
Gary Panter
| Title | Creator | Publisher | Series | Price | ||
|---|---|---|---|---|---|---|
| Kramers Ergot #8 | Dash Shaw, Takeshi Murata, Robert Beatty, Sammy Harkham and more ... | PictureBox | Kramers Ergot |
$29.75 ($32.95 list) |
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<<•>> edited by Sammy Harkham <<•>> Starting out way back in 2000 as a plain ol' self-published, black and white comic book, Sammy Harkham's Kramers Ergot has been through some serious changes over the years. In 2003, when Sammy went for broke (literally) and switched to a massive full-color book format with the fourth issue, Kramers was transformed from a simple comic book to a synecdoche/catch phrase for the exploding art comics scene. The subsequent two issues followed suit and were published by art house publisher, Gingko Press. Then, with the seventh issue the stakes were raised again with the gigantic, full-blown, original-old-school Sunday page size – a whoppin'' 16" x 21" – full color, hardcover published by Buenaventura Press that knocked people's socks off the world over; not least folks here in Pittsburgh, where we hosted the Kramers Tour at The BrilloBox to much acclaim. Now, with the eighth issue, Kramers is being published by our pals at PictureBox and has entered yet another phase. This time out – perhaps in keeping with its maturation – Kramers takes the form of an unassuming standard size hardcover sporting a tan cloth cover of deceptively straightforward design by Robert Beatty; one which nonetheless provides both visual and tactile pleasure to the reader and hints at what is to come, which is another all-star anthology featuring some of today's top cartoonists working in an environment where they feel comfortable taking risks. An essay by Ian Svenonius, "Notes on Camp, Part 2" sets the tone with a hyperbolic sequel to Susan Sontag's famous essay, in which Svevonius traces a lineage for pop, camp and comics that centers on Warhol and goes back through to the Roman Empire. Then we are treated to a brand new Jimbo adventure by Gary Panter followed by new stories by C.F., Kevin Huizenga (who redraws the story "The Half Men" from the classic ACG series of the 1950s & '60s, Mysteries of Unexplained Worlds), Gabrielle Bell, Johnny Ryan, Time Hensley, Leon Sadler, Chris Cilla, Anya Davidson, Ben Jones and Sammy Harkham, himself. The clear standout of Kramers Ergot 8 is the collaboration between Dash Shaw and Frank Santoro, "Childhood Predators." This sixteen page story is a masterpiece of layout which was consciously composed as a series of eight two-page spreads by someone who really knows what they're doing. Santoro displays his mastery of the medium by employing a host of techniques and methods to deliver a highly textured, subtly nuanced, and deeply felt look at an emotionally complex and politically fraught scenario that will amply reward repeated readings. In addition to the comics, there are a pair of art portfolios featuring Robert Beatty's "retro-future" airbrush art, as well as a series of freakishly photorealistic digital artworks by Takeshi Murata, all of which are reproduced on bright glossy stock, in contrast to the flat off-white stock of the comics work. The 40-page dose of Oh, Wicked Wanda! comics that closes out this issue is also printed on glossy stock to mimic its original appearance in the pages of Penthouse Magazine back in the 1970s. Oh, Wicked Wanda was created by the British artist and writer duo of Ron Embleton and Frederic Mullalley as Penthouse's answer to Kurtzman and Elder's Little Annie Fannie, which ran in Playboy Magazine. As with everything Penthouse, it is the same as Playboy, only more so; and in this case, the humor is decidedly British (as was Penthouse) with its international settings and casual conflation of kinky sex with Nazis. We'd be curious to learn why the largest hunk of this issue of Kramers was devoted to these comics, so we hope Harkham will go on record as to his rationale and motivation here. Regardless of what they may be, Kramers remains in the vanguard of contemporary comics and is indispensable reading for anyone who likes their comics challenging. | |||||
