
Log considered the essential, go-to guide to drawing comics. Start here.

This collection of works from the early 1980s by Millhauser starts off with August Eschenburg, a prototypical tale which serves as the template for several later Millhauser works, most notably Martin Dressler (see below). The middle section is composed of three stylistically linked forays into the classic short story mode, each of which stages an elaborate wedding of location with season to produce an exquisite evocation of an exact yet unnameable emotion, and each of which manages to pull it off. The stories that will really having you reaching for the champagne to celebrate their success, however, are the three that close out the volume,...

Unstable Molecules is one of the best graphic novels Marvel has produced... well, possibly, ever, but, to hedge our bets, let’s say, "in quite awhile." In any event, it is like nothing Marvel has ever produced in the past. It is a textual analysis of comics done in comics, and it is one of the finest ever produced -- certainly the finest ever produced by Marvel! It should be considered in the context of Understanding Comics and Hicksville as much as the Fantastic Four. Telling the "true" story of the "real people" that the Fantastic Four were based on, this book is a work of metacomics and a dream come true for students of narrative theory...

Hold onto your hats - the complete collection of The Panic Fables by Alejandro Jodorowsky has arrived. All 284 strips, originally created in 1967-1973, written AND drawn by Jodorowsky, all translated into English for the first time. This is it!

What can you say about a book that opens with a Galactus quote from Fantastic Four #49, drops more comics references -- particularly to the classics of the 1980s -- than any novel we've ever read, clearly shows the influence of Gilbert Hernandez's Palomar and, especially, Luba stories, AND won the Pulitzer Prize for best novel of 2007? We'd say, "This is a must read! Particularly suitable for fans of Jonathan Lethem's Fortress of Solitude and Michael Chabon's (also Pulitzer Prize winning) The Amazing Adventures of Kavalier and Clay." And then we'd add: The Brief Wondrous Life of Oscar Wao is a gigantic meditation on the inner life of the...

Kus! mono #11: This Year Is Next Year's Last Year by Christopher Sperandio
This Year Is Next Year's Last Year takes classic old school public domain comics – that look like they're largely from the 1950s, but maybe also some from the '40s and/or early 60s – and remixes them in all their newsprint saturated four-color glory in high quality scans repurposed via newly created (by Mr. Sperandio, we can only assume) text approriately rendered in a digital recreation of Leroy Lettering (or a close approximation therof) to create a caustic comics satire of the sad state of affairs that is the USA today. Everything is printed just right and really...

IT'SHERE! The sixth and (maybe? maybe not??) final issue of Kevin Huizenga's revelatory exploration of andmeditation on time and space:Ganges. This issue focuses on some of the effects of technology on our temporal experience. As always, Huizenga takes the opportunity to explore the unique properties of comics; searching for new, untried and/or under-appreciated approaches to what the medium has to offer by way of communicating concepts and states – of mind as well as of being.
While all of us employing the latest gadgetry, apps, platforms, etc. have no shortage of anecdotes pertaining to our experience, Huizenga isn't satisfied with...

PLEASE NOTE: new, but shelf worn copies, w/ minor cover dings
Now Let Me Fly is a 322 page hardcover that presents the story of Eugene Bullard, who started out life in the Jim Crow south here in the USA at the turn of the twentieth century, and then, through a combination of striving, daring and skill crossed the Atlantic, where, when the First World War broke out, he fought in the French army before going on to become the first African American fighter pilot in history. Ronald Wimberly's story is expertly crafted with a genius framing sequence that simultaneously drives multiple points across to any attentive reader. The story that...

Summerland is a unique piece of comics work, one which turns the typical creative hierarchy on its head, with the coloring in the dominant position, followed by the inking, then pencilling, and with the scripting tacked on almost an afterthought. The boldly inked lines are minimal yet effective in delineating the scene, and to brace the colors and let them do their stuff, and what they do here is something new. In the pages ofSummerland, Ms. Dawkins has improvised an innovative approach to color, one in which she "plays" the color scheme using tone clusters and chords, rather than the normative approach of hitting single notes and then...

A long time coming, Collier's Popular Press is a hefty softcover volume just released by Conundrum Press. It starts off with an introduction by noted Canadian comics scholar, Jeet Heer, who situates Collier's work here squarely in the tradition of "observational cartooning," for which he provides a concise history before ushering in a whoppin' 200 pages of Collier comics, originally published over three decades in a variety of Canadian newspapers and magazines – few, if any, of which have previously reached the straining eyeballs of stateside comics readers. In addition, a series of Collier's essays and personal recollections are mixed...
Check it out: the greatest thinker of the Twentieth Century did his thinking... in comics! Food for thought.
'What, precisely, is "thinking"? When, at the reception
of sense-impressions, memory-pictures emerge, this is
not yet "thinking." And when such pictures form series,
each member of which calls forth another, this, too, is
not yet "thinking." When, however, a certain picture
turns up in many such series, then — precisely through
such return — it becomes an ordering element for such
series, in that it connects series which in themselves are
unconnected. Such an element becomes an instrument,
a concept- I think that the transition from free associa-
tion or "dreaming" to thinking is characterized by the
more or less dominating role which the "concept" plays
in it. It is by no means necessary that a concept must
be connected with a sensorily cognizable and reproducible
sign (word); but when this is the case thinking becomes
by means of that fact communicable.’
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