The Ganzfeld is a true one-of-a-kind publication and #3 is by far the best issue yet. It shouldn't really be under the comics listing, but as it is truly uncategorizable, this is as good a spot as any. The editors once again bring together a unique group of designers, illustrators, cartoonists, and artists in a coherent, strongly designed format. It features a unique collaboration between Rick Moody and Fred Tomaselli; a new picture story by designer Geoff McFetridge, and even an illustrated essay by Alfred Hitchcock. Lengthy comics and picture stories are contributed by an international group, Renée French, Ron Rege, Jr., Blexbolex, Brian...

This is it: The ideal antidote to these trying times. Slim’s wit, style, charm, and grace will make the world vout oroonee in no time. As with all Proper Boxes, this one includes 4 CDs packed to the limit (102 tracks total!) for over 5 hours of music -- all remastered in the UK at the highest possible standards for music recorded during this period -- and a 44 page booklet containing a comprehensive history of Slim's career along with fab photos, old ads, record labels, and, best of all, complete track by track annotation -- where you’ll note the appearances of Slam Stewart, Ben Webster, Zutty Singleton, Dizzy Gillespie & Charlie...

Defying the norm, this second collection of Jack Kirby and Joe Simon's classic romance comics – a genre which they created, by the way; Young Romance #1 was the very first romance comic book – is a better book than the first volume, with both stronger stories and superior reproduction than the first volume. Romance was among the most successful of comic book genres in the history of the form, and was the most popular during its heyday of the late '40s and early '50s – the period on display in this excellent volume. Many people have a negative perception of romance comics as cliche ridden melodramas of brainless women duped into marriage by...

Jimmy Corrigan, the Smartest Kid on Earth (JCTSKOE) is, first and foremost, the tale of the development of the American super-ego, it’s human cost, and its relationship to the comic book super-hero. Ware’s choice of the Chicago Exposition of 1893 to serve simultaneously as historical signifier and the origin of his narrative is key in this regard. It is with the exposition of 1893 -- most importantly, at least as far as JCTSKOE is concerned, in its design and architecture-- that the USA reveals its fantasy of, and implicit ambition towards, empire in the classical Greco/Roman mold. It was Walt Whitman’s fever dream made flesh-- or at least...

The second issue of the latest incarnation of The World's Greatest Comics Magazinehas arrived!

How's this for value: the complete 360 page graphic novel in hardcover for the same price as the 160 page Book One in softcover issued by Fantagraphics a couple years back? Not only that, but this edition completes Kim Thompson's excellent translation that he started for Book One. Originally published in six volumes in France between 1996 and 2004, this edition represents the first time the complete story has appeared in English. As readers of David B.'s recently released Babel already know, he is a formidable graphic stylist with a strong and sure line and a great sense of how to use blacks to create a balanced page. Epileptic is the...

Originally published in 1960 and out of print for many years, The Labyrinth is Saul Steinberg's most significant single volume collection. It has now at long last been reissued in a this superb hardcover edition from New York Review of Books, whichfeaturesa new introduction by Nicholson Baker, along with anafterword by Harold Rosenbergandnew notes on the artwork from by Sheila Schwartz, the Research and Archives Director of The Saul Steinberg Foundation. Steinberg's oeuvre is unique, straddling the worlds of comics, illustration and gallery art whileproviding a window on the process ofcreative thought in line.

edited by Ivan Brunetti Published by Yale University Press, this awesome anthology is a worthy successor to McSweeney's 13 as the must have comics collection of the foreseeable future. Editor, Brunetti goes all out to offer us a (OK, well, his) canonical assemblage with the 400 pages of comics here on display, where it is the form itself that is always at the heart of the work represented. The work we find here -- while, of course, being comics -- is also, at some level, telling us something about comics, and this latter value-added feature can be attributed in no small part to Brunetti's editorial approach in assembling this work, which...