As the increasingly pervasive mediated reality in which we find ourselves here in North America, in all its ever-more-varying-(and dazzling!) forms, gradually gains ground in its encroachment on the natural reality that we had formerly, and throughout the entirety of human evolution, taken for granted, our sense of who we are and what constitutes appropriate behavior in the broad spectrum of human endeavor and social interaction, is undergoing a shift. Lucky for us, Dash Shaw is here to help us find our way with this insightful comics examination of the changes that are going on right behind our noses.

Jimmy Corrigan, the Smartest Kid on Earth (JCTSKOE) is, first and foremost, the tale of the development of the American super-ego, it’s human cost, and its relationship to the comic book super-hero. Ware’s choice of the Chicago Exposition of 1893 to serve simultaneously as historical signifier and the origin of his narrative is key in this regard. It is with the exposition of 1893 -- most importantly, at least as far as JCTSKOE is concerned, in its design and architecture-- that the USA reveals its fantasy of, and implicit ambition towards, empire in the classical Greco/Roman mold. It was Walt Whitman’s fever dream made flesh-- or at least...

edited by Ivan Brunetti It's too early to say for certain, but this follow-up to Brunetti's already classic 2006 anthology, also published by Yale University Press, might just be even better than its precursor. One thing's for certain: Brunetti has held onto -- and further refined -- his editorial vision of arranging the work contained in this volume in an organic sequence, deftly managing to map out the similarities between artists so that each piece flows smoothly into into the other, creating an amazing sense of an innate connectivity between all areas of comics here on display. This book is a powerful ally in the struggle to bring the...

Beginning with the first impression – the juxtaposition of the book’s title, “Black Arms to Hold You Up” and its accompanying cover illustration of large, looming black arm(ament)s against a background of skeletons, between which the human actors are running in fear – it is clear right from the start that we are being presented with a multivalent and irony-rich agitprop work. It will be equally clear by the end that it is also a work capable of constructing new meaning through a masterful synthesis of image and text.

The phrase “to hold you up” in the title can have (at least) three possible meanings: 1) to physically hold you up, as in to...

And while we're talking about learning more about the world around us, here's a book of historical reportage in comics that helps us come to understand how things got to be the way they are. The ever-fascinating David B. takes his readers on an unexpected voyage through the waters of history in this informative, educational and timely volume co-piloted by Jean-Pierre Filiu. As readers of B.'s breakthrough masterpiece, Epileptic already know, he is quite adept at depicting scenes of warfare, and, what's more, in doing so in a way that reveals otherwise hidden forces at work below the surface of the battlefield. David B. masterfully employs...

Craig Thompson's long awaited follow up to Blankets – one of the most widely and loudly lauded graphic novels in history – is now weighing heavily on the shelves here at Copacetic. A sprawling, multi-layered, multi-faceted, multi-pronged work, Habibi is part history lesson, part tutorial, part travelogue, part anthro/socio/psychological study, part sermon, and all love story. Thompson clearly had outsized ambitions for this work, likely necessitated by the high expectations surrounding any follow up to Blankets. It's always an additional challenge for creators to follow up a highly praised work. Should they try to compete with their big...

Accruing accolades and awards by the bushelful, McBride's novel employs a staccato, jump-cut prose style reminiscent of Samuel Beckett, and puts it to new and original uses in this harrowing coming of age tale

Here's Anne Enright's review in the UK Guardian: http://www.theguardian.com/books/2013/sep/20/girl-half-formed-thing-review

Here's James Woods in The New Yorker: http://www.newyorker.com/magazine/2014/09/29/useless-prayers

Summerland is a unique piece of comics work, one which turns the typical creative hierarchy on its head, with the coloring in the dominant position, followed by the inking, then pencilling, and with the scripting tacked on almost an afterthought. The boldly inked lines are minimal yet effective in delineating the scene, and to brace the colors and let them do their stuff, and what they do here is something new. In the pages ofSummerland, Ms. Dawkins has improvised an innovative approach to color, one in which she "plays" the color scheme using tone clusters and chords, rather than the normative approach of hitting single notes and then...

Hidden Islandshas arrived! This 164-page, magazine-size, squarebound volume collects five of up-and-coming comics champ, Cameron Arthur's neo-classic comics tales along with a new one created specifically for this volume.

Here's an excerpt of Bill Boichel's introduction to help prepare the ground:

Texas native, Cameron Arthur has been making comics since he was a teenager. Gradually – and meticulously – he has developed his craft, through six issues of his self-published, single-creator anthology series, Swag along with a variety of stand alone comics zines, as well as the occasional contribution to other publications. His diligence has...

I Am Young reads likea series oflushly renderedpostcards sent through time from eras past, eachaccompanied by an illustrated "soundtrack" consisting of classic LPs. Running throughout, as the main theme, is an ill-starred love story set to the music, lives and times of The Beatles. Other LPs incorporated into the narratives of love and heartbreak are Eddy Arnold's Anytime, The Beach Boys Pet Sounds, theTom Jones debut, Along Came Jones (ironic or not ironic? / that is the question), along withChuck Berry's greatest hits collection, The Great Twenty-Eight –and it all gets started with a Brunswick 78 rpm 10" of Cab Calloway's "St. James...