
Whether the point of this novel is to show us the adult that lies latent in the child or to reveal to us the child that the adult never manages to quite fully outgrow is a question that is difficult if not fruitless to answer. What is certain, however, is that the novel Edwin Mullhouse is brilliantly conceived. It is also shockingly well written, replete with uncannily accurate descriptions of childhood perceptions that can at times be overwhelmingly sympathetic. It is at turns funny, sad, insightful, and even profound; but above all else, it is deeply creepy: It reveals -- almost imperceptibly at first, but then slowly, incrementally, the...

edited by Ivan Brunetti It's too early to say for certain, but this follow-up to Brunetti's already classic 2006 anthology, also published by Yale University Press, might just be even better than its precursor. One thing's for certain: Brunetti has held onto -- and further refined -- his editorial vision of arranging the work contained in this volume in an organic sequence, deftly managing to map out the similarities between artists so that each piece flows smoothly into into the other, creating an amazing sense of an innate connectivity between all areas of comics here on display. This book is a powerful ally in the struggle to bring the...

The plot thickens, the mystery deepens, the pace is picked up and no holds are barred in this, the third issue of the most innovative comic book series in America. While other comic books tout their "new" plot twists and "new" characters and "new" concepts, the comics they produce are, formally, all the same, maintaining the tried and tired industry status quo. Cold Heat is authentically different. Creators, BJ and Santoro understand the conventions under girding the standard comic book format and deftly undercut them, subverting the implicit conservatism of these conventions by exogamously marrying them to an entirely different, diverse...

And while we're talking about learning more about the world around us, here's a book of historical reportage in comics that helps us come to understand how things got to be the way they are. The ever-fascinating David B. takes his readers on an unexpected voyage through the waters of history in this informative, educational and timely volume co-piloted by Jean-Pierre Filiu. As readers of B.'s breakthrough masterpiece, Epileptic already know, he is quite adept at depicting scenes of warfare, and, what's more, in doing so in a way that reveals otherwise hidden forces at work below the surface of the battlefield. David B. masterfully employs...

back in print, at last! Originally published in 1994, City of Glass was ahead of the comics history curve in many respects, with its "serious" literary concerns and dazzling formal inventiveness. It was the most requested out-of-print volume in the history of the Copacetic Comics Company before being brought back in print in this 2004 edition. This edition remains faithful to the original, but has been updated with a new cover as well as a new introduction by Art Spiegelman (see above) that lays out the genesis of this particular work, helping to place it in the proper historical context. Recommended!

In the full color pages of Inappropriate, her latest hardcover collection from Uncivilized Books, Gabrielle Bell delves into the porous borderland between fact and fantasy, a land populated by daydreams,conjectures, anxieties, obsessions, recollections, ruminations, self-doubts,self-incriminations and much more, all clearly communicated in her ever more confidently created comics.And then there is the collection's standout piece, "The original, true, biographical versionof Little Red Riding Hood," which sets the tale in an ahistorical New York City. Inappropriate isBell's best collection to date. Here, she has broken through to a more...

Where to begin with such a book. It is clearly and definitely the best book ever done on Krazy Kat, which is, at least in our estimation, the greatest of the classic newspaper comics. Ergo, it is, Copacetically speaking, one of the single best volumes of comics ever produced. In other words, it wins the Desert Island Award: If there were one comics related book to take to a deserted island, this might very well be it. And as if that weren’t enough, it has now been reissued in an economy softcover edition that’ll only set you back a double sawbuck. Think of it-- a lifetime of pleasure and consolation for what it would cost you to spend a...

Published in 2011, this 9 1/2' x 12 1/2" hardcover is filled primarily with high quality scans and high resolution photographs of George Herriman original Krazy Kat art – including many hand colored rarities. This treasure trove of art is accompanied by a wide variety or related material from Herriman's life and cartooning career, including newspaper tear sheets, family photographs, and plenty of other related ephemera, all assembled and laid out by Craig Yoe and nicely printed on bright, flat uncoated white stock. In also includes more than a dozen essays paying tribute to Herriman's genius, including classica appreciations by Summerfiled...

(Book Two of the New Edition of the collected Love and Rockets) Most frequenters of this space are hep to the wonder of Love and Rockets. However, there are still those who have yet to see the light. Are you someone who still hasn't managed to get around to reading the greatest comics ever produced? If so, all we've got to say is: if you haven't read the original run of Love and Rockets (in any one of its extant formats) and you are trawling the web looking for exciting new releases and looking through back issue bins at your friendly neighborhood comics shop for classics of the days of yore, then you are simply wasting your time -- the...

When we learned that New York Review Comics was planning a new edition of two of Vaughn-James's other major works from the 1970s (Elephant and The Projector), we felt it was high time to bring this work, which we've been selling the shop for quite awhile(whenever we can get our hands on some copies!),to the attention of our online customers. Originally published in 1975, asa hardcover edition of 1500 copies by Toronto'sCoach House Press, The Cage was reissued in 2013, againby Coach House, in a softcover edition. Vaughn-James had a unique approach to, as well asa clearly prescientvision of, long form visually-centered narrative. Among his...

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Betsy and Joe began their careers in public television. Their recent filmmaking collaborations have a quiet, meditative style which is reflected in the shorts selected for this screening.
Betsy Seamans is a writer and filmmaker who makes documentary films about community and traditional life in the United States. She worked with Fred Rogers for over 30 years as script writer, actor and filmmaker for the MISTER ROGERS’ NEIGHBORHOOD program and to produce training materials related to children and community violence. For the past 15 years she and Joe have documented daily life in rural Tennessee. She received a National Endowment for the Arts award in 1971.
Joe is a documentary filmmaker by trade, working primarily for the Public Broadcasting Service since 1970 for series like the National Geographic Specials and NOVA for which his credits include producer, writer, and director of photography. Eight years ago, Joe began designing projections for theater and opera, primarily in Pittsburgh, where he has completed fifteen major productions.
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