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MOME

The little literary magazine of comics anthologies, each issue features new previously unpublished work by a solid group of today's best practioners of comics.  Edited by Gary Groth and Eric Reynolds.  Designed by Jordan Crane.


Title Creator Publisher Series Price
MOME #9 Jim Woodring, Tim Hensley, Ray Fenwick, Gabrielle Bell and more ... Fantagraphics MOME $12.75
($14.95 list)
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Yes, it's another issue packed with swell contemporary comics, as MOME continues to deliver.  The unquestioned highlight of this issue is the first new extended comics work by Jim Woodring in several years:  Part I (of 2) of the 45 page piece, "The Lute String."  (This issue provides the first 25 pages and the next issue will provide the 20-page conclusion.) There's no one like Woodring, and "The Lute String" proves that he still has the magic touch.   He's joined here by team-MOME:   the relative newcomers Ray Fenwick, Tim Hensley, Al Columbia, Eleanor Davis, Joe Kimball and Tom Kaczynski, along with the stalwart veterans Gabrielle Bell, Kurt Wolfgang, Paul Hornschemeier and Sophie Crumb. 
Mome #8 - Summer 2007 Jonathan Bennet, Sophie Crumb and, Eleanor Davis, Ray Fenwick and more ... Fantagraphics MOME $12.00
($14.95 list)
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MOME 8 - Summer 2007 is edited by Eric Reynolds and Gary Groth. This issue pretty much completes the transition to the new "Team MOME."  Original members Jonathan Bennet, Sophie Crumb and Paul Hornschemeier are joined here by new comers (some of whom showed up last issue) Eleanor Davis, Ray Fenwick, Tom Kaczynski, Al Columbia, Émile Bravo and Joe Kimball, while Lewis Trondheim wraps up his three-part "At Loose Ends."  Davis is the featured artist this issue with her work gracing the cover and providing the lead story, while she is the interview subject as well.   Her story, "Stick and String" is a moody meditation on exogamous bonding that shows her work moving a bit in the direction of Sammy Harkham (although, in her interview, she identifies Joann Sfar as her current fave).  The Copacetic pick for this issue is Tom Kaczynski's "10,000 Years," a mordant take on contemporary alienation that, while clearly indebted to Clowes, brings an original perspective to the table with its smart synthesis of dialectical materialism and post-industrial consumer culture.  And we can't sign off on this issue without mentioning Émile Bravo's "Young Americans," which is certainly one of the cleverest short comics we've read in a while.
MOME #7: Spring 2007 Al Columbia, Andrice Arp, Kurt Wolfgang, Eleanor Davis and more ... Fantagraphics MOME $12.75
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This issue finds MOME at a crossroads of sorts as this is the the last time -- at least for now -- that it will feature work by the core of MOME regulars Anders Nilsen -- who also provides this issue's interview -- Jeffrey Brown, Gabrielle Bell and Martin Cendreda all of whom except Brown (who is, evidently,  already gone) turn in their farewell pieces this issue.  New team-MOME members premiering here are self-publishing stalwarts Eleanor Davis and Tom Kaczynzki who both turn in the first of what promises to be a string of fine pieces, and we can only presume that they will be joined next issue with more voices from the alterna-ground.  Also on hand this issue is cover artist, Lewis Trondheim's hybrid/sketchbook/collage comics work, "At Loose Ends, Part 2," continued from last time.  Sophie Crumb --  about whom we admit to having been a bit skeptical, at first -- has proven herself a keen observer of humanity in her short pieces for MOME, and her contributions this time around are some of her finest to date.  David Heatley and Kurt Wolfgang soldier on with their respective continuing sagas; Andrice Arp and Paul Hornschemeier both shift gears -- Arp with a dream piece and Paul H. with a couple of oddball toyings with  words and pictures; finally, "weird" Al Columbia turns in a batch of "Chopped-Up People."  You have been warned.