| The Best American Comics 2009 | Dash Shaw, Koren Shadmi, David Sandlin, Ron Regé and more ... | Houghton Mifflin | Best American |
$20.00 ($22.95 list) |
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edited by Charles Burns Well, Crumb is a tough act to follow, but we'll give it a shot with this star-studded anthology filled with the best and the brightest from the last twelve months of comics, as judged by Charles Burns. In a book like this, we feel that the contributor list says it best: Doug Allen, Peter Bagge, Gabrielle Bell, Matt Broersma, Daniel Clowes, Al Columbia, Robert Dennis Crumb, Sammy Harkham, Tim Hensley, Gilbert Hernandez, Kevin Huizenga, Ben Katchor, Kaz, Aline Kominsky-Crumb, Michael Kupperman, Jason Lutes, Tony Millionaire, Jerry Moriarty, Anders Nilsen, Gary Panter, Laura Park, Mimi Pond, Ron Regé, David Sandlin, Koren Shadmi, Dash Shaw, Art Spiegelman, Ted Stearn, Jillian Tamaki and Mariko Tamaki, Adrian Tomine, Chris Ware, Dan Zettwoch. 'Nuff said. Well, actually, we can't help but add that while the material contained in this anthology is absolutely fabulous, the quality of its reproduction is, mysteriously, not up to the same standard as the three previous volumes in this series, which were excellent in that department. This shouldn't stop anyone from picking up this fine volume, but it is worrisome. Let's hope that this was a one time aberration and that next year we'll find the fine folks at Houghton Mifflin have figured out what went wrong and put things in the production department back on track. | |||||
| Kramers Ergot #6 | Sammy Harkham, C.F., Paper Rad, Marc Bell and more ... | Buenaventura Press | Kramers Ergot |
$34.95 ($34.95 list) |
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Edited, as always, by Sammy Harkham -- this time around with an assist by co-publisher Alvin Buenaventura -- this now seemingly biennial publication continues to live up to the promise made with the fourth and fifth volumes. The format follows that of the last volume: a flat matte finish (this time sans texture) flexi cover fixed to a sturdy Smythe sewn binding that holds the contents firmly in place. And what contents! Many of those talents that readers have come to associate with Kramers Ergot are here again, and have submitted work that is as engaging as ever. Sammy Harkham, C.F., Paper Rad, Marc Bell, Souther Salazar, Ron Regé, Jr., Matthew Thurber, Dan Zettwoch and Elvis Studio are joined by Vanessa Davis, Tom Gaud, Martin Cendreda, Bald Eagles and a handful of others. Also, KE Alum Gary Panter finds himself under the same covers as former fellow Raw artist, Jerry Moriarty, who is given plenty of space to present his idiosyncratic Hopperesque visions for the first time (we've seen) in many years. In addition, with this issue Kramers Ergot adds a curatorial component to its offerings for the first time, as readers are given a rare look at two great historical figures of the comics world: we get a healthy sampling of a late sketchbook by the Dutch comics artist, Marc Smeets, which is preceded by "an incomplete appreciation" by Chris Ware; and an amazing reproduction of the early and highly influential manga, Norakuro by Suiho Tagawa. All in all, it seems once again to be an essential read for anyone involved in the contemporary comics scene. Here is a preview of the front cover along with 10 sample pages. | |||||
| Jimbo in Purgatory | Gary Panter | Fantagraphics |
$25.47 ($29.95 list) OUT OF STOCK! |
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It may be a year late, but it's here: The biggest (literally it's a 12" x 18" harcover monstrosity) comic book of the year. As the title suggests, it's an adaptation (of sorts) of the middle book of Dante's Divine Comedy. Much awaited, this book is being touted as Panter's "Big Book." We'll have to take a look and see... | |||||
| The Ganzfeld #4 | C. F., Paper Rad, David Sandlin, Frank Santoro and more ... | PictureBox | The Ganzfeld |
$25.00 ($29.95 list) |
