Street Angel is BACK... in print. Street Angel: Princess of Poverty is an expanded softcover reprint of the AdHouse hardcover from several years back, which was itself an expanded reissue of the Slave Labor softcover collection of several years prior to that. All three editions collect the five-issue run of the original black & white Street Angel series published by Slave Labor Press coming up on twenty years ago now(!), along with ever increasing amounts of bonus material. So, with each iteration, The Princess of Poverty gets bigger and better!

This volume is, thus, the biggest and best yet! It includes everything in the previous...

It's here. The originalLocas saga featuringMaggie & Hopeyfrom the original run of Love and Rockets. It's creation beganin 1981 and it ran through 1996. 712 pages. All Jaime Hernandez. What more needs to be said?

All printed in the same magazine-size, on the same flat white stock, as the original issues. All together in a massive* hardcover with sewn binding.

A look at the book and a few samples of the greatness that reside within: HERE.

* Almost seven pounds; thus the high shipping cost (sorry).

Here it is in all its glory: the complete X'ed Out Trilogy – X'ed Out, The Hive and Sugar Skull – altogether in a single, attractive and affordable, full-size, softcover collection. Conceived as a Burnsian tribute to Herge's TinTin, the tale told in Last Look is a tortuously twisted take on thoseepic adventures in which the polyanna-ish innocence of TinTin is replaced molecule by molecule with the corruptions that are so readily at hand inthe world as we find it and, crucially, inthe world as our humanimagination makes it, as well. Perhapsmost of all, Burns demonstratesthe way in which these two worlds intersect.It is here that the...

At last, the good news has arrived!

The Offical Breakdown Press Release sayeth:

223 x 312mm -- 240 pages --offset printed -- softcover

"Read any GOOD BOOKS lately, punk?"

For the first time ever,Good News Bible: The Complete Deadline Strips of Shaky Kanecollects Shaky Kane's complete comic strips and illustrations from the ground-breaking British counter-culture magazine, Deadline, which between 1988 and 1995 spawned Alan Martin & Jamie Hewlett's Tank Girl and launched dozens of cartoonists' careers.

Drenched in wry wit, Kane's politically charged, hallucinatory, Jack Kirby-infused punk cartoons crackle with intensity and bombast,...

Break out the bongs, Blessed Be has arrived! Rick Altergott has been producing his unique (but definitely inspired by and to a degree derived from the classic Mad) brand of comics – at a painstakingly slow pace – for over three decades now. He's been working on Blessed Be in one form or another for something in the neighborhood of twenty years – but you can't rush quality, and we're here to tell you that it was worth the wait! Longtime readers will recognize some classic earlier Altergott-penned episodes from his and Ariel Bordeaux's early-aughts, two-person anthology series, Raisin Pie, reworked and repurposed here, all in the service of...

edited by Ivan Brunetti Published by Yale University Press, this awesome anthology is a worthy successor to McSweeney's 13 as the must have comics collection of the foreseeable future. Editor, Brunetti goes all out to offer us a (OK, well, his) canonical assemblage with the 400 pages of comics here on display, where it is the form itself that is always at the heart of the work represented. The work we find here -- while, of course, being comics -- is also, at some level, telling us something about comics, and this latter value-added feature can be attributed in no small part to Brunetti's editorial approach in assembling this work, which...

WIth Halcyon: Hermeneutics, or "The New Cartoon Utopia, Ron Rege, Jr. channels the Skibber Bee Bye vibe into a hybridic (schizophrenic?) enhanced/virtual reality // back to nature future via the hyper-connected computer/gaming saturated present and in the process continues to build his unique brand of visionary comics. This foray into the fantastic realms takes the physical form of a 112 page, giant-size (10+" x 12+"), full (flat) color, laminated hardcover volume. Angels and devils (who may be one and the same?) and other celestial beings of the spirit realm dash and dart about the cosmos, both inner and outer – and while doing so,...

Wow! Dark Horse really did it right this time and has produced a book worthy of the great Jesse Marsh art it contains. Their first (and, sadly, only) Tarzan Omnibus is a joy to behold. Collecting just shy of 700 pages of spectacular full color comics by the great Jesse Marsh and employing pitch perfect production throughout, this book is an instant Certified Copacetic Classic.

These stories were all originally published in the Dell comic book series, Tarzan beginning in 1948 and running – for 206 issues (with the second half of the run published under the Gold Key imprint) – through to 1972, whereupon the license went to DC (and then,...

This Giant-Size Special comic book (or graphic novel, if you prefer), is a mash-up of the famous D¡sn*y funny animal family and Charles Biro's Crime Does Not Pay comic book series that has been created with the "anything goes" spirit of classic underground comix, and that really does the job; it is – amazingly, fantastically, incredibly – successful. Cramming every classic noir trope into one non-stop roller coaster narrative, Michael Mouse is a rollicking radical read that runs through 69 1/2 pages of full color comics, employing a merciless 12-panel grid without let up; there is no pause, no chance to catch your breath; it just goes.

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This is perhaps the longest awaited work in the history of comics (No? Let us know what, in your estimation, beats it.). Over ten years in the making, Mazzucchelli's first ever solo graphic novel is also his first major work since his 1994 graphic adaptation of Paul Auster's City of Glass, a trailblazing, highly influential work which put him at the forefront of the then nascent "serious" graphic novel movement. David Mazzucchelli's work with Frank Miller in the mid-80s -- Daredevil: Born Again and Batman: Year One -- made him amainstream comics superstar, but then he walked away from it all to pursue his own calling of an independent,more...