The Copacetic Comics Company Lynda Barry

Lynda Barry

Title	Creator	Publisher	Series	Price
Everything, Volume 1: Blabber Blabber Blabber Blabber	Lynda Barry	Drawn and Quarterly		$22.22 ($24.95 list)
Read more and comment...	Having, in What It Is and Picture This, given us her latest and greatest, Lynda Barry now takes us back to her (artistic) beginnings – the years 1978-1983 – and gives us a guided tour from her current, older and wiser vantage point. It pretty much goes without saying that all Lynda Barry fans will find this volume a treasure. In addition to including the entirety of her first published (and looong out of print) book collection, Girls + Boys, Blabber Blabber collects over 100 pages worth of her earliest comics work in book form for the first time! The format of this, the first volume of Drawn & Quarterly's "Everything Lynda Barry" series, preserves that of What It Is and Picture This, and it seems likely that subsequent volumes of the series will continue to do so as well. The archival work is presented here cocooned in a design that is a product of her current sensibility and that includes comics 'n' collage introductions and annotations produced specifically for this volume. As a result, the entire feel of this book is very much a piece with those preceding it and allows new arrivals to the world of Lynda Barry to feel right at home. And, in a moment of copacetic synchronicity, the opening epigraph to this work is taken from Gahan Wilson's classic of childhood angst, Nuts, the re-release of which we celebrated in last month's listing. To wit: "The hardest part about growing up was trying to figure out what was growing up and what wasn't, and you were never sure at any point whether or not you got it right."
What It Is	Lynda Barry	Jonathan Cape		$12.95 ($24.95 list)
Read more and comment...	What It is, the long awaited, all new, 208 page hardcover volume of heuristic metacomix by the one and only Lynda Barry, is both a beautiful and inspiring work of art and an insightful exploration of the creative process. Her first new work since her 2002 masterpiece, 100 Demons, What It Is uses the language of comics to probe the secrets of creativity itself, which leads her deep into the caverns of philosophy, where, ever the intrepid explorer, Ms. Barry undertakes an especially thorough excavation of the cave of epistemology. There in the murky darkness she discovers that memory and imagination blur and merge amidst the stalactites and stalagmites of our respective genetic heritages before condensing and collecting in placid prehistoric pools to mix with the ancient amoebas; in the process dissolving time itself. The past, present and future come together -- an instant and an eternity stand as one in the revelation that it all starts with... The Image! Lynda Barry, long considered among the major contemporary comics creators, has, with What It Is, taken comics to a new place and created a work that can stand shoulder to shoulder in the pantheon with those created by Frida Kahlo, Jean Michel Basquiat, and Hayao Miyazaki, to name but a few of her new peers. This book is full of surprises and delight. There's really only one thing to say about this book: "YES!!!" If you still need convincing, then feast your eyes on this amazing (lucky)13-page preview and/or read our full length review. PLEASE NOTE: In this listing we are offering the Jonarthan Cape edition from the UK. This edition – also a hardcover – is printed on firmer, heavier paper stock, giving the book more heft than the D & Q edition. Not only that, but we were able to purchase an allotment at a special price and are passing on the savings to you! While supplies last.
Picture This	Lynda Barry	Drawn and Quarterly		$25.95 ($29.95 list)
Read more and comment...	Picture This (The Near-Sighted Monkey Book) is the follow up volume to Lynda Barry's 2008 Drawn & Quarterly debut, the masterful What It Is. Executed in the same multiple medias – pen and ink, ink wash, water colors, and collage – on perhaps an even more diverse selection of surfaces – in addition to her now trademarked use of lined, yellow legal pad paper, she here works with assorted notebook pages, graph paper and construction paper, as well as pages torn from books, magazines and newspapers – Barry amply demonstrates that her multi-media mastery continues to be in full force. Every page is a pleasure to look at, and while each page taken on its own may or may not display any obvious narrative content, taken as a whole the book most certainly coheres into a nourishing organic whole. Clearly she is not afraid to take artistic risks and is comfortable working with whatever is at hand. In Picture This, Barry manages the enviable feat of transforming quotidian detritus into a thoughtful, heartfelt, and personal work of art that gradually universalizes her personal concerns through hard won aesthetics
One Hundred Demons (softcover)	Lynda Barry	Sasquatch Book		$16.25 ($17.95 list)
Read more and comment...	Lynda Barry's art has never been more rich and satisfying than it is in One Hundred Demons, the landmark 2002 book which represented a formal and stylistic breakthough not only for Ms. Barry, but for the world of comics as well. The work she has created for this beautifully printed volume features a layered bricolage that is undergirded by confident brushwork and an intuitively intimate color sense. All of it is solidly welded to an amazing and joyful sense of play in the service of a universalized personal revelation. Taken together, it makes for an unforgettable reading experience. No one has ever done a better job of conveying the bittersweetness of growing up than Lynda Barry. No one has more fully employed the medium of comics to portray childhood and adolescence than Lynda Barry. No one has bored more deeply into personal pain to find the joy that is buried hidden within. One Hundred Demons is a masterpiece that anyone who remembers what it was like to be a child growing up will instantly appreciate. Anyone who has forgotten will be powerfully reminded. As we age our childhood recedes, growing ever dimmer in the distance; yet our characters -- which were forged by those experiences that took place during that childhood -- tend to remain relatively fixed despite the increasing distance from those formative years. In One Hundred Demons, Lynda Barry demonstrates again and again how our past is always there, hovering just below the surface of our conscious thoughts, pushing our buttons and directing our courses of action, regardless of whether we are aware of or oblivious to this fact.
