Having devoted himself to assembling the massively influential series of anthologies,Kramers Ergot, Sammy Harkham now at last steps into the spotlight himself in this collection devoted solely to his own work. Published by PictureBox,Everything Togetherlives up to its title, collecting a decade's worth of Harkham's concentrated comics narratives. Opening with hisminimalist meditations on personal perspective, "Napoleon" and "Elisha", the work ranges from hismost sustained pieces, the epic "Poor Sailor", "Somersaulting," the upside-down-under memoir of Australian adolescence, and "Lubavitch, Ukraine, 1876", to his short, comics-insider...

With Jack's Book, Gifford and Lee launched the oral biography as a valid form(there'd be no Please Kill Me without it), and arguably created what remains its gold standard. Here you have a portrait in the round of the central figure of "the beat generation" (who hated that label) provided by all the other players who were in his circle during the two decades of his writing career. William Burroughs, Allen Ginsberg, Carolyn Cassady, Gregory Corso, Lawrence Felinghetti, Gary Snyder and many more herein provide thoughtful, forthright recollections of Kerouac, his scene and the times in which they mixed. Gifford and Lee weave them together...

The professor is back and class is now in session! From the moment you lay eyes on this anti-professorial text book disguised as a student's composition book (which, of course, it also is; as Lynda Barry is nothing if not a life-long learner) you know you are going to be in for a treat. You know this book is going to be different. You know that you will gradually realize that you don't know. At the outset, Barry(self-designated as Professor Long-Title)states thatSyllabusis, "a book of notes, drawings, and syllabi I kept during my first three years of teaching in the Art Department at the University of Wisconsin-Madison. The chronology is...

Finally!!! This has been in the works for – literally – over a quarter-century (the project goes at least as far back as 1988, as you can see [if you squint] by the copyright date of this poorly formatted scan of an early installment of the text posted HERE). After repeated cancellations and seemingly interminable delays, How to Read Nancy: The Elements of Comics in Three Easy Panels, Mark Newgarden & Paul Karasik's definitive deconstruction of Ernie Bushmiller's iconic Nancystrip - and, by extension, all of comics - has at long last been published and has touched down at Copacetic. Finally!!!

Learn more by reading Dan Nadel's...

back in print, at last! Originally published in 1994, City of Glass was ahead of the comics history curve in many respects, with its "serious" literary concerns and dazzling formal inventiveness. It was the most requested out-of-print volume in the history of the Copacetic Comics Company before being brought back in print in this 2004 edition. This edition remains faithful to the original, but has been updated with a new cover as well as a new introduction by Art Spiegelman (see above) that lays out the genesis of this particular work, helping to place it in the proper historical context. Recommended!

Sub-titled, "July 1, 1916: The First Day of the Battle of the Somme",The Great Warpresents in a single image a visual distillation of the events of that day. While this is not the first 20+ foot-long single image comics book that has come our way – that honor going to Helge Reumann and Xavier Robel's hyper kineticElvis Road, originally published in Switzerland in 2002 by Pipifax, and then in the USA by Buenaventurra Press in 2007. But whereas Elvis Road presented a frenzied instant of urban chaos that was unreadable – in the sense that there was simply no way to narratively digest the complexity of the image; all one could do was bask in...

Writtenand drawn – and designed – by the Italian artist, Igort (translated into English by Jamie RIchards) and printed in Italy, Japanese Notebooks is a sumptuous visual feast. It is also, of course, much more. It is: an investigation of the personal forces that drive artists to create in general andto pursuethe particular paths they do; an exploration ofhow their imaginationscome to be possessed byspecific images; a memoir of one particular artist's journey; and much else. Igort is one of the most accomplished comics makers currently working, and Japanese Notebooks is likelyhis most personal work yet, one that is apt to hold aparticular...

Finally! A new – and very improved – edition of Seiichi Hayashi's manga masterpiece of alienation has been releasesd by Drawn and quarterly. This new edition has a nice heft and feel, and the design has been slightly tweaked for a mild aesthetic improvement, but the big change is the addition of a 60 page, illustrated essay by manga/gekiga/Garo scholar, Ryan Homberg. The inclusion of this essay will enable all readers to better situate Hayashi's work in manga history and better appreciate his achievements. As Red Colored Elegy is over 45 years old, andHayashi's work is far from typical manga fare, Holmberg's essay is a crucial improvement...

IT'SHERE! The sixth and (maybe? maybe not??) final issue of Kevin Huizenga's revelatory exploration of andmeditation on time and space:Ganges. This issue focuses on some of the effects of technology on our temporal experience. As always, Huizenga takes the opportunity to explore the unique properties of comics; searching for new, untried and/or under-appreciated approaches to what the medium has to offer by way of communicating concepts and states – of mind as well as of being.

While all of us employing the latest gadgetry, apps, platforms, etc. have no shortage of anecdotes pertaining to our experience, Huizenga isn't satisfied with...