MOME #6 (Winter 2007) Anders Nilsen, Paul Hornschemeier, Lewis Trondheim, Tim Hensley and more ... Fantagraphics MOME $12.75
($14.95 list)
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edited by Eric Reynolds and Gary Groth Yes, we have all the ususal suspects again this time around -- J. Bennett, J. Brown, Sophie Crumb, M. Cenreda, Anders Nilsen, Paul Hornschemeier, David Heatley, Tim Hensley, and some pretty amazing apocryphal neo-romance covers by R. Kikuo Johnson -- but there are a couple new entries from Europe that are quite worth noting:  Lewis Trondheim makes his MOME debut with the first part of his new comics diary, Loose Ends; and Vosges Studio co-founder, Émile Bravo provides this issue's standout story, The Brothers Ben Qutuz in "Frustration Land."  This ten page pantomime (no text or dialogue) story -- enabling it to be read and understood without it having to be translated -- is a startlingly succinct exegesis of the Israeli-Palestinian conflict, as experienced at street level on the Palestinian side, that will invade your consciousness and refuse to leave; a perfect example of the value of comics as a form of commmunication.
MOME: Fall 2006 #5 Jeffrey Brown, Andrice Arp, Anders Nilsen, Zak Sally and more ... Fantagraphics MOME $12.75
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This issue welcomes new talents Tim Hensley -- whose ongoing character, Wally Gropius, Teen Millionaire graces the front cover --  Robert Goodin, whose amazing ink brush technique powers a quirky, kinky vision that pops up when you least expect, and artist/publisher, Zak Sally (The Recidivist).  Also beginning this issue is "Lucid Night-mare, part 1," an ongoing saga by Sophie Crumb.  THey are joined by MOME regulars, Martin Cendreda, Anders Nilsen, Jeffrey Brown (who turns in a intriguing and atypical work this time around), Paul Hornschemeier, Andrice Arp -- who is also this issue's interviewee -- Kurt Wolfgang and Gabrielle Bell. 
MOME #4 Gary Groth, Paul Hornschemeier, Sophie Crumb, R. Kikuo Johnson and more ... Fantagraphics MOME $12.75
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Another great issue of the comics anthology you can't afford to miss is now on our shelves.  The highlight of this issue is another wonderful mythical/historical comics novella by David B., "The Veiled Prophet."  Also on offer are a great new story by Martin Cendreda, "La Brea Woman" that shows him moving in a new direction.  And the gang's all here:  John Pham returns to 221 Sycamore Avenue to provide the cover along with the dream landscape of a high school teacher and his family; Sophie Crumb returns with more tales of street urchins on drugs, Jonathan Bennet and Gabrielle Bell take deft turns at depicting urban melancholy; Jeffrey Brown steps out of his comfort zone and turns in an atypical (and metaphorical) tale of existential angst; and David Heatley, Paul Hornschemeier, Anders Nilsen, Kurt Wolfgang and R. Kikuo Johnson each do their thing and do it well, rounding out another issue where everything is good!
MOME #3 Eric Reynolds, Gary Groth, David B., Andrice Arp and more ... Fantagraphics MOME $12.75
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Well, the undisputed highlight of this issue is an all-new 36-page piece by David B. (Epileptic) titled "The Armed Garden". Yes!  Along side of this is a line-up up the ususal MOME suspects: Andrice Arp, Gabrielle Bell, Jonathan Bennett, Jeffrey Brown, Martin Cendreda, David Heatley, Anders Nilsen, and Kurt Wolfgang, who is the interviewee this time around. (Concerned MOME devotees may be assured that both John Pham and Paul Hornschemeier will return in the next issue) R. Kikuo Johnson (Night Fisher) takes a bow in this issue with a series of three-panel strips featuring "Cher Shimura."  MOME is fast becoming the official "little literary magazine" of the comics world.  If you've read an issue already, you know what we're talking about; if you haven't, this is a good time to find out for yourself.  To learn more, visit our MOME page.
