Writtenand drawn – and designed – by the Italian artist, Igort (translated into English by Jamie RIchards) and printed in Italy, Japanese Notebooks is a sumptuous visual feast. It is also, of course, much more. It is: an investigation of the personal forces that drive artists to create in general andto pursuethe particular paths they do; an exploration ofhow their imaginationscome to be possessed byspecific images; a memoir of one particular artist's journey; and much else. Igort is one of the most accomplished comics makers currently working, and Japanese Notebooks is likelyhis most personal work yet, one that is apt to hold aparticular...

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ONE BRAND NEW COPY!

Think of how much a better place the world would be if, when people heard the name Ron, instead of thinking of Ronald Reagan, Ronald McDonald orL. Ron Hubbard,they instead all thought of Ron Regé, Jr.! We can all now do our part to make this a reality by partaking in Ron's mega-masterwork of mental (re)mapping,The Cartoon Utopia, wherein Ron dives deep into the waters oftheosophy, through which a peck of profound painters of the previous turn-of-the-century swam – most notablyWassily KandinskyandPiet Mondrian, en route to their mature styles – and also ascends into the abstruse realms ofalchemythat...

We were excited enough by this book's publicationthat we ordered it – from France – in it's originalFrench language release (resulting in us charging more than twice as much as we are for this North American release!). While, of course, there have been comics about jazz in the past – some of the best of which, intriguingly, have also originated in Europe– in Total Jazz, Blutch, comics master that he is, has done more than most to bring the spirit of jazz to itsrepresentation in comics form;working towardstranslating the jazzethos of improvisation within formal compositions into the language of comics. While many of the short pieces...

Jimmy Corrigan, the Smartest Kid on Earth (JCTSKOE) is, first and foremost, the tale of the development of the American super-ego, it’s human cost, and its relationship to the comic book super-hero. Ware’s choice of the Chicago Exposition of 1893 to serve simultaneously as historical signifier and the origin of his narrative is key in this regard. It is with the exposition of 1893 -- most importantly, at least as far as JCTSKOE is concerned, in its design and architecture-- that the USA reveals its fantasy of, and implicit ambition towards, empire in the classical Greco/Roman mold. It was Walt Whitman’s fever dream made flesh-- or at least...

FROM THE ARCHIVES

ONE nice, close to new copy (with a light 1/2" tear in cover wrap at spine; nearly invisible). Actual copy for sale pictured at left.

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It's here! This 264-page hardcover just released by Abrams ComicArts is sure to be the definitive comics biography of the one and only Ernie Bushmiller. Three Rocks digs deep and unearths some gems of insight (along with plenty of classic Nancy strips). A MUST for all Ernie Bushmiller – and Bill Griffith – fans!

Three Rocks weaves together fact and fantasy, history and speculation, as Griffith mixes research and his own artful musings with classic Bushmiller reprints. Uniquely and intriguingly, Griffith samples Bushmiller artwork – individual panels along with isolated figures from the strips – and remixes them for his own narrative ends...

Finally!!! This has been in the works for – literally – over a quarter-century (the project goes at least as far back as 1988, as you can see [if you squint] by the copyright date of this poorly formatted scan of an early installment of the text posted HERE). After repeated cancellations and seemingly interminable delays, How to Read Nancy: The Elements of Comics in Three Easy Panels, Mark Newgarden & Paul Karasik's definitive deconstruction of Ernie Bushmiller's iconic Nancystrip - and, by extension, all of comics - has at long last been published and has touched down at Copacetic. Finally!!!

Learn more by reading Dan Nadel's...

Anyone who ever wondered whatpornographic comics produced by Chris Ware would be like to read probably won’t ever get an answer closer to Italian cartoonist, Miguel Vila’s North American debut, Milky Way, seamlessly translated by Jaime Richards and delivered to readers in a solid, well-designed, 176 page, 7" x 10", full color hardcover. As would be expected in such a case, Milky Way is not, of course, a work of straight-up pornography, but rather it is – as it would be if penned by Ware – a complex work of meta-porn, a look at the context, function and effects of pornography at the same time as it is also pornography; it examines the...