Wow! The first issue of Liz Suburbia's newseries, Egg Cream, is a knockout! Her crisp,confident line in combination withartfullybalanced blackspottingcreatescomics that come alive in smartly arrangedpanelsfillingone well-composed page after another– 96 pages in all – in this squarebound volume ofall new comics work;printed just right in black and white on newsprint with cardsrtock covers.Startingoff with a hefty installment of the follow up,second volume of Sacred Heart, and concludingwith thegraphically advenutrous "Goth Ex GF,"Egg Cream is easily the best new series yet seen in2019!
Anyone unfamiliar with Liz Suburbia can get an idea not...
Hot off the press!
John P. has this to say about his latest creation: "This All-Animals Issue features stories on possums, dogs, cats, Midwestern mountain lions, moths, horses, frogs, toads, and more! Plus Catcalls and Top 40 etc etc. A winner. 40 digest pages, black and white throughout."
The All-Animals Issue! Don't miss it!
Here it is: the final (>sob!<) Peanuts strips by Charles M. Schulz, the last of which, the final Sunday page, originally appeared on the same day as Schulz's obituary, as he passed on from this world (and doubtless onto the Sphere of True Comics) the day before its publication. The editors cleverly filled out what would have otherwise been a slim volume by bookending the conclusion of Peanuts with the complete collection of Schulz's precursor strip to Peanuts, L'il Folks. And, to top it all off, this volume is introduced by none other than the President of the United States of America, Barack Obama! A fitting finale.
A long time coming, Collier's Popular Press is a hefty softcover volume just released by Conundrum Press. It starts off with an introduction by noted Canadian comics scholar, Jeet Heer, who situates Collier's work here squarely in the tradition of "observational cartooning," for which he provides a concise history before ushering in a whoppin' 200 pages of Collier comics, originally published over three decades in a variety of Canadian newspapers and magazines – few, if any, of which have previously reached the straining eyeballs of stateside comics readers. In addition, a series of Collier's essays and personal recollections are mixed...
248 more pages of the epic Luba saga are now available in this just released collection, the eleventh volume of the offical Love and Rockets Library series. This volume picks up where Luba and Her Family leaves off and also containswork that was originally created and published in the late 1990s, during the hiatus between the first and second volumes of Love and Rockets, collecting the comicsthat appeared in the pages of Luba #3 - 9, Luba's Comics & Stories #2 - 5 and Measles #3. Dark impulses lead to violence and despair, are channelled through sex, role playing and other games, occasionally leading the players to the light of...
We were so focused on promoting M.S. Harkness's October 12 visit to Copacetic celebrating the release of this book... that we forgot to list it here on the site! Sorry about that.
So, Time Under Tension is: A) at 260 pages, by far the most substantial work yet from M.S. Harkness; B) her first solo work published by Fantagraphics; C) her most ambitious – and successful – work to date, wherein she manages to integrate the themes reflecting the far ranging aspects of her life that populated her earlier works – hook-up culture, weight lifting, sex work, comics making, family history including traumatizing childhood sexual abuse, art school,...
It's here! The new volume of comics pedagogy by The Funnest Teacher in the World, Lynda Barry! As most watchers of this space are likely already aware, Ms. Barry was recently awarded a MacArthur Fellowship (aka "the genius award").Making Comicsprovides further evidence that this award was well deserved.
This much anticipated follow up to her previous work,Syllabus, also based on her experiences teaching at the University of Wisconsin, follows the same format, using it to dig deeper into the cave of creativity. In the 200 pages of this facsimile composition bookwe leave the safe,well defined confines of the symbolic realm and are...
(Book Six in the New Edition of the collected Love and Rockets) Wow! Fantagraphics isn't wasting any time in getting out the newly formatted editions collecting that classic among classics, the original first volume of Love and Rockets by Los Bros Hernandez. Beyond Palomar contains all the twists and turns of "Poison River," perhaps the most complex – as well as violent –of Gilbert's epics. "Poison River" originally cascaded through 12 issues of Love and Rockets (#29 - #40) over the course of close to fouryears (1989 - 1992), providing a portrait of Luba's mother, Maria – along with what could be construed as Luba's origin story– that does...
NOW AVAILABLE IN SOFTCOVER!
Perhaps the single greatest science-fiction-adventure bande dessinée series of all time, the six-volumeseries that was originally published in France throughout the 1980s has at last been collected in its entirety in a single 316 pagesoftcover volume for a price that works out to less than $4.50 per volume – barely more than a standard American comic book. Massively influential (see Brian Michael Bendis's introduction cum rant), The Incal has informed many a popular culture work, across mediums: films, television series, and books, in addition to the countless comics, manga and graphic novels tha have been...
It's time for comics connoisseurs to crank up their cogitation once again, as a new issue of Ganges is in stock and on sale here at The Copacetic Comics Company. And the verdict? Kevin Huizenga once again delivers the goods! This time around we have the inner workings of an agitated mind – that of Glenn Ganges, to answer your question – at the edge of sleep, visually embodied as its own cartoon being, distinct and separate from – if in many respects identical to – the body housing this mind. All readers who have ever had a rough time falling asleep and have had their mind wander to and fro seemingly of its "own" accord will have plenty to...
Having personally known and professionally worked with Ed Piskor for over twenty years, the news that he has, evidently, taken his own life, came as a deep shock here at Copacetic. We first encountered Ed while he was still a gawky, geeky teenager and had no inkling of the major force in comics that he would go on to become. As we followed his progress from working with Harvey Pekar to self-publishing – and very savvily marketing – Wizzywig, it became apparent that he was both very capable and highly ambitious, and, perhaps most notably, extremely focused on his goals. Once he launched his Hip Hop Family Tree series, he was truly in his element. He took off from there, and didn't look back.
As there is no longer any road ahead for Ed, we will take a moment to look back now and keep him in our thoughts.
We are death. This thing we think of as life is only the sleep of real life, the death of what we truly are. The dead are born, they do not die. These worlds have become reversed for us. When we think we are alive, we are dead ... Everything we consider important in our active lives participates in death, is all death. What are ideals but a confession that life is not enough? What is art but negation of life?
...
To consider our greatest anguish an incident of no importance, not just in terms of the life of the universe, but in terms of our own souls, is the beginning of knowledge. To reflect on this whilst in the midst of that anguish is the whole of knowledge. When we suffer, human pain seems infinite. But not even human pain is infinite, because nothing human is infinite, nor is our pain ever anything more than a pain that we have ... The pain of not understanding the mystery of life, the pain of being unloved, the pain of others' injustice to us, the pain of life crushing us, suffocating and imprisoning us ...
To some who speak and listen to me I must seem an insensitive person. However, I am, I think, more sensitive than the vast majority of men. I am, moreover, a sensitive man who knows himself and therefore knows what sensitivity is. It isn't true that life is painful, or that it's painful to think about life. What is true is that our pain is only as serious and important as we pretend it to be. If we live naturally, it would pass as quickly as it came, it would fade as quickly as it bloomed. Everything is nothing, and our pain is no exception.
...
Everyone and everything oppresses me, chokes me, and maddens me; I am troubled by a crushing physical sense of other people's lack of comprehension ... Seeing myself frees me from myself. I almost smile, not because I understand myself, but because, having become other, I'm no longer able to understand myself. High up in the sky, like a visible void, hangs one tiny cloud, a pale forgotten fragment of the whole universe.
– Fernando Pesoa, from The Book of Disquiet (translated from the Portuguese by Margaret Jull Costa)
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