This ia a softcover 3-in-1 omnibus of the three hardback Aya graphic novels previously released by Drawn & Quarterly over the last five years or so:Aya, Aya of Yop City,andAya, the Secrets Come Out. It also additionally contains a healthy portion (32 pages or so) of bonus support materials not found in the original volumes. Priced at barely more than one of the originals, this is a bargain! More than that, it is well over 300 pages of beautifully drawn and lushly colored comics depicting late 1970s life in thethe west African republic,Côte d'Ivoire (the Ivory Coast to us Anglophones). These comics will immerse readers in this far off...

Yes! The latest volume in the epic 30-volume Carl Barks Library has arrived. This one is perhaps the most riotous volume yet, filled with more fun-filled antics than any other yet published. This is due in no small part to Fantagraphics' decision to follow the stories that make up Donald Duck No. 26 -- one of the last wholly by Barks -- which includes the title track "Trick or Treat", with a whoppingfourteen consecutive classic 10-pagers! Originally published in a stretch that ran from late 1952 through 1953, these 10-pagers are filled with the comedic splapstick antics that Barks arguably did better than anyone else in comics, ever, and...

Picking up, more or less, where Ganges left off, Kevin Huizenga's new series, Fieldercontinues to map new worlds for comics. The issue opens up – after an intriguing symbolization of the nature of thought on the inside front cover – withBona, a deconstructive remix of Sam Glanzman’sKona(which featured, improbably yet likely, scripts by Lionel Ziprin), published by Dell in the early 1960s. This story, which is bifurcated, with another, earlier part of the story appearing later(!) in the issue, highlights formal aspects of classic comics narratives while simultaneously reflecting on their generic tropes and the cultural milieu that produced...

We've been selling Starstruck in one form or another since 1980, but were so used to hand-selling it that it didn't occur to us to put it onto our site... until now!

A long-time Copacetic favorite (that was, before that, a BEM favorite), Starstruck is the comics space opera par excellence! Lee and Kaluta's wacky, hi-jinx, freewheeling approach to story and relative unconcern with narrative cohesion (riffing, to some degree, on Gravity's Rainbow by Thomas Pynchon) – along with its non-linear approach to time – it has been printed in multiple arrangements and different orders without deleterious effect – allowed a truly epic scope for...

When we learned that New York Review Comics was planning a new edition of two of Vaughn-James's other major works from the 1970s (Elephant and The Projector), we felt it was high time to bring this work, which we've been selling the shop for quite awhile(whenever we can get our hands on some copies!),to the attention of our online customers. Originally published in 1975, asa hardcover edition of 1500 copies by Toronto'sCoach House Press, The Cage was reissued in 2013, againby Coach House, in a softcover edition. Vaughn-James had a unique approach to, as well asa clearly prescientvision of, long form visually-centered narrative. Among his...

Back in print at last, this classic memoir of Chester's high school obsession with Playboy Magazine disabused Hugh Hefner of his notion that Playboy was just good clean fun - but only for the five minutes or so it took him to put it out of his mind. Other, more engaged thinkers will hold onto this impression a bit longer. It's hard for most to realize in this day and age when the high school memoir is a major staple of the comics – or should we say, graphic novel – market, but when the comics that make up this volume, and its companion piece, I Never Liked You, were first serialized in the pages of Yummy Fur, they were like nothing anyone...

Originally published in 1960 and out of print for many years, The Labyrinth is Saul Steinberg's most significant single volume collection. It has now at long last been reissued in a this superb hardcover edition from New York Review of Books, whichfeaturesa new introduction by Nicholson Baker, along with anafterword by Harold Rosenbergandnew notes on the artwork from by Sheila Schwartz, the Research and Archives Director of The Saul Steinberg Foundation. Steinberg's oeuvre is unique, straddling the worlds of comics, illustration and gallery art whileproviding a window on the process ofcreative thought in line.

An epic, hallucinatory journey that while physically set in South Africa, embarks from a place of alienation and detachment and travels throughdark and confusing psychological spaces – often viathe useof various psychoactive drugs – to arrive at an unexpected series of destinations, Highbone Theaterprovidesa comics trip like no other to anyreader adventurous enough to climb aboard.Imagine, if you will, a very Charles Burnsian narrative in which dream and reality, imagination and perception, delusion and conception, fiction, fantasy and rumination are all inextricably bound together into an irreducible mass. Then imagine it featuring a cast...

Log considered the essential, go-to guide to drawing comics. Start here.

Sub-titled, "July 1, 1916: The First Day of the Battle of the Somme",The Great Warpresents in a single image a visual distillation of the events of that day. While this is not the first 20+ foot-long single image comics book that has come our way – that honor going to Helge Reumann and Xavier Robel's hyper kineticElvis Road, originally published in Switzerland in 2002 by Pipifax, and then in the USA by Buenaventurra Press in 2007. But whereas Elvis Road presented a frenzied instant of urban chaos that was unreadable – in the sense that there was simply no way to narratively digest the complexity of the image; all one could do was bask in...