One Hundred Demons (hardcover)	Lynda Barry	Sasquatch Book		$22.22 ($24.95 list)
Read more and comment...	Lynda Barry's art has never been more rich and satisfying than it is in One Hundred Demons, the landmark 2002 book which represented a formal and stylistic breakthough not only for Ms. Barry, but for the world of comics as well. The work she has created for this beautifully printed volume features a layered bricolage that is undergirded by confident brushwork and an intuitively intimate color sense. All of it is solidly welded to an amazing and joyful sense of play in the service of a universalized personal revelation. Taken together, it makes for an unforgettable reading experience. No one has ever done a better job of conveying the bittersweetness of growing up than Lynda Barry. No one has more fully employed the medium of comics to portray childhood and adolescence than Lynda Barry. No one has bored more deeply into personal pain to find the joy that is buried hidden within. One Hundred Demons is a masterpiece that anyone who remembers what it was like to be a child growing up will instantly appreciate. Anyone who has forgotten will be powerfully reminded. As we age our childhood recedes, growing ever dimmer in the distance; yet our characters -- which were forged by those experiences that took place during that childhood -- tend to remain relatively fixed despite the increasing distance from those formative years. In One Hundred Demons, Lynda Barry demonstrates again and again how our past is always there, hovering just below the surface of our conscious thoughts, pushing our buttons and directing our courses of action, regardless of whether we are aware of or oblivious to this fact. To see what all the fuss is about, get a preview of the material on-line from Salon.com. While the hardcover is now out of print, we still have a good stock of copies available at this time.
The Comics Journal #296	Lynda Barry, Amanda Vähämäki, David Hajdu, Dash Shaw and more ...	Fantagraphics	The Comics Journal	$10.77 ($11.99 list)
Read more and comment...	The Comics Journal #296 Yes, another year has past and it's time once again for the Best of the Year Issue. Best picks from comics luminaries Kim Deitch, Lynda Barry, Anders Nilsen, John Porcellino and many others complement the Best of 2008 master list compiled out of the all picks. This issues also features a great bunch of interviews: Lynda Barry, Dash Shaw, Frank Quitely, David Hajdu and Mike Luckovich. R.C. Harvey will fill you in on some great comics that made 2008 "a very good year." There's nice full clor preview of the first book of C. Tyler's forthcoming book, You'll Never Know. And then there's a whopping 35 page comics section of fine Finnish comics, including an eleven-pager by the one and only Amanda Vähämäki that should whet your appetite for her soon to be released collection, The Bun Field, as well as reminding you that, if you haven't already, you need to get your hands on a copy of Drawn and Quarterly Showcase 5.
