An epic, hallucinatory journey that while physically set in South Africa, embarks from a place of alienation and detachment and travels throughdark and confusing psychological spaces – often viathe useof various psychoactive drugs – to arrive at an unexpected series of destinations, Highbone Theaterprovidesa comics trip like no other to anyreader adventurous enough to climb aboard.Imagine, if you will, a very Charles Burnsian narrative in which dream and reality, imagination and perception, delusion and conception, fiction, fantasy and rumination are all inextricably bound together into an irreducible mass. Then imagine it featuring a cast...
Eleanor Davishas been producing comics of all sorts and sizes, employing a dazzling array of techniques and styles, for over a decade. In addition, she is an accomplished and widely published illustrator who also engages in a personal art practice. These multiple disciplines have continually informed and reinforced each other, leading to the rich and varied nature of the work that she continues to create. The work collected between the covers of How to Be Happy – much of it previously published inMOME– amply demonstrates the quality and range of her work, with a special focus on her most recent watercolor comics work, most notably "In Our...
Boundless is a 248 assemblage composed of ninetales: World Class City;Body Pods;The Clairfree System;1. Jenny;Half Life;Darla!;bedbug;Sexcoven;Boundless. Each is possessed of itsown individual artistic personality, chosen to best visually convey the character of the story:rough and ready;smooth and silky;precise;loose;colorful;stark. Here, the real story is the way in which the taleis told. Decision embodied in line and composition.
Each of the pieces, while being a unique organic whole in and of itself, is part of a greater whole as well; part ofa tapestric unity. These stories deal with individuals alone, together and in groups. They...
The cover image with whichthe collectedArt Comicfirst greets the eye,in juxtaposing Yves Klein’s “Leap into the Void” with Jeff Koon’s “Balloon Dog,” sends a strong, clear signal of what is in store for the reader, once they crack the cover. The protagonist’s leap here is made with an expression mixing equal parts of hope,fear and anxiety (with, perhaps, a hint of aggression), likely matchingThurber’s own feelings regarding the work’s central concern: the contemporary, NYC-centered, fine art world, and his experiences therein and thereof.
The story begins from the perspective of youthful idealism embodied by students attending Thurber’s...
How To Be Drawn has arrived! The latest volume of poetry by Pittsburgh's own MacArthur Fellow, Terrance Hayes, this 100 page collection is divided into three parts, each composed of ten pieces (decalogues?) --Troubled Bodies; Invisible Souls; A Circling Mind -- followed by an epiloguical closer. While firmly grounded in Hayes's own personal landscape, the thirty-one poems collected here roam the world, from "Russia's red-light districts" to New York's Chinatown, explore histories and cultures, and celebrate a cornucopia of creators and creative forms -- most abundantly, musicians and music; most succinctly, writers and writing; and, most...
And while we're talking about learning more about the world around us, here's a book of historical reportage in comics that helps us come to understand how things got to be the way they are. The ever-fascinating David B. takes his readers on an unexpected voyage through the waters of history in this informative, educational and timely volume co-piloted by Jean-Pierre Filiu. As readers of B.'s breakthrough masterpiece, Epileptic already know, he is quite adept at depicting scenes of warfare, and, what's more, in doing so in a way that reveals otherwise hidden forces at work below the surface of the battlefield. David B. masterfully employs...
Sky in Stereo started out life in a series of digest-size, pamphlet comic books which were then collected with additional material as Volume One. Now, at last, we have the long awaited conclusion to (Sacha) Mardou's graphic novel of growing up in a nameless British location (that likely bears more than a passing resemblance to the Manchester of Mardou's own youth).
While all children must cross thesea of adolescence to gain the continent of adulthood, eachmakes their own personal and unique crossing, and while some find this crossingrelatively smooth, others may encounter stormy seas. Here in the pages of the second and final volume ofSky...
