This collection of works from the early 1980s by Millhauser starts off with August Eschenburg, a prototypical tale which serves as the template for several later Millhauser works, most notably Martin Dressler (see below). The middle section is composed of three stylistically linked forays into the classic short story mode, each of which stages an elaborate wedding of location with season to produce an exquisite evocation of an exact yet unnameable emotion, and each of which manages to pull it off. The stories that will really having you reaching for the champagne to celebrate their success, however, are the three that close out the volume,...

Here it is, the book that put Katchor firmly on the map when it was first published in 1996. While he has been regularly producing comics in and about NYC since the 1980s, and had already had one collection –Cheap Novelties– published by Penguin (and recently reissued by D & Q),Julius Knipl, Real Estate Photographeris the book which finally attracted the attention that Katchor’s work had long deserved. Katchor’s pen and ink (and ink wash!) comics create a parallax lens which show a reality that is invisible to others, that transports readers through a crack in the surface of “reality” to reveal a magical series of vignettes that seem –...

introduction par Chris Ware Le secret le mieux gardé des vingt dernières années de la bande dessinée est probablement Storeyville. Aucune autre bande dessinée ne capture avec autant de succès l'énergie propulsive américaine que nous associons dans la littérature aux œuvres de Walt Whitman et de Jack Kerouac. Storeyville était sui generis à l’époque de sa publication initiale en 1995, quand il a paru sous la forme d’un journal tabloïde de 40 pages. Poème épique en bande dessinée, il révèle des profondeurs jusque-là inexplorées dans la forme. Employant une audace artistique qui était à l’époque sans égal, Storeyville incorpore des éléments d...

This is perhaps the longest awaited work in the history of comics (No? Let us know what, in your estimation, beats it.). Over ten years in the making, Mazzucchelli's first ever solo graphic novel is also his first major work since his 1994 graphic adaptation of Paul Auster's City of Glass, a trailblazing, highly influential work which put him at the forefront of the then nascent "serious" graphic novel movement. David Mazzucchelli's work with Frank Miller in the mid-80s -- Daredevil: Born Again and Batman: Year One -- made him amainstream comics superstar, but then he walked away from it all to pursue his own calling of an independent,more...

Sub-titled, "July 1, 1916: The First Day of the Battle of the Somme",The Great Warpresents in a single image a visual distillation of the events of that day. While this is not the first 20+ foot-long single image comics book that has come our way – that honor going to Helge Reumann and Xavier Robel's hyper kineticElvis Road, originally published in Switzerland in 2002 by Pipifax, and then in the USA by Buenaventurra Press in 2007. But whereas Elvis Road presented a frenzied instant of urban chaos that was unreadable – in the sense that there was simply no way to narratively digest the complexity of the image; all one could do was bask in...

248 more pages of the epic Luba saga are now available in this just released collection, the eleventh volume of the offical Love and Rockets Library series. This volume picks up where Luba and Her Family leaves off and also containswork that was originally created and published in the late 1990s, during the hiatus between the first and second volumes of Love and Rockets, collecting the comicsthat appeared in the pages of Luba #3 - 9, Luba's Comics & Stories #2 - 5 and Measles #3. Dark impulses lead to violence and despair, are channelled through sex, role playing and other games, occasionally leading the players to the light of...

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Here it is in all its glory: the complete X'ed Out Trilogy – X'ed Out, The Hive and Sugar Skull – altogether in a single, attractive and affordable, full-size, softcover collection. Conceived as a Burnsian tribute to Herge's TinTin, the tale told in Last Look is a tortuously twisted take on thoseepic adventures in which the polyanna-ish innocence of TinTin is replaced molecule by molecule with the corruptions that are so readily at hand inthe world as we find it and, crucially, inthe world as our humanimagination makes it, as well. Perhapsmost of all, Burns demonstratesthe way in which these two worlds intersect.It is here that the...

It's here! The complete Grip, by the one and only Lale Westvind. So, all of you who missed the gone-in-a-blink-of-eye risograph editions can now celebrate with this beautifully (offset) printed edition, which successfully captures the vibrant color scheme, andwhich, at 8" x 10" is slightly larger than the 6.5" x 8" riso editions. Grip!

To quote our own, earlierlisting for the riso, "Gripis Lale Westwind's comics constitution of cosmic energies in the service of manual creativity. Readers will be propelled through panel after panel filling page after page with imaginative delineations of a series of fantastic mergings of mind and hands with...