
Tom Kaczynski
| Title | Creator | Publisher | Series | Price | ||
|---|---|---|---|---|---|---|
| MOME #22 | Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis and more ... | Fantagraphics | MOME |
$17.77 ($19.99 list) |
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edited by Eric Reynolds Say it isn't true! Sadly, this is the end of the road for the most innovative and challenging regularly published English language comics anthology of the twenty-first century. But they're going out with a bang! MOME 22 is a wallopin' 240-page double issue that is a veritable gathering of MOME alumni (along with some notable last-minute newcomers) featuring 30 artists, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, Zak Sally, Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, Jim Rugg, Chuck Forsman, Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons, Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Whew! Get a heaping helping of PDF preview, here. | |||||
| MOME #15 | Dash Shaw, Nicolas Mahler, Josh Simmons, T. Edward Bak and more ... | Fantagraphics | MOME |
$13.75 ($14.99 list) |
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<<• edited by Eric Reynolds •>> We are sad to announce that this is the penultimate issue of MOME. Highlights this time around must start off with a new Tom Kaczynski tale, "The Cozy Apocalypse." Also notable are a full-color two-pager by Lilli Carré, a nifty-in-a-very-dark-way three-pager by Jon Adams, the highly Hankiewicz-esque cover story by Sara Edward-Corbett, along with new work by Steve Weissman, Kurt Wolfgang, Josh Simmons (2!), T. Edward Bak, Nicolas Mahler, Dash Shaw, Sergio Ponchione, Nate Neal, Nick Thorburn and Michael Jada & Derek Van Gieson. Savor these tales. | |||||
| MOME #17 | Paul Hornschemeier, Dash Shaw, Tom Kaczynski, T. Edward Bak and more ... | Fantagraphics | MOME |
$12.75 ($14.95 list) |
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edited by Gary Groth and Eric Reynolds There's no question that the highlight of this issue is the thirty page conclusion to Paul Hornschemeier's Life with Mr. Dangerous, which began its serialization in MOME all the way back in the first issue! Next up in the list is the first ever (to our knowledge, anyway) collaboration between the mighty Dash Shaw and Tom Kaczynski, the aptly titled, "Resolution." Also on hand are the second parts of both T. Edward Bak's "Wild Man" and Ted Stearn's new Fuzz and Pluck adventure, "The Moolah Tree," as well as the first two parts of Oliver Schrauwen's latest, "Congo Chromo." Laura Park, Sara Edward-Corbet, Rick Froberg, Kurt Wolfgang, Derek Van Gieson, Renée French, Josh Simmons and Michael Jada round out the issue. MOME continues to deliver on its promise. | |||||
| MOME #10: Winter/Spring 2008 | Paul Hornschemeier, John Hankiewicz, Dash Shaw, Jim Woodring and more ... | Fantagraphics | MOME |
$13.50 ($14.95 list) |
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Yes, it's another fine issue in the ongoing, regularly published comics anthology that consistently publishes some of the most original, challenging and engaiging comics on the market. This time around the obvious highlight is the conclusion of Jim Woodring's The Lute String, which began last issue, a tale that is wonderful in conception as well as masterful in execution and amply demonstrates that Woodring's genius, but there's plenty more to get excited about: The uniquely weird story by up-and-comer Dash Shaw that starts off this issue is his most inventive work yet and will both charm and confuse you; Robert Goodin returns with a swell comics -- as well as comic -- adaptation of a classic Indian fable; also returning is Tom Kaczynski, who is this issue's interview subject as well. And, still with us are a core cadre of MOME regulars: Sophie Crumb, Paul Hornschemeier, Kurt Wolfgang, as well as Tim Hensley, Jeremy Eaton, Émile Bravo and Ray Fenwick (whom everyone is jealous of for his ingenious exploitation of old canvas covered used books). And, finally, we can't leave you without lettnig you know that the one and only John Hankiewicz makes his MOME debut in this issue. For those of you who are already familiar with his work, this notice of his inclusion will provide you with that much more impetus to purchase this issue; but it is those MOME readers among you who are unfamiliar with Hankiewicz: make sure to pay close attention to his contribution, "Success Comes to Westmont, IL" -- if you find yourself intrigued, but you're not sure why, you may want to take a look at his excellent collection, Asthma, published a little while back by Sparkplug Comics, it's a rare gem. | |||||
| MOME #11: Summer 2008 | John Hankiewicz, Paul Hornschemeier, Killoffer, Tom Kaczynski and more ... | Fantagraphics | MOME |
$12.75 ($14.95 list) |
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Speaking of "a whole new approach to comics," what better fits this description than MOME? To any readers who might have felt a creeping worry that MOME wouldn't be able to keep it up, that there simply wasn't enough high calibre new work being produced to keep MOME floating on its lofty plane, let us be first to say that these fears can be laid to rest with this issue, which is arguably the best yet. It starts off with a new Al Columbia piece that (finally) lives up to the promise of his outsized rep. "5:45 A.M." is a story which shows us that, yes, God is in the details. In a mere eight, actionless panels -- more or less a tableaux nature morte -- Columbia manages to quite successfully share with us his own dark lord. "Einmal Ist Keinmal" by this issue's cover artist, Killoffer, follows. A variation on his singular