This One Summer is a finely nuanced portrait of pubescents at the dawning of their age of sexuality that will have readers slowing down if not stopping in their tracks to pause and soak up every line ofstunningly good work. The Tamaki cousins enter Hernandez brothers territory here, with their deftly characterized and deeply empathic portraits of each pen & ink participant in the drama that unfolds on these pages. There are echoes, too, of Charles Burns’s Black Hole, in the presentation of the protagonists' stumbling upon detritus strewn outdoor settings that stand as a synecdoche forinnocence’s discoveringthe mysteries of sexual...

Eleanor Davishas been producing comics of all sorts and sizes, employing a dazzling array of techniques and styles, for over a decade. In addition, she is an accomplished and widely published illustrator who also engages in a personal art practice. These multiple disciplines have continually informed and reinforced each other, leading to the rich and varied nature of the work that she continues to create. The work collected between the covers of How to Be Happy – much of it previously published inMOME– amply demonstrates the quality and range of her work, with a special focus on her most recent watercolor comics work, most notably "In Our...

Now at last available in the USA, here is a look at where it all started – manga that is! This pint-sized box set is truly power-packed! While it’s pages measure a mere 4 1/4" x 5 3/4”, its three volumes contain well over 1000 pages total, over 900 of which are fully devoted to reproducing the most extensive selection of Hokusai’s ten-volume handbook of drawings – which he dubbed manga – that he originally published between 1814 and 1820 (although an additional five volumes were published long after his death, bringing the total to 15 – we think; read the notes accompanying these volumes for the full details) currently available in a...

An epic, hallucinatory journey that while physically set in South Africa, embarks from a place of alienation and detachment and travels throughdark and confusing psychological spaces – often viathe useof various psychoactive drugs – to arrive at an unexpected series of destinations, Highbone Theaterprovidesa comics trip like no other to anyreader adventurous enough to climb aboard.Imagine, if you will, a very Charles Burnsian narrative in which dream and reality, imagination and perception, delusion and conception, fiction, fantasy and rumination are all inextricably bound together into an irreducible mass. Then imagine it featuring a cast...

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...

Another impossibly good album from the one and only Joe Henry. Amazingly, you can listen to the entire LP online at his site, HERE (Just click on "Launch MP3 player to listen"). And while you're listening to it, you can take a moment to read the note he penned on the day of its release, HERE. And, please note that both the package and booklet covers feature photographs taken by Eugene Smith in Pittsburgh, PA during his epic Dream Street project of 1955-56.

The cover image with whichthe collectedArt Comicfirst greets the eye,in juxtaposing Yves Klein’s “Leap into the Void” with Jeff Koon’s “Balloon Dog,” sends a strong, clear signal of what is in store for the reader, once they crack the cover. The protagonist’s leap here is made with an expression mixing equal parts of hope,fear and anxiety (with, perhaps, a hint of aggression), likely matchingThurber’s own feelings regarding the work’s central concern: the contemporary, NYC-centered, fine art world, and his experiences therein and thereof.

The story begins from the perspective of youthful idealism embodied by students attending Thurber’s...

This volume reissues the seminal, long out-of-print, and highly sought after volume which collected Spiegelman's trailblazing (pre-Maus)1970s work. These are the thoroughly original, self-aware comics about comics through which he forged a comics of deconstruction. This, in turn, led him, along with his wife, François Mouly, to pioneer a new comics aesthetics that forefronted comics' formal properties, consciously focused on the mechanics of production and that changed the face of comics in the 1980s: RAW. And there's more: this fabulous, oversize harcover volume includes a 20-page introduction in comics form in which Spiegelman takes the...

<<•>> edited by Alex Spiro; introduction by Paul Gravett <<•>> art by Stuart Kolakovic, Mikkel Sommers, Brecht Vandenbroucke, Luke Best, Rob Hunter, Jon McNaught, Ben Newman, Andrew Rae, Luke Pearson, Jack Teagle, Jon Boam, Jakob Hindrichs, Clayton Junior, Daniel Locke, Isabel Greenberg, Mike Bertino, Nick White, Rui Tenreiro, Sean Hudson, Luc Melanson, Katia Fouquet, Yeji Yun, Matthew Lyons & Liesbeth De Stercke <<•>> The fine folks at the London-based NoBrow Ltd. have produced their first anthology, and it's a doozy! Editor, Alex Spiro has assembled twenty-four artists and, with a nod to The Book...