war economy in the late-1930s, it was sublimated into the national...

Gilbert's long awaited return to the multi-generational saga form that he made his own in Palomar is here, and we are happy to report that it is a book that is as rewarding as it was long in coming. We are given a 20th century spanning tale of five generations of the Reyes clan that centers on the titular Julio and precisely matches the span of his life. Taking place in a nameless rural town that is presumably located somewhere in southern California,Julio's Daytakes its readers through five wars and generation defining events like the Great Depression and The Sixties as they are experienced at the fringes.Julio's Dayis most notable,...

edited by Ivan Brunetti It's too early to say for certain, but this follow-up to Brunetti's already classic 2006 anthology, also published by Yale University Press, might just be even better than its precursor. One thing's for certain: Brunetti has held onto -- and further refined -- his editorial vision of arranging the work contained in this volume in an organic sequence, deftly managing to map out the similarities between artists so that each piece flows smoothly into into the other, creating an amazing sense of an innate connectivity between all areas of comics here on display. This book is a powerful ally in the struggle to bring the...

Unreal City is D.J. Bryant's first solo book (that we are aware of). Some Copacetic customers willbe familiar with the secondstory in this collection, as it originally appeared in MOME #19. This 21 pagestory, "Evelyn Dalton-Hoyt", is his brutally brilliant re-envisionment of "Driven to Destruction" by Steve Ditko (which, for all you comics collectors and scholars out there, isin the February 1972 [V.2#4]issue ofHaunted, from Charlton),in which an explicit (very) sexual subtext for the characters is supplied by Bryant's vivid imagination and conveyed through hishigh octane pencilling and inking, the combination of which may generate a...