
While Darwyn Cooke originally planned for a two-year stint on The Spirit, circumstances conspired to cut his run short at the halfway mark. The evidence of this final issue -- an exigetical adaptation of Eisner's original Sand Saref story (the same story Frank Miller's upcoming movie is also using as it's core text) -- bears out that this is all it took for Cooke to bore right to the core of not just the character of The Spirit but of the spirit of the noir sensibility itself. Through his masterful employment of Eisner's late style (which Eisner himself used to portray the past; i.e. his own childhood during the depression out of which so...

In the full color pages of Inappropriate, her latest hardcover collection from Uncivilized Books, Gabrielle Bell delves into the porous borderland between fact and fantasy, a land populated by daydreams,conjectures, anxieties, obsessions, recollections, ruminations, self-doubts,self-incriminations and much more, all clearly communicated in her ever more confidently created comics.And then there is the collection's standout piece, "The original, true, biographical versionof Little Red Riding Hood," which sets the tale in an ahistorical New York City. Inappropriate isBell's best collection to date. Here, she has broken through to a more...

It's here. The originalLocas saga featuringMaggie & Hopeyfrom the original run of Love and Rockets. It's creation beganin 1981 and it ran through 1996. 712 pages. All Jaime Hernandez. What more needs to be said?
All printed in the same magazine-size, on the same flat white stock, as the original issues. All together in a massive* hardcover with sewn binding.
A look at the book and a few samples of the greatness that reside within: HERE.
Now in stock.
SPECIAL INTRO PRICE
* Almost seven pounds; thus the high shipping cost (sorry).

>> SOFTCOVER <<
Perhaps the single greatest science-fiction-adventure bande dessinée series of all time, the six-volumeseries that was originally published in France throughout the 1980s has at last been collected in its entirety in a single 316 pagesoftcover volume for a price that works out to less than $4.50 per volume – barely more than a standard American comic book. Massively influential (see Brian Michael Bendis's introduction cum rant), The Incal has informed many a popular culture work, across mediums: films, television series, and books, in addition to the countless comics, manga and graphic novels tha have been...

The long awaited follow up toAbandoned Carshas arrived.The Lonesome Gois a giant oversize volume packed with more carefully placed ink lines than any book this side ofBlack Hole.Taking a hint from theLegend of Duluoz, St. Louis resident and Washington University lecturer, Tim Lane takes a turn down aLost Highway on aSavage Night, whereA Good Man Is Hard to Findand a sprawling chaos of comics ensues, recorded employing a visual lexicon that is partCharles Biroand partCharles Burnsand shines a light onthose parts of the American psyche that are usually left festering in the dark, allin the service of creating an acutely observed and fully...


Anyone on the lookout for intellectually stimulating, æsthetically challenging work – regardless of the form it takes – should be sure to investigate the comics of Dash Shaw. Shaw is a sophisticated visual thinker and natural experimenter unconstrained by generic conventions or audience expectations. In Doctors, soap operatic melodrama mixes freely with science fiction concepts (Philip Jose Farmer / Philip K Dick) and both are together presented to the reader with a bold decisive formalism that simultaneously brings to mind painters such as Hans Hoffman and filmmakers like Jean Luc Godard. The final product is in intriguing investigation...


Stroppy is here: it's ALL NEW; it's a self-contained whole; it's by Canadian cartoonist extraordinaire, Marc Bell; it's...a giant-size, full-colour, underground comix classic presented to an unsuspecting [well, not for long] public in the guise of a hardcover graphic novella. Stroppy channels the vigorous populist cartooning energy that can trace its roots back to the classic comics strips – especially the depression-era Popeye by E.C. Segar and Harold Grey's Little Orphan Annie. This vital populism was an integral part of American life and lore, but with the advent of the war economy in the late-1930s, it was sublimated into the national...


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Betsy and Joe began their careers in public television. Their recent filmmaking collaborations have a quiet, meditative style which is reflected in the shorts selected for this screening.
Betsy Seamans is a writer and filmmaker who makes documentary films about community and traditional life in the United States. She worked with Fred Rogers for over 30 years as script writer, actor and filmmaker for the MISTER ROGERS’ NEIGHBORHOOD program and to produce training materials related to children and community violence. For the past 15 years she and Joe have documented daily life in rural Tennessee. She received a National Endowment for the Arts award in 1971.
Joe is a documentary filmmaker by trade, working primarily for the Public Broadcasting Service since 1970 for series like the National Geographic Specials and NOVA for which his credits include producer, writer, and director of photography. Eight years ago, Joe began designing projections for theater and opera, primarily in Pittsburgh, where he has completed fifteen major productions.
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