MOME #2 John Pham, Paul Hornschemeier, Jeffrey Brown, David Heatley and more ... Fantagraphics MOME $13.50
($14.95 list)
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It's finally here, after a regrettable delay:  the second issue of the most engaging regularly published comics anthology currently on the market.  This issue continues to meet the high standards set by the first issue and includes the entire roster of contributors.  Highlight:  Jeffrey Brown redeems his shallow submission to the first issue by turning in one of his best pieces to date.  Recommended!  To learn more about MOME, please visit our MOME 1 page
MOME: Spring 2010 #18 Eric Reynolds, Nate Neal, Frank Santoro, Ben Jones and more ... Fantagraphics MOME $12.75
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This issue's editorial claims that, with the publication of MOME 18, MOME has now published over 2000 pages of comics, and that this "may be a record for an English-language alternative comics anthology."  Who knew?  To start off the celebration we have Nate Neal's cover feature, the multi-layered and multi-levelled, "Neurotic Nexus of Creation."  This one should leave you with much to ponder, especially regarding its innovative formal qualities, but as well as for its worldview.  Of special interest to Copacetic customers is the latest message from the Cold Heat universe, brought to you by the combined powers of Ben Jones, Frank Santoro and John Vermilyea.  This feature is a vigorously rendered and sumptously colored tale of drugs, rock 'n' roll, sex, and gruesome horror.  Also in this issue we have:  an all-new Tim Lane tale, "The Passenger"; a surprise new Pip and Norton adventure from Dave Cooper and Gavin McInnes; "Burrow World," wherein Joe Daly does Mat Brinkman;  three short pieces by Nicolas Mahler; the third installment of Fuz & Pluck in "The Moolah Tree"; the second installments of both T. Edward Bak's WIldman – "A Barvarian Botanist in St. Petersburg," and Michael Jada & Derek Van Gieson's "Devil Doll"; a four-pager by Lilli Carré that had us thinking of old Rick Geary; the pastoral "Autumn" by Conor O'Keefe; more René French; and the Chris Ware homage, "The Jerk Machine," by Jon Adams.  MOME!
MOME #17 Paul Hornschemeier, Dash Shaw, Tom Kaczynski, T. Edward Bak and more ... Fantagraphics MOME $12.75
($14.95 list)
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edited by Gary Groth and Eric Reynolds There's no question that the highlight of this issue is the thirty page conclusion to Paul Hornschemeier's Life with Mr. Dangerous, which began its serialization in MOME all the way back in the first issue!  Next up in the list is the first ever (to our knowledge, anyway) collaboration between the mighty Dash Shaw and Tom Kaczynski, the aptly titled, "Resolution."  Also on hand are the second parts of both T. Edward Bak's "Wild Man" and Ted Stearn's new Fuzz and Pluck adventure, "The Moolah Tree," as well as the first two parts of Oliver Schrauwen's latest, "Congo Chromo."  Laura Park, Sara Edward-Corbet, Rick Froberg, Kurt Wolfgang, Derek Van Gieson, Renée French, Josh Simmons and Michael Jada round out the issue.  MOME continues to deliver on its promise.
MOME #16 Sara Edward-Corbett, Ben Jones, Jon Vermilyea, T. Edward Bak and more ... Fantagraphics MOME $12.75
($14.95 list)
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<<•>>  edited by Eric Reynolds and Gary Groth  <<•>>  The obvious highlight of this issue for us here at The CCC is the new Cold Heat story by the team of Frank Santoro, Ben Jones & Jon Vermilyea.  In addition, we have on hand:  the furiously productive Dash Shaw, who translates an episode of "Blind Date" into comics form; the second chapter of T. Edward Bak's "Wild Man - The Strange Journey - and Fantastic Accounts - of the Naturalist Georg Wilhelm Steller, from Bavaria to Bolshaya Zemlya (and Beyond)"; new work from Renée French (who is also responsible for this issue's front and back covers); an all-new “Funny Bunny” strip by the rarely seen (in comics, anyway) Archer Prewitt; “The Moolah Tree”, a new Fuzz & Pluck graphic novel from Ted Stearn, begins it's serialization here; the MOME debut of Nicholas Mahler – "What Is Art?" (translated by Kim Thompson); and new stories from Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, and Sara Edward-Corbett, with incidental drawings by Kaela Graham.  Get a PDF preview, HERE.
MOME: Summer 2009 #15 Nathan Neal, Robert Goodin, Conor O'Keefe, Sara Edward-Corbett and more ... Fantagraphics MOME $12.75
($14.99 list)
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This issue is a mix of oldtimers and newcomers:  rugged MOME veterans, Andrice Arp, Paul Hornschemeier, Ray Fenwick, and Tim Hensley deliver a basket full of tales, each in their own inimitable manner, and, in Hensley's case, his last (at least for the time being) as his triptych concludes the long running (since MOME #5) saga of Wally Gropius; medium-term MOMErs, Dash Shaw, Sara Edward-Corbett, Conor O'Keefe, Robert Goodin and Nathan Neal each provide readers with memorable reads, with Neal turning in his strongest narrative yet; and Gilbert Shelton and Pic conclude their tale of rock 'n' roll at the world's edge.  And then we have the newcomers:  T. Edward Bak debuts here with the first chapter of his work in progress, Steller, as do Noah Van Scriver and noted Spanish cartoonist, Max, whose contribution is a nice, neat 16-page mini-comic that is precisely positioned (and presumably removable – although it's readable while in place) after the last page.  All in all, another fine issue.