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The Ganzfeld No. 4: Art History? Two years in the making, the latest issue of the Ganzfeld is finally on our shelves! It starts out with a wraparound cover and end papers by the high priestess of Canadian comics, Julie Doucet, and doesn't let up . After the lead off introductions by editor, Dan Nadel and artist extraordinaire, Peter Blegvad, the book is divided up into four sections of approximately equal length. In the first, Art History, you'll discover a lot that you hadn't know that you needed to know but will be glad to learn, including the secret history of the enigmatic cover art for Led Zeppelin's Presence that's always been a nagging question mark lurking in a back alley of your consciousness ever since you first saw it back in 1976. Next up is Drawings, by the recognized hepsters Gary Panter and Mark Newgarden, as well as others whose art you are far less likely to have previously come into contact with; but now will! Artists on Art is an intriguing, highly engaging and fairly unique feature which presents artists on art in art: David Sandlin's 18-page, lushly colored piece on H.C. Westermann is a tour de force of admiration, while Marc Bell's Ph.D.-thesis-in-comics-form provides a fresh, delightful and direct access to the work of Philip Guston that will be much appreciated by many. And then, finally, there's the Comics. This section starts off, semi-miraculously, with a six-page walking tour of Pittsburgh, both real and dreamed -- as a place on the map and as a state of mind -- by peripatetic former resident, Frank Santoro, and continues with fine work by Paper Rad, Leif Goldberg, Ted Stearn, Matthew Thurber, Jim Drain, Mark Newgarden, and a wild and wooly journey to the center of the mind by "C.F." The centerpiece is the amazing 22-page, "Ganmodoki," a piece from the late, surrealist period of Japanese manga legend, Shigeru Sugiura. And there you have it. | |||||
| Anthology of Graphic Fiction, Cartoons, and True Stories: Volume Two | David Mazzuchelli, Leif Goldberg, Brian Chippendale, Elinore Norflus and more ... | Yale University Press |
$20.00 ($28.00 list) |
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edited by Ivan Brunetti It's too early to say for certain, but this follow-up to Brunetti's already classic 2006 anthology, also published by Yale University Press, might just be even better than its precursor. One thing's for certain: Brunetti has held onto -- and further refined -- his editorial vision of arranging the work contained in this volume in an organic sequence, deftly managing to map out the similarities between artists so that each piece flows smoothly into into the other, creating an amazing sense of an innate connectivity between all areas of comics here on display. This book is a powerful ally in the struggle to bring the light of comics to those poor souls still dwelling in the darkness. It's the perfect choice to turn on a friend or relative to the joy, beauty and pleasures of our favorite medium. Hold onto your hats, here's the contributor list: Daniel Clowes, Saul Steinberg, Sammy Harkham, Chris Ware, R. Sikoryak, Michael Kupperman, Drew Friedman, Mark Beyer, Mack White, Jayr Pulga, Renee French, Kim Deitch, Richard Sala, J. Bradley Johnson, Archer Prewit, Anonymous (utility sketchbook), HJ Tuthill, Milt Gross, Bill Holman, Harvey Kurtzman, R.Crumb, Basil Wolverton, Art Spiegelman, Jess, John Hankiewicz, Tim Hensley, Bill Griffith, Richard McGuire, Gilbert Hernandez, Jim Woodring, David Collier, Eugene Teal, Charles Burns, Karl Wirsum, Gary Panter, Paper Rad, Fletcher Hanks, CF, Charles Forbell, Ron Rege, Jr., Winsor McCay, Matthew Thurber, Souther Salazar, Kevin Scalzo, Megan Kelso, James McShane, Laura Park, Vanessa Davis, Onsmith, Joe Matt, Jeffrey Brown, Martin Cendreda, Dave Kiersh, John Porcellino, Carrie Golus/Patrick Welch, Jessica Abel, Cole Johnson, Lynda Barry, Debbie Drechsler, Diane Noomin, Aline Kominsky-Crum, Ariel Bordeaux, Chester Brown, Anders Nilsen, Joe Sacco, Phoebe Gloeckner, Elinore Norflus, Brian Chippendale, Leif Goldberg, David Mazzuchelli, Jerry Moriarty, Ben Katchor, Frank Santoro, Dan Zettwoch, Kevin Huizenga, Harvey Pekar/R.Crumb, Carol Tyler, Maurice Vellekoop, Seth, Adrian Tomine, Jaime Hernandez & David Heatley. It's simply amazing. Comics Power! PLEASE NOTE: We feel compelled to mention that this volume includes several pieces that contain quite explicit sexual content; and while this content represents only a miniscule fraction of the total, it nevertheless renders this volume fit for ADULTS ONLY. | |||||
