edited by Ivan Brunetti Published by Yale University Press, this awesome anthology is a worthy successor to McSweeney's 13 as the must have comics collection of the foreseeable future. Editor, Brunetti goes all out to offer us a (OK, well, his) canonical assemblage with the 400 pages of comics here on display, where it is the form itself that is always at the heart of the work represented. The work we find here -- while, of course, being comics -- is also, at some level, telling us something about comics, and this latter value-added feature can be attributed in no small part to Brunetti's editorial approach in assembling this work, which...

<<•>> edited by Alex Spiro; introduction by Paul Gravett <<•>> art by Stuart Kolakovic, Mikkel Sommers, Brecht Vandenbroucke, Luke Best, Rob Hunter, Jon McNaught, Ben Newman, Andrew Rae, Luke Pearson, Jack Teagle, Jon Boam, Jakob Hindrichs, Clayton Junior, Daniel Locke, Isabel Greenberg, Mike Bertino, Nick White, Rui Tenreiro, Sean Hudson, Luc Melanson, Katia Fouquet, Yeji Yun, Matthew Lyons & Liesbeth De Stercke <<•>> The fine folks at the London-based NoBrow Ltd. have produced their first anthology, and it's a doozy! Editor, Alex Spiro has assembled twenty-four artists and, with a nod to The Book...

Reid Paley's now classic 1999 debut solo LP, Lucky's Tune has at long last been released on (140g) vinyl, in a limited, SIGNED, gatefold edition of 1000 copies from Demon Records in the UK.

A key architect of the Pittsburgh punk scene, among whose many roles were show promoter, gig securer, venue locator, press liaison, actor in the seminal Pittsburgh punk film, Debt Begins at Twenty and, oh yeah, being the front man for Pittsburgh's greatest punk band (which later relocated to Boston), THE FIVE, Reid Paley has gone on to have a lengthy solo career, based in Brooklyn, NY where he continues to write, record and perform his unique brand of...

¡WOW! Goes Like This is a book lover's delight. The printing, the design, the production, and, of course, the work itself all come together to generate a uniquely satisfying finished product. Collecting Jordan Crane's comics and prints from the last twenty years, this one-of-a-kind volume features – unusually – an exposed spine, in which all the sewn-signatures are then in turn joined and sewn across the spine (we counted an even dozen horizontal stitches) and rubber cemented for a kind of industrial strength stab-binding. This binding enables the book to fully open, allowing the pages to lie flat, and also to be strong enough to endure...

2011 marked the culmination of a decades-spanning career arc as Frank Santoro found his art at the center of the 2011 Pittsburgh Biennial at The Carnegie Museum of Art, where he attended studio art classes as a youth. We are excited to at last be able to offer for sale copies of his 16-page tabloid newspaper comics work that was the highlight of that exhibit. In a signature Santoro move, Blast Furnace Funnies is a work of "High" (i.e., museum quality) art executed in the lowest of the "Low" art forms (a disposable newspaper); employing ephemerality to evoke eternity, he has here worked (in a form that often ends up) in the gutter to reach...

Kus! mono #11: This Year Is Next Year's Last Year by Christopher Sperandio

This Year Is Next Year's Last Year takes classic old school public domain comics – that look like they're largely from the 1950s, but maybe also some from the '40s and/or early 60s – and remixes them in all their newsprint saturated four-color glory in high quality scans repurposed via newly created (by Mr. Sperandio, we can only assume) text approriately rendered in a digital recreation of Leroy Lettering (or a close approximation therof) to create a caustic comics satire of the sad state of affairs that is the USA today. Everything is printed just right and really...

Incomplete Worksprovides, indirectly, an intimate, informative, entertaining portrait of the artist as a young cartoonist – who goes on to age gracefully and productively – with a large degree of creative independence – into marriage, fatherhood and middle-age (which is no small feat). It does so while simultaneously fulfilling its primary function of being a treasure trove of short comics of all stripes. Auto-bio, fantasy, literary, historical, humorous, scientific, and meta-physical comics can each be found here, all handledby Horrockswith dextrous aplomb. That he has been able to accomplish all this may have something to due with his...

Having devoted himself to assembling the massively influential series of anthologies,Kramers Ergot, Sammy Harkham now at last steps into the spotlight himself in this collection devoted solely to his own work. Published by PictureBox,Everything Togetherlives up to its title, collecting a decade's worth of Harkham's concentrated comics narratives. Opening with hisminimalist meditations on personal perspective, "Napoleon" and "Elisha", the work ranges from hismost sustained pieces, the epic "Poor Sailor", "Somersaulting," the upside-down-under memoir of Australian adolescence, and "Lubavitch, Ukraine, 1876", to his short, comics-insider...

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...