MOME #14 Emile Bravo, Gilbert Shelton, John Vermilyea, Ben Jones and more ... Fantagraphics MOME $13.50
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Another fine issue from the recently reenergized MOME.  This issue's standout feature is Lilli Carré's, full-color, 32-page piece (graphic novella?), "The Carnival," that is a dream-like meditation on the desires that flow just below the surface of the quotidian, desires that are constantly struggling to break through, and yet seem always to be mysteriously held back by... what exactly?  "The Carnival" doesn't pretend to give you the answers, but it will help put you in a place where you might find some on your own.  The highlight for us here at Copacetic is an all-new Cold Heat tale by Frank Santoro, Ben Jones and John Vermilyea (who also turns in a solo piece here that has to be one of the most pithy portrayals of the American Way ever penned).  And there's plenty more including the continuation of Gilbert Shelton's multi-part saga which reveals -- among other things -- that he, along with fellow underground comix grandmaster, R. Crumb, is a lifelong Carl Barks fan. Emile Bravo provides a deeply sarcastic satire of American Politics; Ray Fenwick, Laura Park, Dash Shaw, Sara Edward-Corbett, Olivier Schrauwen, Josh Simmons and Conor O'Keefe are all on hand, and are joined by newcomers (to American Comics) Hernán Migoya & Juaco Vizuente; and the entire issue is punctuated by a series of one-pages by Derek Van Gieson.
MOME #13 Gilbert Shelton, Dash Shaw, Laura Park Fantagraphics MOME $13.50
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edited by Gary Goth and Eric Reynolds The marquee highlight this time around is the first part (of three) to an all-new full-length saga -- "Last Gig in Shnagrlig," (no, that's not a typo) by the one and only Gilbert "Freak Brothers" Shelton.  Other MOME first timers this time around are David "Duplex Planet" Greenberger, Josh "Happy" Simmons, Laura Park and Pic.  They join Dash Shaw, Kurt Wolfgang, TIm Hensley (who contributes a whopping three stories this time out), Nate Neal, T. Ott, Sarah Edward-Corbett, Conor O'Keefe and Derek Van Gieson.  Alienation and absurdity abound, thoughtfully rendered with craft and care.
MOME #12 Eric Reynolds, Gary Groth Fantagraphics MOME $12.75
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MOME delivers another top notch issue featuring:  David B., with the third in his series of amazing medieval tales, "The Drum Who Fell in Love"; "Dirty Family Laundry," a tense and intense tale by last issue's cover featured artist, Killoffer; "Train" by Dash Shaw; a handful of one-pagers by Tom Kaczynski;  a stroll down history lane by Sophie Crumb; Nate Neal's "Reality Comics Quartet," which is almost a comic book in and of itself; Ray Fenwick's continued adventures of "The Truth Bear"; another dose of creepiness courtesy Al Columbia; and the rookie efforts of newcomers Sara Edward-Corbett, Olivier Schrauwen, Jon Vermilyea and Derek Van Gieson.   Recommended.