Best American Comics 2006	Jesse Reklaw, Joe Sacco, Anders Nilsen, Jaime Hernandez and more ...	Houghton Mifflin	Best American	$8.88 ($22.00 list)
Read more and comment...	edted by Harvey Pekar and Anne Elizabeth Moore This volume marks the first time that comics joins the well established "Best American Series." It is a surprisingly well produced book -- surprising in that it's from Houghton Mifflin, a major NY publisher, whose eyes are usually more closely set on the bottom line -- that contains a good cross-section of work published in North America in 2004 and 2005 and functions as a fine follow-up -- as a yearbook does to an encyclopedia (for those of you old enough to know what we're talking about) -- to both McSweeney's #13 -- which is clearly its inspiration -- and the just-released Brunetti-edited Yale anthology. This collection spans the generations, including new work from old-timers Kim Deitch, Gilbert Shelton and Robert Crumb, middle-agers Jaime Hernandez, Lynda Barry and Joe Sacco, and youngins' Anders Nilsen, Rebecca Dart and Jesse Reklaw, whose story, "13 Cats of My Childhood," we singled out for praise in our 2005 SPX report, when it appeared in it's original form as Couch Tag #2, stating at the time, "It is one of the best comics at this year's SPX... and deserving of a much wider audience than it will be able to find in this form." So, suffice it to say that we're quite happy to see it included here in this anthology. By far the longest piece included in this 320 page anthology, practically a graphic novella, "La Rubia Loca," by Justin Hall -- another SPX attending self-publisher -- is an engrossing story about a bunch of hippie slackers stuck on a bus tour through Mexico with a crazy woman. And keep in mind that these are just the highlights, there's plenty more. 2006 • full color • hardcover • 320 pages
Best American Comics 2008	Lynda Barry	Houghton Mifflin	Best American	$8.88 ($22.00 list)
Read more and comment...	The Best American Comics 2008 edited by Lynda Barry is now on sale for only $8.88! This is a 324 page, nicely produced, hardcover volume that is chock-a-block with great comics. Starting with the amazing embossed wraparound dustjacket by Eleanor Davis, the book is cover to cover comics that are worth reading. It leads off with a ten-page introduction by editor Barry, rendered in her new What It Is collage-comics style. It then proceeds -- in alphabetical order, no less -- with a well-rounded survey of the state of American comics. Missing from previous volumes in this series was any focus on Ms. Barry's peers in the independent newsweekly world. That has been smartly rectified this time out with a nice selection of work by fellow pioneer of independent comics syndication, Matt Groening (Life In Hell), along with Alison Bechdel (Dykes To Watch Out For), Derf (The City) and Kaz (Underworld). And that's just the tip of the iceberg. We've got excerpts from some of the year's best graphic novels -- Salon by Nick Bertozzi, The Saga of the Bloody Benders by Rick Geary, Berlin: Book Two by Jason Lutes, Percy Gloom by Cathy Malkasian and American Born Chinese by Gene Luen Yang, among others. Then we've got a one after another super solid short and medium length comics works that show a truly remarkable range. We have instant classics by established masters like Jaime Hernandez's "Gold Diggers of 1969" from Love and Rockets and Chris Ware's "Thanksgiving Series" from The New Yorker. Then we have what is probably this collection's signal strength: new work by new(er) talent: Graham Annable and Sarah Oleksyk, both from Papercutter; T. Edward Bak and Evan Larson, both from Project: Romantic; Eleanor Davis and Martin Cendreda, both from MOME; Eric Haven and Michael Kupperman from their own comics, Tales To Demolish and Tales Designed To Thrizzle, respectively; and then self-published works by Lilli Carré, Shawn Cheng and Sara Edward-Corbett, Joseph Lambert, and John Mejias. And there's more! This one is a winner. Recommended!
Anthology of Graphic Fiction, Cartoons, and True Stories: Volume Two	David Mazzuchelli, Leif Goldberg, Brian Chippendale, Elinore Norflus and more ...	Yale University Press		$20.00 ($28.00 list)
Read more and comment...	edited by Ivan Brunetti It's too early to say for certain, but this follow-up to Brunetti's already classic 2006 anthology, also published by Yale University Press, might just be even better than its precursor. One thing's for certain: Brunetti has held onto -- and further refined -- his editorial vision of arranging the work contained in this volume in an organic sequence, deftly managing to map out the similarities between artists so that each piece flows smoothly into into the other, creating an amazing sense of an innate connectivity between all areas of comics here on display. This book is a powerful ally in the struggle to bring the light of comics to those poor souls still dwelling in the darkness. It's the perfect choice to turn on a friend or relative to the joy, beauty and pleasures of our favorite medium. Hold onto your hats, here's the contributor list: Daniel Clowes, Saul Steinberg, Sammy Harkham, Chris Ware, R. Sikoryak, Michael Kupperman, Drew Friedman, Mark Beyer, Mack White, Jayr Pulga, Renee French, Kim Deitch, Richard Sala, J. Bradley Johnson, Archer Prewit, Anonymous (utility sketchbook), HJ Tuthill, Milt Gross, Bill