
David Heatley
| Title | Creator | Publisher | Series | Price | ||
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| Bete Noire | Ludovic Debeurme, Anke Feuchtenberger, Helge Reumann , Suzy Amakane and more ... | Fantagraphics |
$9.95 ($9.95 list) |
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<<• edited by Chris Polkki •>> Don't let the fact that some of your favorite comics anthologies are concluding their runs get you down: there's a world of comics out there waiting to be discovered. Take this swell 100-page anthology from 2005, for example. We thought it was long gone, but we stumbled on a source and so are eager to let late-comers in on this swell package of comics from around the world, with a special emphasis on the Japanese avant garde. Bête Noire features what we believe was the first North American publication of Yuichi Yokoyama, as well as works by fellow Japanese manga masters Junko Mizuno, Ichiba Daisuke, Takeshi Nemoto and Suzy Amakane. Also on hand are Helge Reumann of Switzerland, Anke Feuchtenberger of Germany, Ludovic Debeurme, Lucie Durbiano and Caroline Sury of France, as well as artists from Italy, Spain, Finland, along with Kevin Scalzo, Renée French and cover artist David Heatley from the USA. Recommended for readers of Kramers Ergot, MOME and Blood Orange (which Mr. Polkki also edited). | |||||
| MOME #2 | John Pham, Paul Hornschemeier, Jeffrey Brown, David Heatley and more ... | Fantagraphics | MOME |
$13.50 ($14.95 list) |
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It's finally here, after a regrettable delay: the second issue of the most engaging regularly published comics anthology currently on the market. This issue continues to meet the high standards set by the first issue and includes the entire roster of contributors. Highlight: Jeffrey Brown redeems his shallow submission to the first issue by turning in one of his best pieces to date. Recommended! To learn more about MOME, please visit our MOME 1 page. | |||||
| MOME #3 | Eric Reynolds, Gary Groth, David B., Andrice Arp and more ... | Fantagraphics | MOME |
$12.75 ($14.95 list) |
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Well, the undisputed highlight of this issue is an all-new 36-page piece by David B. (Epileptic) titled "The Armed Garden". Yes! Along side of this is a line-up up the ususal MOME suspects: Andrice Arp, Gabrielle Bell, Jonathan Bennett, Jeffrey Brown, Martin Cendreda, David Heatley, Anders Nilsen, and Kurt Wolfgang, who is the interviewee this time around. (Concerned MOME devotees may be assured that both John Pham and Paul Hornschemeier will return in the next issue) R. Kikuo Johnson (Night Fisher) takes a bow in this issue with a series of three-panel strips featuring "Cher Shimura." MOME is fast becoming the official "little literary magazine" of the comics world. If you've read an issue already, you know what we're talking about; if you haven't, this is a good time to find out for yourself. To learn more, visit our MOME page. | |||||
| Anthology of Graphic Fiction, Cartoons, and True Stories: Volume Two | David Mazzuchelli, Leif Goldberg, Brian Chippendale, Elinore Norflus and more ... | Yale University Press |
$20.00 ($28.00 list) |
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edited by Ivan Brunetti It's too early to say for certain, but this follow-up to Brunetti's already classic 2006 anthology, also published by Yale University Press, might just be even better than its precursor. One thing's for certain: Brunetti has held onto -- and further refined -- his editorial vision of arranging the work contained in this volume in an organic sequence, deftly managing to map out the similarities between artists so that each piece flows smoothly into into the other, creating an amazing sense of an innate connectivity between all areas of comics here on display. This book is a powerful ally in the struggle to bring the light of comics to those poor souls still dwelling in the darkness. It's the perfect choice to turn on a friend or relative to the joy, beauty and pleasures of our favorite medium. Hold onto your hats, here's the contributor list: Daniel Clowes, Saul Steinberg, Sammy Harkham, Chris Ware, R. Sikoryak, Michael Kupperman, Drew Friedman, Mark Beyer, Mack White, Jayr Pulga, Renee French, Kim Deitch, Richard Sala, J. Bradley Johnson, Archer Prewit, Anonymous (utility sketchbook), HJ Tuthill, Milt Gross, Bill Holman, Harvey Kurtzman, R.Crumb, Basil Wolverton, Art Spiegelman, Jess, John Hankiewicz, Tim Hensley, Bill Griffith, Richard McGuire, Gilbert Hernandez, Jim Woodring, David Collier, Eugene Teal, Charles Burns, Karl Wirsum, Gary Panter, Paper Rad, Fletcher Hanks, CF, Charles Forbell, Ron Rege, Jr., Winsor McCay, Matthew Thurber, Souther Salazar, Kevin Scalzo, Megan Kelso, James McShane, Laura Park, Vanessa Davis, Onsmith, Joe Matt, Jeffrey Brown, Martin Cendreda, Dave Kiersh, John Porcellino, Carrie Golus/Patrick Welch, Jessica Abel, Cole Johnson, Lynda Barry, Debbie Drechsler, Diane Noomin, Aline Kominsky-Crum, Ariel Bordeaux, Chester Brown, Anders Nilsen, Joe Sacco, Phoebe Gloeckner, Elinore Norflus, Brian Chippendale, Leif Goldberg, David Mazzuchelli, Jerry Moriarty, Ben Katchor, Frank Santoro, Dan Zettwoch, Kevin Huizenga, Harvey Pekar/R.Crumb, Carol Tyler, Maurice Vellekoop, Seth, Adrian Tomine, Jaime Hernandez & David Heatley. It's simply amazing. Comics Power! PLEASE NOTE: We feel compelled to mention that this volume includes several pieces that contain quite explicit sexual content; and while this content represents only a miniscule fraction of the total, it nevertheless renders this volume fit for ADULTS ONLY. | |||||
