Yes, here it is: the most talked about book in comics. Five years at the drawing board hath wrought Crumb's own pen & ink rendering of the West's origin myth. Crumb, as he warned and as we would naturally expect, hasn't pulled any punches and has illustrated this tale as written, warts and all. Crumb says it best himself in his introduction: "I, R. Crumb, the illustrator of this book, have, to the best of my ability, faithfully reproduced every word of the original text... Every other comic book version of The Bible that I've seen contains passages of completely made-up narrative and dialogue, in an attempt to streamline and...

What more can be said about the genius of Carl Barks? It towers over the landscape of comics history like the statue of Duckburg's founder, Cornelius Coot (erected by Uncle Scrooge in "Statuesque Spendthrifts" fromWalt Disney's Comics and Stories#138; collected inA Christmas for Shacktown),towers over that fair city. The title tale of this latest volume in the 15 year project to collect the entirety of Barks's Disney oeuvre, "The Old Castle's Secret" is a classic book-length tale of eerie mystery that was originally presented inFour Color#189, published in the summer of 1948, that provides the first fleshed out iteration of Uncle Scrooge...

<<•>> WAREHOUSE FIND <<•>> Much to our amazement, a heretofore unknown secret stash of the original 1995 newspaper edition of Storeyville has been unearthed! Each copy had been sealed in a polypropylene bag and the entire box had been taped up and stored away in a corner where it was eventually forgotten... until now! We haven't seen a copy of this for sale anywhere for years (except for one that was on sale on Amazon for $1000!) so, if this is something you've been thinking about, don't debate about it too long, as there's only this one box, and when it's empty, that's it! A perfect match of form and content, ...

¡WOW! Goes Like This is a book lover's delight. The printing, the design, the production, and, of course, the work itself all come together to generate a uniquely satisfying finished product. Collecting Jordan Crane's comics and prints from the last twenty years, this one-of-a-kind volume features – unusually – an exposed spine, in which all the sewn-signatures are then in turn joined and sewn across the spine (we counted an even dozen horizontal stitches) and rubber cemented for a kind of industrial strength stab-binding. This binding enables the book to fully open, allowing the pages to lie flat, and also to be strong enough to endure...

Wow, a double dose of Ron Regé, Jr.! (along with YH #12, which was released simultaneously) This one is technically Yeast Hoist #(lucky)13. It is a beautifully drawn, designed and produced square format volume. Printed in two colors with a full color flexi cover and endpapers this book is an aesthetic treat and a bargain to boot. Ron Regé, Jr. is channelling the spirit of the 20th century American painter, Charles Burchfield into 21st century comics. Like Burchfield's paintings, Regé's comics in this volume fill the viewer/reader with a sense of wonder at the impossible beauty and strange otherness of nature. His work really puts you...

FROM THE ARCHIVES

A run of nine consecutive volumes of Ranma 1/2 by one and only Rumiko Takahashi. Ranma 1/2 is a true classic manga series, whose influence on subsequent shoojo manga is hard to overstate. It also offers a wealth of humorous observations on gender norms and gender construction, to boot!

We came across this run in the archives; all new and unread. If there's anyone who picked up the first volume and is ready to read more, this is a perfect opportunity to do so!

OK, this is not just the perfect gift book for the jazz fan on your list, it is also makes for an ideal gift to give to anyone -- of any age -- who has a love of words and pictures. This sumptuous hardcover volume has the potential to turn the squarest square into the heppest cat. Everyone is a jazz fan in the making: this is just the ticket to inspire them to take a closer look. Jazz ABZ is a pæn to jazz in art and poetry that simply has to be seen to be believed. The essence of jazz -- collaboration, composition, and improvisation -- is embodied in this singular tribute to the form. The overall package is designed to resemble the...

From the view here at Copacetic, it appears that Monica has received the highest profile debut of any book in Fantagraphics history – talk about buzz! When was the last time that a graphic novel made the cover / lead review of the New York Times Book Review? (those with access can read it here) Then there's the Washington Post (ditto, about access) Then there's the pieces in the LA Times, The New Yorker, Vanity Fair, and a pair of reviews in The Guardian (first | second), and that's just for starters.

In typical Clowesian fashion, Monica follows the titular character through one rabbit hole after another, as she searches for the meaning of...

Here it is, at last: a cosmic consciousness primer for kids. Inthese pages, Crane has stripped down his æsthetic to its core, crafting bold,optic nerve stimulating illustrations thatleapscales from the macroscopic to microscopic and back again, in dynamic andwildly colorfulimages that arestraight forward andimmediately,intuitively comprehensible.Taken together with the accompanyingsimple blocks of text, the series ofsequential combinations of images that make up We Are All Me unlock a latent power strong enough tolightup dormantneurons, leadingto new connections, and stimulatingspeculations, revealinga sense of wonder at creation capable...

We've been big fans of the work of Mr. Hankiewicz for quite some time, and are thrilled to be able to offer Sparkplug Comic Books' massive new 108-page, 8 1/2" x 11" collection of his totally unique, perplexingly obscure, abstrusely enigmatic, elegantly rendered pen and ink parables and small tales. This work is frustratingly difficult to describe, and we're not going to try at this juncture. (OK, we'll give it a lame whirl: think of the precise, detail driven work of Charles Sheeler (got it?) and then add to this a blend of David Lynch, René Magritte, Max Ernst and Franz Kafka, and then convert the whole shebang into a pen-and-ink graphic...