Holman, Harvey Kurtzman, R.Crumb, Basil Wolverton, Art Spiegelman, Jess, John Hankiewicz, Tim Hensley, Bill Griffith, Richard McGuire, Gilbert Hernandez, Jim Woodring, David Collier, Eugene Teal, Charles Burns, Karl Wirsum, Gary Panter, Paper Rad, Fletcher Hanks, CF, Charles Forbell, Ron Rege, Jr., Winsor McCay, Matthew Thurber, Souther Salazar, Kevin Scalzo, Megan Kelso, James McShane, Laura Park, Vanessa Davis, Onsmith, Joe Matt, Jeffrey Brown, Martin Cendreda, Dave Kiersh, John Porcellino, Carrie Golus/Patrick Welch, Jessica Abel, Cole Johnson, Lynda Barry, Debbie Drechsler, Diane Noomin, Aline Kominsky-Crum, Ariel Bordeaux, Chester Brown, Anders Nilsen, Joe Sacco, Phoebe Gloeckner, Elinore Norflus, Brian Chippendale, Leif Goldberg, David Mazzuchelli, Jerry Moriarty, Ben Katchor, Frank Santoro, Dan Zettwoch, Kevin Huizenga, Harvey Pekar/R.Crumb, Carol Tyler, Maurice Vellekoop, Seth, Adrian Tomine, Jaime Hernandez & David Heatley. It's simply amazing. Comics Power! PLEASE NOTE: We feel compelled to mention that this volume includes several pieces that contain quite explicit sexual content; and while this content represents only a miniscule fraction of the total, it nevertheless renders this volume fit for ADULTS ONLY.
McSweeney's #13	Mark Beyer, Ivan Brunetti, Kaz, Art Spiegelman and more ...	McSweeney's	McSweeney's	$20.00 ($24.00 list)
Read more and comment...	Finally, it's here: the most anticipated release of 2004 (so far). Striving for objet d'art status, McSweeney's 13 comes as close as any comics release to attaining it. Starting with a dust jacket that folds out into a two sided comics poster: the outer side featuring a dense full color, 360º narrative by editor and comics fiend, Chris Ware; the inner side featuring a vaguely ceremonial (think Mayan) worshipping of the idols of comics by Gary Panter. But there's more: tucked into the folds of this dust-jacket-cum-suitable-for-framing-wall-art are two mini-comics commissioned especially for this issue; one -- in full color -- by Ron Rege, Jr., and the other in B & W (as it should be) by long time mini-master, John Porcellino. And that's just the dust jacket! Moving on to the front and back binding plates (the hard covers beneath the dust jacket), we have a hundred or so images culled from a 1936 guide to cartooning separated by a lavishly embossed spine. The end papers are by Ivan Brunetti, and feature a wallpaper of minimalistic renditions of his personal comics and cartoon hall of fame. And, finally, there is the contents of the book itself. The subject of much speculation as to whether it would be reprints or newly commissioned work, the answer is... Both! About half and half, depending on how you look at it. Here's how it breaks down: Some of the work has appeared in non-comics periodicals, but is collected herein for the first time. Under this category are Mark Beyer, Ivan Brunetti, Kaz, Art Spiegelman (although his pieces are being reprinted everywhere at this point) and some of the pieces by Chris Ware. Straight out reprints are the inclusions by Charles Burns (although the frontispiece is new), Chester Brown, Debbie Drechsler, Jaime and Gilberto Hernandez, Mark Newgarden, Archer Prewitt, Joe Sacco, Richard Sala (newly colored, however), Seth, and Adrian Tomine. New to us -- and therefore, we imagine, new to you as well -- are the works by Lynda Barry, Jeffrey Brown, Dan Clowes, David Collier, R. Crumb, Kim Deitch, Julie Doucet, David Heatley, Ben Katchor, Joe Matt, Richard McGuire, Gary Panter, some of the Chris Ware, and of course the aforementioned dust-jacket and minis. In addition to all this contemporary work, there are selections of classic and archival work sprinkled throughout: First and foremost among these is a 15-page spread on "the inventor of comics," Rodolphe Töpfler, and his first appearance in America, introduced by Chris Ware; an 80% reproduction of an original 1922 Mutt and Jeff daily strip by Bud Fisher that takes four pages to display (which gives you an idea of how big they drew comics back then!); and a nine page spread on George Herriman, introduced by Tim Samuelson and featuring Herriman's last Krazy Kat dailies, also reproduced from the originals. And, as if this weren't enough, there are two appreciations by Chris Ware, one of the abstract-expressionist-turned-representational-painter-with-a-personal-affinity-for-comics-iconography, Philip Guston, and the other of Peanuts creator, Charles Schulz. In addition there is a critical appreciation of comics from John Updike, and nostalgiac/elegiac remembrances of comics related experiences by Glen David Gold, Malachi Cohen, and Chip Kidd. The volume opens with a preface from Ira Glass, followed by an introduction by Chris Ware, who, when all is said and done, is clearly more than simply the editor of this work. This is a great piece, especially when you consider it's primary purpose: preaching to the unconverted, those countless, teeming millions out there in America and beyond who don't locate the foundation of their identity in comics. With this volume, McSweeney's begins a new ambitious distribution arrangement with Publisher's Group West in the USA and Penguin Books in the UK; thereby bringing their publications before a great many more potential readers. They couldn't have chosen a better volume to initiate this venture. Let's wish them luck.
