
Ron Regé
| Title | Creator | Publisher | Series | Price | ||
|---|---|---|---|---|---|---|
| The Best American Comics 2009 | Doug Allen, Peter Bagge, Gabrielle Bell, Matt Broersma and more ... | Houghton Mifflin | Best American |
$20.00 ($22.95 list) |
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edited by Charles Burns Well, Crumb is a tough act to follow, but we'll give it a shot with this star-studded anthology filled with the best and the brightest from the last twelve months of comics, as judged by Charles Burns. In a book like this, we feel that the contributor list says it best: Doug Allen, Peter Bagge, Gabrielle Bell, Matt Broersma, Daniel Clowes, Al Columbia, Robert Dennis Crumb, Sammy Harkham, Tim Hensley, Gilbert Hernandez, Kevin Huizenga, Ben Katchor, Kaz, Aline Kominsky-Crumb, Michael Kupperman, Jason Lutes, Tony Millionaire, Jerry Moriarty, Anders Nilsen, Gary Panter, Laura Park, Mimi Pond, Ron Regé, David Sandlin, Koren Shadmi, Dash Shaw, Art Spiegelman, Ted Stearn, Jillian Tamaki and Mariko Tamaki, Adrian Tomine, Chris Ware, Dan Zettwoch. 'Nuff said. Well, actually, we can't help but add that while the material contained in this anthology is absolutely fabulous, the quality of its reproduction is, mysteriously, not up to the same standard as the three previous volumes in this series, which were excellent in that department. This shouldn't stop anyone from picking up this fine volume, but it is worrisome. Let's hope that this was a one time aberration and that next year we'll find the fine folks at Houghton Mifflin have figured out what went wrong and put things in the production department back on track. | |||||
| Kramers Ergot #6 | Sammy Harkham, C.F., Paper Rad, Marc Bell and more ... | Buenaventura Press | Kramers Ergot |
$34.95 ($34.95 list) |
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Edited, as always, by Sammy Harkham -- this time around with an assist by co-publisher Alvin Buenaventura -- this now seemingly biennial publication continues to live up to the promise made with the fourth and fifth volumes. The format follows that of the last volume: a flat matte finish (this time sans texture) flexi cover fixed to a sturdy Smythe sewn binding that holds the contents firmly in place. And what contents! Many of those talents that readers have come to associate with Kramers Ergot are here again, and have submitted work that is as engaging as ever. Sammy Harkham, C.F., Paper Rad, Marc Bell, Souther Salazar, Ron Regé, Jr., Matthew Thurber, Dan Zettwoch and Elvis Studio are joined by Vanessa Davis, Tom Gaud, Martin Cendreda, Bald Eagles and a handful of others. Also, KE Alum Gary Panter finds himself under the same covers as former fellow Raw artist, Jerry Moriarty, who is given plenty of space to present his idiosyncratic Hopperesque visions for the first time (we've seen) in many years. In addition, with this issue Kramers Ergot adds a curatorial component to its offerings for the first time, as readers are given a rare look at two great historical figures of the comics world: we get a healthy sampling of a late sketchbook by the Dutch comics artist, Marc Smeets, which is preceded by "an incomplete appreciation" by Chris Ware; and an amazing reproduction of the early and highly influential manga, Norakuro by Suiho Tagawa. All in all, it seems once again to be an essential read for anyone involved in the contemporary comics scene. Here is a preview of the front cover along with 10 sample pages. | |||||
| Sturgeon White Moss #5 | Xavier Robel, Marc Bell, Ivan Brunetti, Ron Regé and more ... |
$8.75 |
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We finally got around to importing this spirited anthology from London, England. We now have the entire (so far) run of #1 - 6 on hand. There's a wealth of variety on hand in these issues, each of which is limited to a 1000 copy print run, only a fraction of which have managed to make it across the Atlantic. From Marc Bell and Ivan Brunetti to Xavier Robel and Ron Regé, Jr. and many, many others -- quite a few of whom will be new to you -- Sturgeon White Moss is a challenging ongoing forum for new comics work from Europe and North America. | |||||
| Against Pain | Ron Regé | Drawn and Quarterly |
$22.22 ($24.95 list) |
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This book is a gift to the long suffering Rege collector as it assembles all his far flung contributions to other publications such as Kramers Ergot, McSweeney's, The Ganzfeld, Rosetta, and many, many others. It also includes the out of print stand alone comic, Boys, that was co-created with writer Joan Reidy. This is an oversize hardcover volume that presents most all of the works as they originally appeared -- whether it was black & white, full color, or Regé's own pastel duotone -- but at a larger size than they have previously been seen, which can - and does - make old work new again. Regé's work is singular in the intensity of its emotional clout. He is clearly an artist who has sufffered and who strives to work through his suffering in an attempt to create an artistic catharsis that with be emotionally purgative for his readers as well as for himself. | |||||
