
Working in an office building – or even visiting one! – will never be the same again after reading Theo Ellsworth's richly imaginative graphic novel interpretation of Jeff VanderMeer's tale (that was originally published as the lead storyin his2004 collection of the same name). Secret Life, as one might expect,is all about revealing adifferent sort of life lurkingjust below the surface of quotidian normalcy. It only takes an instant to realize that this is straight up Theo Ellsworth's alley! It's close toa perfect match, and Theo really goes to town. It is a bit different seeing him work on a more formally straightforward narrative, and...

introduction par Chris Ware Le secret le mieux gardé des vingt dernières années de la bande dessinée est probablement Storeyville. Aucune autre bande dessinée ne capture avec autant de succès l'énergie propulsive américaine que nous associons dans la littérature aux œuvres de Walt Whitman et de Jack Kerouac. Storeyville était sui generis à l’époque de sa publication initiale en 1995, quand il a paru sous la forme d’un journal tabloïde de 40 pages. Poème épique en bande dessinée, il révèle des profondeurs jusque-là inexplorées dans la forme. Employant une audace artistique qui était à l’époque sans égal, Storeyville incorpore des éléments d...


The Sky Is Blue with a Single Cloud,the first, and likely definitive, English language collection ofthe work of Kuniko Tsurita, the firstwoman contributor to Garo – debuting in 1965 at the age of eighteen(!) – is a revelation. The eighteen uniquely powerful stories collected in this softcover volume provide readers with340 pages of formally inventive and visually daring manga,alloriginally published between 1966 and 1980, during which period Tsurita was the only regularly contributing woman in the pages of Garo. In addition, there is an invaluable 40 page illustrated essay, "The Life and Art of Kuniko Tsurita," by Ryan Holmberg and...

Pulses raced throughout the shop as these meticulously designed and printed 11 5/8" x 12 1/4" hardcover books emerged from the box they were shipped in. This book is cover to cover fabulosity; not a square inch of wasted space is to be found. What we have on hand here are the more than 150 (!) full color – andwhatcolor! Katchor is revealed here to be a coloristpar excellence(think Pierre Bonnard) – full page strips Katchor has been producingsince 1988forMetropolis,the excellent and, crucially for our enjoyment of these Katchor strips, oversize magazine devoted to architecture, design and, as the name suggests, urban living. Rather than...

WOW! Attilio Micheluzzi's crisp, pen & ink, black & white artwork here in the 144 pages of this full-size hardcover edition of The Farewell Song of Marcel Labrume is knock-your-socks-off good. It's part of lineage that starts with the fine line rendering of Hal Foster and Alex Raymond on the one hand and strong compositional skills of Milt Caniff and Noel Sickles on the other, and that falls exactly – perfectly – between Alex Toth and early Jaime Hernandez (who then combined it with much else, took it in another direction and made it all his own). The characters and stories are at times reminiscent of Howard Hawks, with a tough guy...

(Book Two of the New Edition of the collected Love and Rockets) Most frequenters of this space are hep to the wonder of Love and Rockets. However, there are still those who have yet to see the light. Are you someone who still hasn't managed to get around to reading the greatest comics ever produced? If so, all we've got to say is: if you haven't read the original run of Love and Rockets (in any one of its extant formats) and you are trawling the web looking for exciting new releases and looking through back issue bins at your friendly neighborhood comics shop for classics of the days of yore, then you are simply wasting your time -- the...

An epic, hallucinatory journey that while physically set in South Africa, embarks from a place of alienation and detachment and travels throughdark and confusing psychological spaces – often viathe useof various psychoactive drugs – to arrive at an unexpected series of destinations, Highbone Theaterprovidesa comics trip like no other to anyreader adventurous enough to climb aboard.Imagine, if you will, a very Charles Burnsian narrative in which dream and reality, imagination and perception, delusion and conception, fiction, fantasy and rumination are all inextricably bound together into an irreducible mass. Then imagine it featuring a cast...

Golden Boyis an exuberant portrayal of the early, formative years of the object of thePeanutscharacter, Schroeder’s obsession, the German composer, Ludwig van Beethoven. Originally published in Germany in 2020, it has now been released in North America in an English translation by Nika Knight that well captures the spirit and style of the original German. This attractive, 192 page, full color, hardcover edition comes to us courtesy of Fantagraphics Books. It is by turns fascinating, fun, insightful, entertaining and altogether hugely enjoyable.
Mikael Ross, whose previous work from Fantagraphics,The Thuddisplayed a highly developed level...

Picking up where the first issue left off, Cold Heat #2 revs it up a few notches and takes us on a whirlwind ride through the dis-united states of the disturbed American psyche. Series artist, Frank Santoro once again refuses to play it safe. This time around he pulls out all the stops and takes the chances that most other artists wouldn't take even if they could. Leaping into the artistic no man's land between the well established borders of pre-existent genres, Santoro combines the propulsive narratives of mainstream American heroic adventure comics, the exaggerated expressiveness of Japanese manga, and the naivete of self-published...
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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