As the increasingly pervasive mediated reality in which we find ourselves here in North America, in all its ever-more-varying-(and dazzling!) forms, gradually gains ground in its encroachment on the natural reality that we had formerly, and throughout the entirety of human evolution, taken for granted, our sense of who we are and what constitutes appropriate behavior in the broad spectrum of human endeavor and social interaction, is undergoing a shift. Lucky for us, Dash Shaw is here to help us find our way with this insightful comics examination of the changes that are going on right behind our noses.

Long treasured here at The Copacetic Comics Company, the truly unique – and rarely seen – late-period romance comics of the one and only Ogden Whitney have at last been collected in book form. This volume has been many years in the making, and we are excited to see it at last gracing our new arrivals table. Whatisit about these comics that makes themso unforgettable? There is a pathos at work here as in few other comics. Whitney was a life long cartoonist and comics maker. He had dedicated his life to his craft, and here in these comics he is heading into the home stretch. This work carries with it the private sufferings and triumphs of a...

While Darwyn Cooke originally planned for a two-year stint on The Spirit, circumstances conspired to cut his run short at the halfway mark. The evidence of this final issue -- an exigetical adaptation of Eisner's original Sand Saref story (the same story Frank Miller's upcoming movie is also using as it's core text) -- bears out that this is all it took for Cooke to bore right to the core of not just the character of The Spirit but of the spirit of the noir sensibility itself. Through his masterful employment of Eisner's late style (which Eisner himself used to portray the past; i.e. his own childhood during the depression out of which so...

While Harlan Ellison's star has dimmed somewhat with the passing of the years, likely due, at least in part, to his abrasive personality, it remains hard to overstate his influence on science fiction, and then, in turn, on science fiction's invasion of and subsequent influence on mainstream fiction – particularly short fiction. Forty or so years ago, both "'Repent, Harlequin,' said the Ticktockman" and "I Have No Mouth, and I Must Scream" (written in 1966 and 1967, respectively) were among the most anthologized stories out there, with one or the other – sometimes both – being in the majority of high school and college short fiction 101...

YES! The book that announced Ben Katchor's special genius to the world, Cheap Novelties is at long last back in print in this fabulous hardcover edition from Drawn & Quarterly that will go quite nicely on the shelf next to Katchor's other great works, such as Julius Knpl, Real Estate Photographer, The Beauty Supply District, and The Cardboard Valise.

With Jack's Book, Gifford and Lee launched the oral biography as a valid form(there'd be no Please Kill Me without it), and arguably created what remains its gold standard. Here you have a portrait in the round of the central figure of "the beat generation" (who hated that label) provided by all the other players who were in his circle during the two decades of his writing career. William Burroughs, Allen Ginsberg, Carolyn Cassady, Gregory Corso, Lawrence Felinghetti, Gary Snyder and many more herein provide thoughtful, forthright recollections of Kerouac, his scene and the times in which they mixed. Gifford and Lee weave them together...

Back in print at last! in an amazing oversize (9 1/2" x 12 1/2") full color hardcover edition, no less. Madwoman of the Sacred Heart is the other Moebius/Jodorowsky masterpiece (along with, of course, The Incal). This edition, as with the previous, standard size editions, collects all three original albums. Here's our original listing:

Moebius & Jodorowsky's Madwoman is, perhaps, the screwball comedy to end all screwball comedies. Opening on a French college campus, it startsout slow with what seems at first to be the beginnings ofa fairly typical professorial indiscretion with an attractive younger student, but.... Well, we don't want...

Back in print in this newDrawn and Quarterly hardcover edition!

Lynda Barry's art has never been more rich and satisfying than it is inOne Hundred Demons, the landmark 2002 book which represented a formal and stylistic breakthough not only for Ms. Barry, but for the world of comics as well. The work she has created for this beautifully printed volume features a layered bricolage that is undergirded by confident brushwork and an intuitively intimate color sense. All of it is solidly welded to an amazing and joyful sense of play in the service of a universalized personal revelation. Taken together, it makes for an unforgettable reading...