Well, if you're only going to read one comic book this year... then you are going to have to steer clear of this one! That's becauseBuilding Storiesis a box set offourteenseparate comics pieces, including two hardcover books, pamphlet style comics, accordion fold-outs, newspapers, flip books,a gameboard-esque piece,and more (check out the accompanying illustrations to get an idea). In his relentless quest to up the ante of what comics are capable of pulling off, Mr. Ware has pulled out the stops, called in the reserves, and put the Acme Novelty Company on a wartime footing to forge thismassive meditation on the parallelsbetween the...
Hold onto your hats!We havereceivedan all new, 48 page, full color, French-flapped,oversized, self-published comic book by Anders Nilsen, the first in a new series: Tongues.
A blend of classical mythology, current events and science fiction, the three segments/chapters that make up this first issuealso continue to confrontphilosophical and ethical concernsaddressed by Big Questions and Dogs and Water, and as such the series appears thus far toconstituteanextension of the themes present these works.
Here's a little bit about it along with some preview images: https://www.andersbrekhusnilsen.com/blog/2017/5/24/tongues
This book presents the strongest of David Collier's work and is one of our perennial best-sellers here at Copacetic. It is filled with extremely engaging stories of the lives of minor, obscure and offbeat Canadian figures. Some of these are full fledged biographies, such as the fascinating account of Humphrey Osmond, the Canadian scientist who was an early researcher into psychotropic drugs and reputedly coined the term "psychedelic." Then there's the life story of Ethel Catherwood, the Olympic high jumper known as the Saskatchewan Lily, who ended up obscure and reclusive. A more tightly focused tale is that of "Grey Owl," an enigmatic...
Having personally known and professionally worked with Ed Piskor for over twenty years, the news that he has, evidently, taken his own life, came as a deep shock here at Copacetic. We first encountered Ed while he was still a gawky, geeky teenager and had no inkling of the major force in comics that he would go on to become. As we followed his progress from working with Harvey Pekar to self-publishing – and very savvily marketing – Wizzywig, it became apparent that he was both very capable and highly ambitious, and, perhaps most notably, extremely focused on his goals. Once he launched his Hip Hop Family Tree series, he was truly in his element. He took off from there, and didn't look back.
As there is no longer any road ahead for Ed, we will take a moment to look back now and keep him in our thoughts.
We are death. This thing we think of as life is only the sleep of real life, the death of what we truly are. The dead are born, they do not die. These worlds have become reversed for us. When we think we are alive, we are dead ... Everything we consider important in our active lives participates in death, is all death. What are ideals but a confession that life is not enough? What is art but negation of life?
...
To consider our greatest anguish an incident of no importance, not just in terms of the life of the universe, but in terms of our own souls, is the beginning of knowledge. To reflect on this whilst in the midst of that anguish is the whole of knowledge. When we suffer, human pain seems infinite. But not even human pain is infinite, because nothing human is infinite, nor is our pain ever anything more than a pain that we have ... The pain of not understanding the mystery of life, the pain of being unloved, the pain of others' injustice to us, the pain of life crushing us, suffocating and imprisoning us ...
To some who speak and listen to me I must seem an insensitive person. However, I am, I think, more sensitive than the vast majority of men. I am, moreover, a sensitive man who knows himself and therefore knows what sensitivity is. It isn't true that life is painful, or that it's painful to think about life. What is true is that our pain is only as serious and important as we pretend it to be. If we live naturally, it would pass as quickly as it came, it would fade as quickly as it bloomed. Everything is nothing, and our pain is no exception.
...
Everyone and everything oppresses me, chokes me, and maddens me; I am troubled by a crushing physical sense of other people's lack of comprehension ... Seeing myself frees me from myself. I almost smile, not because I understand myself, but because, having become other, I'm no longer able to understand myself. High up in the sky, like a visible void, hangs one tiny cloud, a pale forgotten fragment of the whole universe.
– Fernando Pesoa, from The Book of Disquiet (translated from the Portuguese by Margaret Jull Costa)
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