| My Brain Is Hanging Upside Down | David Heatley | Pantheon |
$22.22 ($24.95 list) |
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Heatley's deeply personal -- and deeply weird -- comics mix his dream and waking states to create a unique reading experience. This book collects the bulk of his previously published work, along with plenty more that was new to us. Heatley has hit upon an affecting primitive cartooning voice and his comics can knock you for a loop. The black and white and full color work that fills this oversize hardcover volume is highly controversial and not for the easily disturbed or upset. Heatley's artistic method is to dive deep into his own subconscious, where he explores the turbulent emotional seas of sex, race and family roiling in his psyche. What he turns up includes quite a bit of human weakness: unhealthy attitudes, unlikeable traits, and downright nastiness that may be nausea inducing, along with moving confrontations with the precipitant fears and disappointments that must be overcome for healing and growth to take place. Any identification with the material has the potential to force the reader into uncomfortable positions of self-examination, and even those who experience an outright rejection of the material might still find themselves asking, "How did we get here?" | |||||
| McSweeney's #13 | Mark Beyer, Ivan Brunetti, Kaz, Art Spiegelman and more ... | McSweeney's | McSweeney's |
$20.00 ($24.00 list) |
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Finally, it's here: the most anticipated release of 2004 (so far). Striving for objet d'art status, McSweeney's 13 comes as close as any comics release to attaining it. Starting with a dust jacket that folds out into a two sided comics poster: the outer side featuring a dense full color, 360º narrative by editor and comics fiend, Chris Ware; the inner side featuring a vaguely ceremonial (think Mayan) worshipping of the idols of comics by Gary Panter. But there's more: tucked into the folds of this dust-jacket-cum-suitable-for-framing-wall-art are two mini-comics commissioned especially for this issue; one -- in full color -- by Ron Rege, Jr., and the other in B & W (as it should be) by long time mini-master, John Porcellino. And that's just the dust jacket! Moving on to the front and back binding plates (the hard covers beneath the dust jacket), we have a hundred or so images culled from a 1936 guide to cartooning separated by a lavishly embossed spine. The end papers are by Ivan Brunetti, and feature a wallpaper of minimalistic renditions of his personal comics and cartoon hall of fame. And, finally, there is the contents of the book itself. The subject of much speculation as to whether it would be reprints or newly commissioned work, the answer is... Both! About half and half, depending on how you look at it. Here's how it breaks down: Some of the work has appeared in non-comics periodicals, but is collected herein for the first time. Under this category are Mark Beyer, Ivan Brunetti, Kaz, Art Spiegelman (although his pieces are being reprinted everywhere at this point) and some of the pieces by Chris Ware. Straight out reprints are the inclusions by Charles Burns (although the frontispiece is new), Chester Brown, Debbie Drechsler, Jaime and Gilberto Hernandez, Mark Newgarden, Archer Prewitt, Joe Sacco, Richard Sala (newly colored, however), Seth, and Adrian Tomine. New to us -- and therefore, we imagine, new to you as well -- are the works by Lynda Barry, Jeffrey Brown, Dan Clowes, David Collier, R. Crumb, Kim Deitch, Julie Doucet, David Heatley, Ben Katchor, Joe Matt, Richard McGuire, Gary Panter, some of the Chris Ware, and of course the aforementioned dust-jacket and minis. In addition to all this contemporary work, there are selections of classic and archival work sprinkled throughout: First and foremost among these is a 15-page spread on "the inventor of comics," Rodolphe Töpfler, and his first appearance in America, introduced by Chris Ware; an 80% reproduction of an original 1922 Mutt and Jeff daily strip by Bud Fisher that takes four pages to display (which gives you an idea of how big they drew comics back then!); and a nine page spread on George Herriman, introduced by Tim Samuelson and featuring Herriman's last Krazy Kat dailies, also reproduced from the originals. And, as if this weren't enough, there are two appreciations by Chris Ware, one of the abstract-expressionist-turned-representational-painter-with-a-personal-affinity-for-comics-iconography, Philip Guston, and the other of Peanuts creator, Charles Schulz. In addition there is a critical appreciation of comics from John Updike, and nostalgiac/elegiac remembrances of comics related experiences by Glen David Gold, Malachi Cohen, and Chip Kidd. The volume opens with a preface from Ira Glass, followed by an introduction by Chris Ware, who, when all is said and done, is clearly more than simply the editor of this work. This is a great piece, especially when you consider it's primary purpose: preaching to the unconverted, those countless, teeming millions out there in America and beyond who don't locate the foundation of their identity in comics. With this volume, McSweeney's begins a new ambitious distribution arrangement with Publisher's Group West in the USA and Penguin Books in the UK; thereby bringing their publications before a great many more potential readers. They couldn't have chosen a better volume to initiate this venture. Let's wish them luck. | |||||
