>> SOFTCOVER <<

Perhaps the single greatest science-fiction-adventure bande dessinée series of all time, the six-volumeseries that was originally published in France throughout the 1980s has at last been collected in its entirety in a single 316 pagesoftcover volume for a price that works out to less than $4.50 per volume – barely more than a standard American comic book. Massively influential (see Brian Michael Bendis's introduction cum rant), The Incal has informed many a popular culture work, across mediums: films, television series, and books, in addition to the countless comics, manga and graphic novels tha have been...

"The definitive course in comics narrative" continues, as Mastering Comics ventures deeper into the wilderness of formal comics instruction, widening and extending the trail blazed by Drawing Words & Writing Pictures. This horizontally formatted volume follows the same textbookish format as its precursor; this time around divided into eleven lessons, rather than 15, and at 318 pages is a tad heftier. This works out to lessons that are on average 50% longer and more in depth. In other words, Mastering Comics is a 200 level class to DW&WP's 100 level (although the authors clearly state that DW&WP is not a prerequisite for MC)....

When we learned that New York Review Comics was planning a new edition of two of Vaughn-James's other major works from the 1970s (Elephant and The Projector), we felt it was high time to bring this work, which we've been selling the shop for quite awhile(whenever we can get our hands on some copies!),to the attention of our online customers. Originally published in 1975, asa hardcover edition of 1500 copies by Toronto'sCoach House Press, The Cage was reissued in 2013, againby Coach House, in a softcover edition. Vaughn-James had a unique approach to, as well asa clearly prescientvision of, long form visually-centered narrative. Among his...

Hot off the press!

John P. has this to say about his latest creation: "This All-Animals Issue features stories on possums, dogs, cats, Midwestern mountain lions, moths, horses, frogs, toads, and more! Plus Catcalls and Top 40 etc etc. A winner. 40 digest pages, black and white throughout."

The All-Animals Issue! Don't miss it!

Here's the one Copacetic customers have been ringing the phone off the hook about. And not without reason. Each issue of Ganges has managed to make something new with the comics form. Huizenga pretty much picks up here where #3 left off – it may very well be the very same evening, diegetically speaking – and continues exploring the twilight zone of consciousness that lies between waking and sleeping, where memory and fantasy mix with all kinds of thought: this time around, from list-making to self-analysis to pondering the nature and meaning of being and time and space and... well, you get the idea. Ever the innovator, Huizenga has here...

Twenty-five years ago, inRaw, Volume 2, Number 1, Richard McGuire published a six-page work, titled "Here"*, and comics have never been the same since. Now, McGuire has expanded his revelation into a full length work, that, while it may be considered to fulfill the definition of graphic novel, is clearly something more besides. Years in the making,Hereis a meditation on time and its passage through place that employs the power of comics to concisely and powerfully convey their inextricable relation. ReadingHere, one is quickly gripped by a feeling of the uncanny. The realization that the precise spatial coordinates occupied by the room...

Comics may not just be for kids anymore, but, of course, they still are especially well suited for stimulating the construction of neural pathways involved in decoding text, images and linking them together in chains of meaning – aka learning! – all of which are crucial to developing kids' minds. Even more importantly, many kids are naturally drawn to comics and quite a few actually enjoy making them. What better way to keep kids out of trouble and get them in touch with their creative side than encouraging them to make their own comics? And that's exactly what Comics: Easy as ABC aims to do. Penned by noted comics educator and author of...

Originally published in 1960 and out of print for many years, The Labyrinth is Saul Steinberg's most significant single volume collection. It has now at long last been reissued in a this superb hardcover edition from New York Review of Books, whichfeaturesa new introduction by Nicholson Baker, along with anafterword by Harold Rosenbergandnew notes on the artwork from by Sheila Schwartz, the Research and Archives Director of The Saul Steinberg Foundation. Steinberg's oeuvre is unique, straddling the worlds of comics, illustration and gallery art whileproviding a window on the process ofcreative thought in line.

With the arrival of this, the second issueof the series, it becomes clear that the first was but a prologue. Here, in the 88 full color pages ofUnsmooth #2: BUM, E.S. Glenn opens up new portals and reveals previouslyunseen dimensions of what will henceforth be known as the Unsmooth Multiverse. Enmeshed within an encompassing framework of ligne claire bande dessinée, readers will encounter mechamanga (along with a snatch of horror hentai)– plus sub-titled anime videos – New Yorker cartoons (and anold school Penguin paperback), cartooned modern art (along with some graffiti),some classical, newspaper Sunday-pagestrips,photobooth strips,and...