
Dan Nadel
| Title | Creator | Publisher | Series | Price | ||
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| Art In Time: Unknown Comic Book Adventures, 1940 - 1980 | Sharon Rudahl, John Thompson, Willy Mendes, Pat Boyette and more ... | Abrams ComicArts |
$35.00 ($40.00 list) |
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<<•>> edited by Dan Nadel <<•>> The long awaited follow up volume to Nadel's pioneering 2006 anthology of rarely seen and under appreciated comics, Art Out of Time, has at last arrived! This time around we have a tighter focus. While much of the work contained in Art of Time originally appeared in newspapers and broadsheets, all the work contained in this volume originally appeared in comic book form between 1942 and 1980. Extending and expanding his mission to bring art world curatorial standards to comics, Nadel has provided an informative introduction to the book as a whole, along with separate one-page explanations of the underlying reasoning behind each of the thematically groupings into which the work is divided: "Demand and Supply," "Where They Were Drawing From," "It's All In the Routine," and "Expansive Palettes." The artists included here range from the golden age superhero work of H.G. Peter and Mort Meskin, through the post-WW II "atomic age" genre work of Bill Everett, Matt Fox, Jesse Marsh and Pete Morisi, and also including early work focused on hardboiled detective, Sam Hill, by the one and only Harry Lucey, who is best know for his 1960s work on Archie Comics. Another artist whose work included here ranges far from their iconic work is John Stanley, who is best known for his multi-decade run Little Lulu. Nadel has dug up a couple of obscure horror tales from 1962 that should be quite a surprise to most Stanley collectors. Also from the 1960s we have Sam Glanzman's Kona and Pat Boyette's career high, the 25 page, "Children of Doom" from 1967. Heading into the underground era we have fairly obscure yet nonetheless era-defining work from Willy Mendes and John Thompson. And, finally, on the cusp of the undergrounds and the alternative revolution that supplanted them is Sharon Rudahl's 34 page epic, The Adventures of Crystal Night, is presented here in its entirety. Essential, we say. | |||||
| Comics Comics #4 | Dan Nadel, Frank Santoro | PictureBox |
$2.50 ($2.95 list) |
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It'a about time! The latest issue of the magazine of the comics cogniscenti is now in stock. This issue's cover feature is the one and only Shaky Kane, whose amazing early 1990s work has been sadly neglected; until now! Frank Santoro provides a heartfelt appreciation of Shaky's place in the comics universe and follows it up with a revealing interview. And that's just for starters. This issue also features: "The Death of the Comic Book" by Sammy Harkham; An in-depth review of Steve Ditko's late works Avenging Mind and 160 Page Package by Tim Hodler who also reports on Dave Sim's recent dual release of Glamourpuss #1 and Judenhass as well as providing a close reading of Kentaro Miura's Berserk; Brian Chippendale writes on Brian Michael Bendis(!); the second major feature in this issue is on Woody Gelman, the hidden figure behind many of the Topps gum card series such as Mars Attacks, Funny Monsters and many, many others that have faded from memory (he also was instrumental in the creation of Bazooka Joe, threw some work R. Crumb's way when he was just starting out and served as a mentor to Art Spiegelman); and to cap it all off are full page comics by designer, Mike Reddy and Copacetic fave, Dan Zettwoch (and don't forget, that when we're talking about Comics Comics full page means a whopping old old school 17" x 23"!). Essential reading. | |||||
| Where Demented Wented: The Art and Comics of Rory Hayes | Rory Hayes, Dan Nadel | Fantagraphics |
$20.00 ($22.99 list) |