| MOME #4 | Gary Groth, Paul Hornschemeier, Sophie Crumb, R. Kikuo Johnson and more ... | Fantagraphics | MOME |
$12.75 ($14.95 list) |
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Another great issue of the comics anthology you can't afford to miss is now on our shelves. The highlight of this issue is another wonderful mythical/historical comics novella by David B., "The Veiled Prophet." Also on offer are a great new story by Martin Cendreda, "La Brea Woman" that shows him moving in a new direction. And the gang's all here: John Pham returns to 221 Sycamore Avenue to provide the cover along with the dream landscape of a high school teacher and his family; Sophie Crumb returns with more tales of street urchins on drugs, Jonathan Bennet and Gabrielle Bell take deft turns at depicting urban melancholy; Jeffrey Brown steps out of his comfort zone and turns in an atypical (and metaphorical) tale of existential angst; and David Heatley, Paul Hornschemeier, Anders Nilsen, Kurt Wolfgang and R. Kikuo Johnson each do their thing and do it well, rounding out another issue where everything is good! | |||||
| MOME #6 (Winter 2007) | Anders Nilsen, Paul Hornschemeier, Lewis Trondheim, Tim Hensley and more ... | Fantagraphics | MOME |
$12.75 ($14.95 list) |
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edited by Eric Reynolds and Gary Groth Yes, we have all the ususal suspects again this time around -- J. Bennett, J. Brown, Sophie Crumb, M. Cenreda, Anders Nilsen, Paul Hornschemeier, David Heatley, Tim Hensley, and some pretty amazing apocryphal neo-romance covers by R. Kikuo Johnson -- but there are a couple new entries from Europe that are quite worth noting: Lewis Trondheim makes his MOME debut with the first part of his new comics diary, Loose Ends; and Vosges Studio co-founder, Émile Bravo provides this issue's standout story, The Brothers Ben Qutuz in "Frustration Land." This ten page pantomime (no text or dialogue) story -- enabling it to be read and understood without it having to be translated -- is a startlingly succinct exegesis of the Israeli-Palestinian conflict, as experienced at street level on the Palestinian side, that will invade your consciousness and refuse to leave; a perfect example of the value of comics as a form of commmunication. | |||||
| MOME #7: Spring 2007 | Al Columbia, Andrice Arp, Kurt Wolfgang, Eleanor Davis and more ... | Fantagraphics | MOME |
$12.75 ($14.95 list) |
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This issue finds MOME at a crossroads of sorts as this is the the last time -- at least for now -- that it will feature work by the core of MOME regulars Anders Nilsen -- who also provides this issue's interview -- Jeffrey Brown, Gabrielle Bell and Martin Cendreda all of whom except Brown (who is, evidently, already gone) turn in their farewell pieces this issue. New team-MOME members premiering here are self-publishing stalwarts Eleanor Davis and Tom Kaczynzki who both turn in the first of what promises to be a string of fine pieces, and we can only presume that they will be joined next issue with more voices from the alterna-ground. Also on hand this issue is cover artist, Lewis Trondheim's hybrid/sketchbook/collage comics work, "At Loose Ends, Part 2," continued from last time. Sophie Crumb -- about whom we admit to having been a bit skeptical, at first -- has proven herself a keen observer of humanity in her short pieces for MOME, and her contributions this time around are some of her finest to date. David Heatley and Kurt Wolfgang soldier on with their respective continuing sagas; Andrice Arp and Paul Hornschemeier both shift gears -- Arp with a dream piece and Paul H. with a couple of oddball toyings with words and pictures; finally, "weird" Al Columbia turns in a batch of "Chopped-Up People." You have been warned. | |||||
| Comics Comics #3 | Timothy Hodler, Steve Gerber, Guy Davis, Marc Bell and more ... | PictureBox |
$2.00 ($2.95 list) |
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Where traditional Japanese manga is lengthy, old school American comics are large, and Comics Comics is doing its part to keep this tradition alive by being printed on a web-press in newspaper format in the arm-spanning 44" x 28" (when held open) of the good old days. This issue is filled with articles, essays, interviews and reviews by and about the likes of Sammy Harkham, Guy Davis, David Heatley, Lauren Weinstein, Frank Santoro, Dan Nadel and Timothy Hodler, and is filled throughout by humorous marginal illustrations by Matthew Thurber (think Sergio Aragonés in Mad Magazine). The back cover is a gigantic, suitable-for-hanging-on-the-wall extravaganza by the one and only Marc Bell. A must for comics cognoscenti everywhere. | |||||