Brecht Evens, creator of The Wrong Place, The Making Of and Panther (all of which except forPanther, which was, thankfully, just reprtinted arecurrently – and shockingly –out of print here in North America)has,in TheCity of Belgium,likely produced hismasterpiece.There might not be any other work that compares in the effectiveness ofits conveyance of the feeling of being immersed in the overflowing of city life, of the sense of being aware of everything, of being surrounded byso much – too much – that ishappening all aroundat every moment. Ariotous explosion of color and details communicate the overwhelming feelings that accompany this...

Wow! The first issue of Liz Suburbia's newseries, Egg Cream, is a knockout! Her crisp,confident line in combination withartfullybalanced blackspottingcreatescomics that come alive in smartly arrangedpanelsfillingone well-composed page after another– 96 pages in all – in this squarebound volume ofall new comics work;printed just right in black and white on newsprint with cardsrtock covers.Startingoff with a hefty installment of the follow up,second volume of Sacred Heart, and concludingwith thegraphically advenutrous "Goth Ex GF,"Egg Cream is easily the best new series yet seen in2019!

Anyone unfamiliar with Liz Suburbia can get an idea not...

Who Needs Donuts has found its way back to civilization! After a relatively brief hiatus out in the wilderness of"out of print status", Mark Alan Stamaty's sui generis work, originally published way back in 1973,and then reissued in 2004, has returned to the fold and is now once again back in print, in this new, faithfully reproduced hardcover edition from D & Q. Yay!

Here's our write up for the earlier, 2004 reissue:

Stamaty’s cult masterpiece is now back in print after a thirty year hiatus, in a beautifully produced hardcover edition. Once you start looking at this book, it's really hard to stop. You just get sucked in. The appeal...

If you’re looking for a book to kick-start your brain and move it into a higher gear, a book that will set your thinking on a fresh path and that by doing so will help extricate us, as a society, together, out of our present dark morass, and to provide a strong, sensible, workable basis on which to build a better tomorrow, then look no further –Doughnut Economicsis that book.

Kate Raworth is an educator, researcher and activist currently based at Oxford University’s Environmental Change Institute who is both smart enough and strong to recognize and identify the errors in the reigning economic theories that underpin the global capitalist...

Here's the one Copacetic customers have been ringing the phone off the hook about. And not without reason. Each issue of Ganges has managed to make something new with the comics form. Huizenga pretty much picks up here where #3 left off – it may very well be the very same evening, diegetically speaking – and continues exploring the twilight zone of consciousness that lies between waking and sleeping, where memory and fantasy mix with all kinds of thought: this time around, from list-making to self-analysis to pondering the nature and meaning of being and time and space and... well, you get the idea. Ever the innovator, Huizenga has here...

Principles derived in classical antiquity and then revived during the renaissance are given a new lease on life in comics (Renaissance II: Comics?) through the work of Frank Santoro.The Golden Section,Dynamic Symmetry, andplenty moreare all incorporated into the underlying structure of his work, and nowhere more so than here. The completePompeiigraphic novel premiered at the 2013 SPX, a year after its first chapter had appeared as a limited edition risograph at the 2012 SPX (and which went on to sell out in the blink of an eye).

The book's look and feel transmits an æsthetic charge even before it is opened to reveal a 144 page work,...

Summerland is a unique piece of comics work, one which turns the typical creative hierarchy on its head, with the coloring in the dominant position, followed by the inking, then pencilling, and with the scripting tacked on almost an afterthought. The boldly inked lines are minimal yet effective in delineating the scene, and to brace the colors and let them do their stuff, and what they do here is something new. In the pages ofSummerland, Ms. Dawkins has improvised an innovative approach to color, one in which she "plays" the color scheme using tone clusters and chords, rather than the normative approach of hitting single notes and then...

Before cracking open The Hard Tomorrow, it might be a good idea to mentally buckle up. Eleanor Davis's new graphic novellives up to its title. It is indeed ahard hitting look at how the here andnow could play out in what'scoming tomorrow – but certainly not one without hope, and that is, ultimately, the point. Beautifully drawn, dramatically paced, and overflowingwith empathy for its fully realized cast of characters, The Hard Tomorrow is vibrantly alive to being in the world in America in our time. Davis's choice to set the work a few years in the future (apparently2022 [which, of course, is now in the past - ed.]) givesher leeway to ramp...

Here it is in all its glory: the complete X'ed Out Trilogy – X'ed Out, The Hive and Sugar Skull – altogether in a single, attractive and affordable, full-size, softcover collection. Conceived as a Burnsian tribute to Herge's TinTin, the tale told in Last Look is a tortuously twisted take on thoseepic adventures in which the polyanna-ish innocence of TinTin is replaced molecule by molecule with the corruptions that are so readily at hand inthe world as we find it and, crucially, inthe world as our humanimagination makes it, as well. Perhapsmost of all, Burns demonstratesthe way in which these two worlds intersect.It is here that the...

Ronald Wimberly & Co. are back with another issue of the broadsheet newspaper art magazine, LAAB! A feast for the mind as well as the eyes, it features a host of fascinating pieces chock full of interesting insights designed to challenge our perceptions and conceptions of yesterday, today and tomorrow. This issue "concerns themes of death and environmental devastation, horror, hauntology, necropolitics, and the anthropocene. We ask what it means to die, and what it means to live -- and what might have to die for a future to be born." While this issue states that it is "#4", it is in fact the second issue, so, as long as you have the ...