MOME #11: Summer 2008 John Hankiewicz, Paul Hornschemeier, Killoffer, Tom Kaczynski and more ... Fantagraphics MOME $12.75
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Speaking of "a whole new approach to comics," what better fits this description than MOME?  To any readers who might have felt a creeping worry that MOME wouldn't be able to keep it up, that there simply wasn't enough high calibre new work being produced to keep MOME floating on its lofty plane, let us be first to say that these fears can be laid to rest with this issue, which is arguably the best yet.  It starts off with a new Al Columbia piece that (finally) lives up to the promise of his outsized rep. "5:45 A.M." is a story which shows us that, yes, God is in the details.  In a mere eight, actionless panels -- more or less a tableaux nature morte --  Columbia manages to quite successfully share with us his own dark lord.  "Einmal Ist Keinmal" by this issue's cover artist, Killoffer, follows.  A variation on his singular masterwork, 676 Apparitions of Killoffer, "EIK" will give you plenty to ponder while you pore over its seductive linework.  Nate Neal is up next with "The 5 Simple Cosmic Do Dats" wherein he deftly manages the fairly astounding party trick of grafting his own left-leaning post-punk tendencies onto a synthetic hybridization of the aesthetics of Kim Deitch and the narrative techniqes of Dan Clowes to create that wonder of wonders:  an entertaining work that is both funny and smart.  You might find yourself scratching your head at first while working through this one, but keep going -- or better yet, start over and try again -- this one has more going on in it than first meets the eye.  Four panels of "Truth Bear" by Ray Fenwick (who doubles as this issue's [quite engaging] interview subject) follow.  Eleanor Davis serves up an irresisitable visual treat , "The 10,000 Rescues," and then we have seven pages of fun with the future of the wonderful world of Art in "The Galactic Funnels," courtesy Dash Shaw, before plunging into John Hankiewicz's personal gift to Copacetic -- a five-page story that combines his own totally unique approach to narrative with a brief episode in the life of the one and only Anita O'Day! (Thank you, John.)  Then it's Emile Bravo's turn to wow us with his four-page assembly of signs & meaning which deftly deconstructs the quandary of globalization, "A Question of Human Resources."  Newcomer, Conor O'Keefe brings a novel approach to his two pieces, combining an old-old-school Sunday page design sense (we suspect he may have spent some time curled up with Art Out of Time) with a very contemporary sensibility.  We look forward to watching his talent develop (and we hope that it continues to do so in the pages of MOME).  And then there's the topper:  "Million Year Boom," by Tom Kaczynski will knock your socks off.  It is probably the first succcessful translation of the Ballardian (as in J.G. Ballard) narrative approach to science fiction yet achieved in comics form.  This deeply creepy tale brings us face to face with a world where major corporate leaders so deeply internalize their own marketing messages and stock market hype that they become untethered from consensus reality and move into the ambiguous landscapes of delusion, paranoia and insanity that were so successfully mined by Ballard (and, to be fair, by many others, most notably Philip K Dick; but none so well as Ballard, who is most convincingly evoked here).  While the influence of Clowes is certainly evident in Kaczynski's work, he has created a wholly original synthesis here.  This issue is rounded out with contributions by MOME regulars Andrice Arp, Paul Hornschemeier and Kurt Wolfgang.  Encore!  Encore!
MOME #1 Gary Groth, Eric Reynolds Fantagraphics MOME $14.95
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It's here, the leading contender for best new comics anthology of 2005.  Filled with swell new comics by the likes of Andrice Arp, Gabrielle Bell, Jeffrey Brown, Sophie Crumb, David Heatly, Paul Hornschemeier, John Pham, Kurt Wolfgang and more.  Solid, engaging work by many of the best of the latest generation of comics creators, nicely packaged in a well printed edition that is currently scheduled to continue on a semi-annual basis.  Looks like it's off to an excellent start!  To learn more, read our detailed review.
MOME 10: Winter/Spring 2008 Dash Shaw, Paul Hornschemeier, John Hankiewicz, Jim Woodring and more ... Fantagraphics MOME $12.75
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Yes, it's another fine issue in the ongoing, regularly published comics anthology that consistently publishes some of the most original, challenging and engaiging comics on the market.  This time around the obvious highlight is the conclusion of Jim Woodring's The Lute String, which began last issue, a tale that is wonderful in conception as well as masterful in execution and amply demonstrates that Woodring's genius, but there's plenty more to get excited about:  The uniquely weird story by up-and-comer Dash Shaw that starts off this issue is his most inventive work yet and will both charm and confuse you; Robert Goodin returns with a swell comics -- as well as comic -- adaptation of a classic Indian fable; also returning is Tom Kaczynski, who is this issue's interview subject as well.  And, still with us are a core cadre of MOME regulars:  Sophie Crumb, Paul Hornschemeier, Kurt Wolfgang, as well as Tim Hensley, Jeremy Eaton, Émile Bravo and Ray Fenwick (whom everyone is jealous of for his ingenious exploitation of old canvas covered used books).  And, finally, we can't leave you without lettnig you know that the one and only John Hankiewicz makes his MOME debut in this issue.  For those of you who are already familiar with his work, this notice of his inclusion will provide you with that much more impetus to purchase this issue; but it is those MOME readers among you who are unfamiliar with Hankiewicz:  make sure to pay close attention to his contribution, "Success Comes to Westmont, IL" --  if you find yourself intrigued, but you're not sure why, you may want to take a look at his excellent collection, Asthma, published a little while back by Sparkplug Comics, it's a rare gem.