| McSweeney's #13 | Lynda Barry, Adrian Tomine, Seth, Kim Deitch and more ... | McSweeney's | McSweeney's |
$20.00 ($24.00 list) |
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Finally, it's here: the most anticipated release of 2004 (so far). Striving for objet d'art status, McSweeney's 13 comes as close as any comics release to attaining it. Starting with a dust jacket that folds out into a two sided comics poster: the outer side featuring a dense full color, 360º narrative by editor and comics fiend, Chris Ware; the inner side featuring a vaguely ceremonial (think Mayan) worshipping of the idols of comics by Gary Panter. But there's more: tucked into the folds of this dust-jacket-cum-suitable-for-framing-wall-art are two mini-comics commissioned especially for this issue; one -- in full color -- by Ron Rege, Jr., and the other in B & W (as it should be) by long time mini-master, John Porcellino. And that's just the dust jacket! Moving on to the front and back binding plates (the hard covers beneath the dust jacket), we have a hundred or so images culled from a 1936 guide to cartooning separated by a lavishly embossed spine. The end papers are by Ivan Brunetti, and feature a wallpaper of minimalistic renditions of his personal comics and cartoon hall of fame. And, finally, there is the contents of the book itself. The subject of much speculation as to whether it would be reprints or newly commissioned work, the answer is... Both! About half and half, depending on how you look at it. Here's how it breaks down: Some of the work has appeared in non-comics periodicals, but is collected herein for the first time. Under this category are Mark Beyer, Ivan Brunetti, Kaz, Art Spiegelman (although his pieces are being reprinted everywhere at this point) and some of the pieces by Chris Ware. Straight out reprints are the inclusions by Charles Burns (although the frontispiece is new), Chester Brown, Debbie Drechsler, Jaime and Gilberto Hernandez, Mark Newgarden, Archer Prewitt, Joe Sacco, Richard Sala (newly colored, however), Seth, and Adrian Tomine. New to us -- and therefore, we imagine, new to you as well -- are the works by Lynda Barry, Jeffrey Brown, Dan Clowes, David Collier, R. Crumb, Kim Deitch, Julie Doucet, David Heatley, Ben Katchor, Joe Matt, Richard McGuire, Gary Panter, some of the Chris Ware, and of course the aforementioned dust-jacket and minis. In addition to all this contemporary work, there are selections of classic and archival work sprinkled throughout: First and foremost among these is a 15-page spread on "the inventor of comics," Rodolphe Töpfler, and his first appearance in America, introduced by Chris Ware; an 80% reproduction of an original 1922 Mutt and Jeff daily strip by Bud Fisher that takes four pages to display (which gives you an idea of how big they drew comics back then!); and a nine page spread on George Herriman, introduced by Tim Samuelson and featuring Herriman's last Krazy Kat dailies, also reproduced from the originals. And, as if this weren't enough, there are two appreciations by Chris Ware, one of the abstract-expressionist-turned-representational-painter-with-a-personal-affinity-for-comics-iconography, Philip Guston, and the other of Peanuts creator, Charles Schulz. In addition there is a critical appreciation of comics from John Updike, and nostalgiac/elegiac remembrances of comics related experiences by Glen David Gold, Malachi Cohen, and Chip Kidd. The volume opens with a preface from Ira Glass, followed by an introduction by Chris Ware, who, when all is said and done, is clearly more than simply the editor of this work. This is a great piece, especially when you consider it's primary purpose: preaching to the unconverted, those countless, teeming millions out there in America and beyond who don't locate the foundation of their identity in comics. With this volume, McSweeney's begins a new ambitious distribution arrangement with Publisher's Group West in the USA and Penguin Books in the UK; thereby bringing their publications before a great many more potential readers. They couldn't have chosen a better volume to initiate this venture. Let's wish them luck. | |||||
| Yeast Hoist #12 | Ron Regé | Buenaventura Press |
$5.35 ($5.95 list) |
