In this boldly printed, oversize (8 1/4" x 11 1/2") edition of Plaza, Yuichi Yokoyama has managed to translate the frenetic phantasmagoria of hyperconnected late capitalism into page after page after page of manic manga possessed of a relentless rhythmicity that will leave readers reeling in stupefaction. This edition includes a brief interview with and afterword by Yokoyama, conducted by Ryan Holmberg, who also edited and translated this edition.

Here's what a couple of fave Copacetic creators have to say about this work:

Art and literature historians of the future will be flabbergasted that Yokoyama Yuichi existed in our time. He is a...

Finally, a new edition of the seminal novel,You Can't Winby Jack Black. Here's a book thatcan lay claim –if any can –to having launched the "outlaw" literary counterculture, way back in 1926. This edition sports an intense black and white cover drawn by Joe Coleman, taken from his set of illustrations of this novel originally published inBlab!(#3?); also included is a full color reproduction of the Coleman painting that graced the 1988 Amok Press republication of this classic. The foreword by William Burroughs written for that edition is also here (although we recommend that this be read as an afterword, as it gives away some plot...

When we learned that New York Review Comics was planning a new edition of two of Vaughn-James's other major works from the 1970s (Elephant and The Projector), we felt it was high time to bring this work, which we've been selling the shop for quite awhile(whenever we can get our hands on some copies!),to the attention of our online customers. Originally published in 1975, asa hardcover edition of 1500 copies by Toronto'sCoach House Press, The Cage was reissued in 2013, againby Coach House, in a softcover edition. Vaughn-James had a unique approach to, as well asa clearly prescientvision of, long form visually-centered narrative. Among his...

It is rare indeed when our opinion completely agrees with that of publisher provided cover hype, but in this case it does. The material that Will Eisner produced over a period of 20 years (!!!) for P*S Magazine is indeed, "the missing link between The Spirit and A Contract with God" as the cover states. The work contained in this 272 page hardcover volume has the highest critical-importance to critical-awareness ratio of any work we can think of. It represents the single largest unified body of work of one of the most admired creators in the history of comics, yet very few have read much – if any – of it. Now, thanks to Denis Kitchen, Ann...

We were excited enough by this book's publicationthat we ordered it – from France – in it's originalFrench language release (resulting in us charging more than twice as much as we are for this North American release!). While, of course, there have been comics about jazz in the past – some of the best of which, intriguingly, have also originated in Europe– in Total Jazz, Blutch, comics master that he is, has done more than most to bring the spirit of jazz to itsrepresentation in comics form;working towardstranslating the jazzethos of improvisation within formal compositions into the language of comics. While many of the short pieces...

Miraculously, after two decades of less than stellar recordings, Iggy has managed a return to form here on this album, produced at age 65 and released close on the heels of his 66th birthday. This is doubtless due in no small measure to the return of James Williamson on the heels of the multi-year reunion of Iggy with the (almost) original Stooges line-up. The presence of the Ron and Scott Asheton was not enough to saveThe Weirdness. Ready to Die is another story, however. Backed by James Williamson on multiple-tracked guitars, Scott Asheton on Drums, Mike Watt on Bass and Steve Mackay on Sax (of which there is plenty) as well as a number...

We've been big fans of the work of Mr. Hankiewicz for quite some time, and are thrilled to be able to offer Sparkplug Comic Books' massive new 108-page, 8 1/2" x 11" collection of his totally unique, perplexingly obscure, abstrusely enigmatic, elegantly rendered pen and ink parables and small tales. This work is frustratingly difficult to describe, and we're not going to try at this juncture. (OK, we'll give it a lame whirl: think of the precise, detail driven work of Charles Sheeler (got it?) and then add to this a blend of David Lynch, René Magritte, Max Ernst and Franz Kafka, and then convert the whole shebang into a pen-and-ink graphic...