| McSweeney's #13 | Mark Beyer, Ivan Brunetti, Kaz, Art Spiegelman and more ... | McSweeney's | McSweeney's |
$20.00 ($24.00 list) |
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Finally, it's here: the most anticipated release of 2004 (so far). Striving for objet d'art status, McSweeney's 13 comes as close as any comics release to attaining it. Starting with a dust jacket that folds out into a two sided comics poster: the outer side featuring a dense full color, 360º narrative by editor and comics fiend, Chris Ware; the inner side featuring a vaguely ceremonial (think Mayan) worshipping of the idols of comics by Gary Panter. But there's more: tucked into the folds of this dust-jacket-cum-suitable-for-framing-wall-art are two mini-comics commissioned especially for this issue; one -- in full color -- by Ron Rege, Jr., and the other in B & W (as it should be) by long time mini-master, John Porcellino. And that's just the dust jacket! Moving on to the front and back binding plates (the hard covers beneath the dust jacket), we have a hundred or so images culled from a 1936 guide to cartooning separated by a lavishly embossed spine. The end papers are by Ivan Brunetti, and feature a wallpaper of minimalistic renditions of his personal comics and cartoon hall of fame. And, finally, there is the contents of the book itself. The subject of much speculation as to whether it would be reprints or newly commissioned work, the answer is... Both! About half and half, depending on how you look at it. Here's how it breaks down: Some of the work has appeared in non-comics periodicals, but is collected herein for the first time. Under this category are Mark Beyer, Ivan Brunetti, Kaz, Art Spiegelman (although his pieces are being reprinted everywhere at this point) and some of the pieces by Chris Ware. Straight out reprints are the inclusions by Charles Burns (although the frontispiece is new), Chester Brown, Debbie Drechsler, Jaime and Gilberto Hernandez, Mark Newgarden, Archer Prewitt, Joe Sacco, Richard Sala (newly colored, however), Seth, and Adrian Tomine. New to us -- and therefore, we imagine, new to you as well -- are the works by Lynda Barry, Jeffrey Brown, Dan Clowes, David Collier, R. Crumb, Kim Deitch, Julie Doucet, David Heatley, Ben Katchor, Joe Matt, Richard McGuire, Gary Panter, some of the Chris Ware, and of course the aforementioned dust-jacket and minis. In addition to all this contemporary work, there are selections of classic and archival work sprinkled throughout: First and foremost among these is a 15-page spread on "the inventor of comics," Rodolphe Töpfler, and his first appearance in America, introduced by Chris Ware; an 80% reproduction of an original 1922 Mutt and Jeff daily strip by Bud Fisher that takes four pages to display (which gives you an idea of how big they drew comics back then!); and a nine page spread on George Herriman, introduced by Tim Samuelson and featuring Herriman's last Krazy Kat dailies, also reproduced from the originals. And, as if this weren't enough, there are two appreciations by Chris Ware, one of the abstract-expressionist-turned-representational-painter-with-a-personal-affinity-for-comics-iconography, Philip Guston, and the other of Peanuts creator, Charles Schulz. In addition there is a critical appreciation of comics from John Updike, and nostalgiac/elegiac remembrances of comics related experiences by Glen David Gold, Malachi Cohen, and Chip Kidd. The volume opens with a preface from Ira Glass, followed by an introduction by Chris Ware, who, when all is said and done, is clearly more than simply the editor of this work. This is a great piece, especially when you consider it's primary purpose: preaching to the unconverted, those countless, teeming millions out there in America and beyond who don't locate the foundation of their identity in comics. With this volume, McSweeney's begins a new ambitious distribution arrangement with Publisher's Group West in the USA and Penguin Books in the UK; thereby bringing their publications before a great many more potential readers. They couldn't have chosen a better volume to initiate this venture. Let's wish them luck. | |||||