masterwork, 676 Apparitions of Killoffer, "EIK" will give you plenty to ponder while you pore over its seductive linework. Nate Neal is up next with "The 5 Simple Cosmic Do Dats" wherein he deftly manages the fairly astounding party trick of grafting his own left-leaning post-punk tendencies onto a synthetic hybridization of the aesthetics of Kim Deitch and the narrative techniqes of Dan Clowes to create that wonder of wonders: an entertaining work that is both funny and smart. You might find yourself scratching your head at first while working through this one, but keep going -- or better yet, start over and try again -- this one has more going on in it than first meets the eye. Four panels of "Truth Bear" by Ray Fenwick (who doubles as this issue's [quite engaging] interview subject) follow. Eleanor Davis serves up an irresisitable visual treat , "The 10,000 Rescues," and then we have seven pages of fun with the future of the wonderful world of Art in "The Galactic Funnels," courtesy Dash Shaw, before plunging into John Hankiewicz's personal gift to Copacetic -- a five-page story that combines his own totally unique approach to narrative with a brief episode in the life of the one and only Anita O'Day! (Thank you, John.) Then it's Emile Bravo's turn to wow us with his four-page assembly of signs & meaning which deftly deconstructs the quandary of globalization, "A Question of Human Resources." Newcomer, Conor O'Keefe brings a novel approach to his two pieces, combining an old-old-school Sunday page design sense (we suspect he may have spent some time curled up with Art Out of Time) with a very contemporary sensibility. We look forward to watching his talent develop (and we hope that it continues to do so in the pages of MOME). And then there's the topper: "Million Year Boom," by Tom Kaczynski will knock your socks off. It is probably the first succcessful translation of the Ballardian (as in J.G. Ballard) narrative approach to science fiction yet achieved in comics form. This deeply creepy tale brings us face to face with a world where major corporate leaders so deeply internalize their own marketing messages and stock market hype that they become untethered from consensus reality and move into the ambiguous landscapes of delusion, paranoia and insanity that were so successfully mined by Ballard (and, to be fair, by many others, most notably Philip K Dick; but none so well as Ballard, who is most convincingly evoked here). While the influence of Clowes is certainly evident in Kaczynski's work, he has created a wholly original synthesis here. This issue is rounded out with contributions by MOME regulars Andrice Arp, Paul Hornschemeier and Kurt Wolfgang. Encore! Encore! | |||||
| MOME #7: Spring 2007 | Al Columbia, Andrice Arp, Kurt Wolfgang, Eleanor Davis and more ... | Fantagraphics | MOME |
$12.75 ($14.95 list) |
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This issue finds MOME at a crossroads of sorts as this is the the last time -- at least for now -- that it will feature work by the core of MOME regulars Anders Nilsen -- who also provides this issue's interview -- Jeffrey Brown, Gabrielle Bell and Martin Cendreda all of whom except Brown (who is, evidently, already gone) turn in their farewell pieces this issue. New team-MOME members premiering here are self-publishing stalwarts Eleanor Davis and Tom Kaczynzki who both turn in the first of what promises to be a string of fine pieces, and we can only presume that they will be joined next issue with more voices from the alterna-ground. Also on hand this issue is cover artist, Lewis Trondheim's hybrid/sketchbook/collage comics work, "At Loose Ends, Part 2," continued from last time. Sophie Crumb -- about whom we admit to having been a bit skeptical, at first -- has proven herself a keen observer of humanity in her short pieces for MOME, and her contributions this time around are some of her finest to date. David Heatley and Kurt Wolfgang soldier on with their respective continuing sagas; Andrice Arp and Paul Hornschemeier both shift gears -- Arp with a dream piece and Paul H. with a couple of oddball toyings with words and pictures; finally, "weird" Al Columbia turns in a batch of "Chopped-Up People." You have been warned. | |||||
| Mome #8 - Summer 2007 | Jonathan Bennet, Sophie Crumb and, Eleanor Davis, Ray Fenwick and more ... | Fantagraphics | MOME |
$12.00 ($14.95 list) |
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MOME 8 - Summer 2007 is edited by Eric Reynolds and Gary Groth. This issue pretty much completes the transition to the new "Team MOME." Original members Jonathan Bennet, Sophie Crumb and Paul Hornschemeier are joined here by new comers (some of whom showed up last issue) Eleanor Davis, Ray Fenwick, Tom Kaczynski, Al Columbia, Émile Bravo and Joe Kimball, while Lewis Trondheim wraps up his three-part "At Loose Ends." Davis is the featured artist this issue with her work gracing the cover and providing the lead story, while she is the interview subject as well. Her story, "Stick and String" is a moody meditation on exogamous bonding that shows her work moving a bit in the direction of Sammy Harkham (although, in her interview, she identifies Joann Sfar as her current fave). The Copacetic pick for this issue is Tom Kaczynski's "10,000 Years," a mordant take on contemporary alienation that, while clearly indebted to Clowes, brings an original perspective to the table with its smart synthesis of dialectical materialism and post-industrial consumer culture. And we can't sign off on this issue without mentioning Émile Bravo's "Young Americans," which is certainly one of the cleverest short comics we've read in a while. | |||||