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Widely considered the most "out-there" of the original generation of American underground cartoonists that burst on the comics scene in the 1960s, Rory Hayes -- who died twenty-five years ago -- finally gets his due in this comprehensive volume compiled and edited by Dan "Picturebox" Nadel & Co., which includes a remembrance of things past by Rory's brother, Geoffrey Hayes. Not for the faint-hearted (nor anyone under 21 years of age), this volume contains work that can perhaps best be described as a piercing shriek from a tortured soul, released in ink on paper. Hayes was engaged in an ultimately failed attempt to exorcize his demons and the evidence is all right here. There are other pages where, his agony spent, Hayes indulges in wistful hopes, which are, in hindsight, clearly naught but interludes. A singular talent whose work prefigures some aspects of Fort Thunder and Paper Rad and others of the Kramers Ergot set, Rory Hayes is gone, but, clearly, not forgotten. | |||||
| Art Out of Time | Dan Nadel |
$40.00 ($45.00 list) |
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This is an awesome new book of amazing, little seen and hard to find classic comics. These are high quality reproductions of complete stories here, taken right from the original sources; not single page "examples" folowed by lots of text "explaining" them. No! Author Dan Nadel employs his vast knowledge of the outer reaches of comics to introduce and put in context the pieces this volume contains, and then steps aside and lets the work speak for itself. This is the real deal. Make sure to check this one out! Click here to learn more. | |||||
| The Comics Journal #283 | Dan Nadel, Lewis Trondheim, Matthias Wivel, Donald Phelps and more ... | Fantagraphics |
$12.50 ($15.00 list) |
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Lewis Trondheim cover interview; also, Dan Nadel's interview with painter cum comics artist David Sandlin takes us on a fascinating tour of Sandlin's Sinland (not in any way, shape or form to be confused with Frank Miller's Sin City, of which Sinland should perhaps be considered -- at least in some respects -- the antithesis). | |||||
| Comics Comics #3 | Timothy Hodler, Steve Gerber, Guy Davis, Marc Bell and more ... | PictureBox |
$2.00 ($2.95 list) |
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Where traditional Japanese manga is lengthy, old school American comics are large, and Comics Comics is doing its part to keep this tradition alive by being printed on a web-press in newspaper format in the arm-spanning 44" x 28" (when held open) of the good old days. This issue is filled with articles, essays, interviews and reviews by and about the likes of Sammy Harkham, Guy Davis, David Heatley, Lauren Weinstein, Frank Santoro, Dan Nadel and Timothy Hodler, and is filled throughout by humorous marginal illustrations by Matthew Thurber (think Sergio Aragonés in Mad Magazine). The back cover is a gigantic, suitable-for-hanging-on-the-wall extravaganza by the one and only Marc Bell. A must for comics cognoscenti everywhere. | |||||
| The Ganzfeld 5: Japanada | Yuichi Yokoyama, Marc Bell, Julie Doucet, Dan Nadel and more ... | PictureBox | The Ganzfeld |
$25.00 ($29.95 list) |
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edited by Dan Nadel w/ Marc Bell & Yuki Minami You'll want to strap yourself in before cracking open the latest issue of The Ganzfeld, as the going gets going and doesn't stop until it's solid gone, and things get so far out you might wonder where it is you've gotten to. Well, the answer, if you haven't already guessed, is, of course: Japanada! The artists featured in this issue all hail from either Japan or Canada -- hence the title -- and the end result could be seen as an imaginary island in the middle of the Pacific Ocean, but we'll assert here that it would be more accurately described as representing a heretofore unexplored province of the mind; more a state of mind than a place on a map. This volume invites you to get away from the restrictive conformity of life in these United States and take a walk on the wild shores of Japanada where anything goes. Here you'll find artistic risk taking the like of which you aren't likely to find between any other two covers. You'll discover new and daring works by (from Japan): Saseo Ono, Shigeru Sugiura, Keiichi Tanaami, King Terry, Eye Yamatsuka, Misaki Kawui, Yuichi Yokoyama; (and from Canada) Julie Doucet, Bobo Boutin & Dominique Pétrin, "the All-Star Schnauzer Band", Tommy Lacroix, Amy Lockhart, Owen Plummer & Andrew Dick, Scott Evans, Mark Connery and Shayne Ehman. Each artist's work is prefaced by a short - or not so short -- essay to help get the reader up to speed and ready to confront the artistic frenzies of Japanada. | |||||