| In the Studio: Visits with Contemporary Cartoonists | Todd Hignite, R. Crumb, Art Spiegelman, Gary Panter and more ... | Yale University Press |
$17.77 ($29.95 list) |
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WOW!!! It's here and it's a dream come true. Founding editor of Comic Art magazine, Todd Hignite has given us an elegant, oversize, beautifully produced, 320 page hardcover book that takes you into the studio and collections of today's top independent cartoonists. Featuring tons (499, to be exact) of reproductions of the highest quality, depicting the original art, personal collections and physical environs of R. Crumb, Art Spiegelman, Gary Panter, Charles Burns, Jaime Hernandez, Dan Clowes, Seth, Chris Ware and Ivan Brunetti side by side with extensive interviews with the creators themselves, this is a book to savor. Todd Hignite is a passionate, intelligent and articulate defender of comics. His concise introductions to each of the assembled artists are examplary, and the introductory overiew with which he opens the book is an eloquent and perspicacious presentation of the richly complex significance of the art and practice of comics. Recommended! NOW 40% OFF! A real treasure, for less. | |||||
| Gary Panter | Gary Panter | PictureBox |
$27.95 ($95.00 list) |
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NOW ON SALE FOR OVER 70% OFF!!! While we certainly had some sympathy for those who felt that this amazing volume was simply too dear, there's no longer any excuse. The definitive career-spanning collection of the one and only Gary Panter is now available for a price so low that the mind simply boggles. Now's your chance to experience the first and foremost fomenter of the fine-art/comics nexus in all his glory in this massive, oversized, two-volume hardcover for less than the price of a fistful of new comics. This book is so well designed that it is practically a work of art in itself! Published by PictureBox, "This monumental, slipcased set is split into two 344-page volumes. The first is a comprehensive monograph featuring over 700 images of paintings, drawings, sculptures, posters and comics, alongside essays by Robert Storr, Mike Kelley, Edwin Pouncey, Richard Klein, Richard Gehr, Karrie Jacobs and Byron Coley, as well a substantial commentary by the artist himself. The second volume features a selection from Panter’s sketchbooks–the site of some of his most audacious work–most of which has never been published in any form." NOW ON SALE FOR OVER 70% OFF!!! | |||||
| Private Stash: A Pin-Up Girl Portfolio by 20 Cartoonists | Adrian Tomine, Charles Burns, Daniel Clowes, Gilbert Hernandez and more ... | Buenaventura Press |
$22.00 ($24.95 list) |
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This one is an attempt to be the last word in fetish object. Playing on the trope of arrested adolescent sexuality stereotypically identified with the bagging-and-boarding fanboy set of which more than a few of these participants are graduates, Private Stash starts out with a squarebound translucent case that contains -- once you've struggled to remove it from this secure enclosure without damaging it -- a clever two-layer illustrated wraparound slipcase portrait of all twenty contributors by Rick Altergott (displaying his Mort Drucker and Wally Wood chops to full effect) which opens to reveal a 20 panel accordian-print that opens (to over ten feet!) to reveal the wet-dream girls of a fairly astounding array of talent: R. Crumb, Dan Clowes, Gilbert and Jaime Hernandez, Charles Burns, Gary Panter, Peter Bagge, Adrian Tomine, Kim Deitch, Tony Millionaire, Richard Sala, Ivan Brunetti, Ron Regé,Jr., Dan Zettwoch, Rick Altergott, Jonathan Bennett, Sammy Harkham, Tim Hensley, Mitch O'Connell and Archer Prewitt (It's too bad they couldn't get Chris Ware on board with this one, but then again, his fantasy might be too much for the rest of us to handle...). | |||||