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Go Ron Ron, go go Ron Ron, go Ron Ron, go go Ron Ron. General zaniness from Rege's sketchbook combined with comics and fully worked out drawing make for one more issue of a truly one-of-a-kind comic book. Get with the program: "stop thinking - start sleeping - stop sleeping - start living." Freaky Styly. | |||||
| The Awake Field | Ron Regé | Drawn and Quarterly |
$6.75 ($7.95 list) |
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Wow, a double dose of Ron Regé, Jr.! (along with YH #12, which was released simultaneously) This one is technically Yeast Hoist #(lucky)13. It is a beautifully drawn, designed and produced square format volume. Printed in two colors with a full color flexi cover and endpapers this book is an aesthetic treat and a bargain to boot. Ron Regé, Jr. is channelling the spirit of the 20th century American painter, Charles Burchfield into 21st century comics. Like Burchfield's paintings, Regé's comics in this volume fill the viewer/reader with a sense of wonder at the impossible beauty and strange otherness of nature. His work really puts you there, it communicates, it catalyzes neurons to fire in new patterns that trigger new thoughts and new ways of seeing the world as an... awake field. There's nothing out there in any medium to compare to Regé's work here. We say: a must! | |||||
| Whatcha Mean What's a Zine?: The Art of Making Zines and Mini-Comics | Raina Lee, Allison Cole, Dave Kiersh, Martin Cendreda and more ... |
$11.69 ($12.99 list) |
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This is a nifty guide to zinemaking and zinestering that is a great primer for anyone who is getting started -- or even thinking of getting started -- down the road of making a zine, whether it be comics or otherwise. It's purposefully designed to be exactly the kind of guide that the authors wished they had when they started out. In covers the practical ins and outs such as formats and print-marriage set ups, the pros and cons of various drawing tools and printing methods, and a wide array of binding methods that one might never think of on one's own. But there's much more as the authors bring in a bevy of talented cartoonists, zinesters and self-publishers to offer their artistic, poetic, historical and technical perspectives, encouragements and insights. Among those creators featured are John Porcellino, Ron Regé, Jr., Souther Salazar, Dan Zettwoch, Martin Cendreda, Dave Kiersh, Allison Cole and Raina Lee. All in all this book has a great feel and is sure to be enjoyed even by those who are well on their way down Zinester Avenue. And it's bargain priced to boot! | |||||
| Private Stash: A Pin-Up Girl Portfolio by 20 Cartoonists | Adrian Tomine, Charles Burns, Daniel Clowes, Gilbert Hernandez and more ... | Buenaventura Press |
$22.00 ($24.95 list) |
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This one is an attempt to be the last word in fetish object. Playing on the trope of arrested adolescent sexuality stereotypically identified with the bagging-and-boarding fanboy set of which more than a few of these participants are graduates, Private Stash starts out with a squarebound translucent case that contains -- once you've struggled to remove it from this secure enclosure without damaging it -- a clever two-layer illustrated wraparound slipcase portrait of all twenty contributors by Rick Altergott (displaying his Mort Drucker and Wally Wood chops to full effect) which opens to reveal a 20 panel accordian-print that opens (to over ten feet!) to reveal the wet-dream girls of a fairly astounding array of talent: R. Crumb, Dan Clowes, Gilbert and Jaime Hernandez, Charles Burns, Gary Panter, Peter Bagge, Adrian Tomine, Kim Deitch, Tony Millionaire, Richard Sala, Ivan Brunetti, Ron Regé,Jr., Dan Zettwoch, Rick Altergott, Jonathan Bennett, Sammy Harkham, Tim Hensley, Mitch O'Connell and Archer Prewitt (It's too bad they couldn't get Chris Ware on board with this one, but then again, his fantasy might be too much for the rest of us to handle...). | |||||
| Skibber Bee-Bye | Ron Regé | Drawn and Quarterly |
$17.77 ($19.95 list) |
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FINALLY! Back in print at last, after a comedy of errors led to a delay of nearly a year! Ron Rege's mammoth masterwork has received the deluxe Drawn and Quarterly treatment in a brand new edition that sports a stitched binding and flexi-cover (similar to the most recent Kramers Ergot) for years of reading pleasure. This is a singular work that has few if any analogues in the annals of comics; and it makes for an intense reading experience. If you're looking for comics that challange your view of reality, you need look no further than Skibber Bee-Bye. Make sure you take a moment to give this one the once over. | |||||