What It Is	Lynda Barry	Drawn and Quarterly		$22.22 ($24.95 list)
Read more and comment...	It's here! What It is, the long awaited, all new, 208 page hardcover volume of heuristic metacomix by the one and only Lynda Barry, is both a beautiful and inspiring work of art and an insightful exploration of the creative process. Her first new work since her 2002 masterpiece, 100 Demons, What It Is uses the language of comics to probe the secrets of creativity itself, which leads her deep into the caverns of philosophy, where, ever the intrepid explorer, Ms. Barry undertakes an especially thorough excavation of the cave of epistemology. There in the murky darkness she discovers that memory and imagination blur and merge amidst the stalactites and stalagmites of our respective genetic heritages before condensing and collecting in placid prehistoric pools to mix with the ancient amoebas; in the process dissolving time itself. The past, present and future come together -- an instant and an eternity stand as one in the revelation that it all starts with... The Image! Lynda Barry, long considered among the major contemporary comics creators, has, with What It Is, taken comics to a new place and created a work that can stand shoulder to shoulder in the pantheon with those created by Frida Kahlo, Jean Michel Basquiat, and Hayao Miyazaki, to name but a few of her new peers. This book is full of surprises and delight. There's really only one thing to say about this book: "YES!!!" If you still need convincing, then feast your eyes on this amazing (lucky)13-page preview and/or read our full length review.
Tin House: The Graphic Issue	Tom Tomorrow, Graham Rawle, Daniel Raeburn, Zak Smith and more ...	Tin House Magazine		$13.45 ($14.95 list) OUT OF STOCK!
Read more and comment...	Technically the first issue of the eighth volume of this funky yet respected journal of comtemporary arts and literature, this is the first issue (to our knowledge) that is devoted to all things comics. The group responsible for this issue bring a fresh, savvy, and somewhat outsiderish perspective to the wonderful world of comics and that world is a better place for it. We start off with a cover by the one and only Lynda Barry that serves as a preview of what's to come: not only an interview with the estimable Ms. Barry, but an eight page essay-on-art-in-art (Barry's own unique comics/collage hybrid) that is truly a one-of-a-kind piece that is simultaneously a feast for the eyes and mind. This piece alone is -- in our opinion -- worth the price of admission. But, there is much else to recommend this issue besides. Such as: learning that authors Michael Chabon, Jonathan Lethem, Chris Offutt and Luc Sante not only still have the comics they drew as children, but they're willing to have them printed in a nationally distributed magazine, and,when you're ready to handle it, they're hiding here in plain sight. While we're in the fan zone, this is an opportune time to mention long-suffering DC artist Karl Kessel's contribution -- a heartfelt appreciation of Jack Kirby's relatively unheralded creation, The Challengers of the Unknown (the entirety of which, by the way, was just collected by DC in the latest volume of their Showcase Presents series; yes, we have it in stock), which Kirby created for DC immediately before moving to Marvel to create The Fantastic Four with Stan Lee. But there's way more, starting with an amazing selection of excerpts, from: Marjane Satrapi's latest, Chicken with Plums; Martin Lemelman's upcoming graphic memoir, Mendel's Daughter; Zak Smith's insane project illustrating Thomas Pynchon's masterpiece, Gravity's Rainbow; Daniel Raeburn's fascinating historical survey of Mexican comics; and Graham Rawle's upcoming novel, Woman's World that is ENTIRELY composed (the editors say "assembled") out of cut and pasted exerpts from women's magazines -- and this is old school cut-and-paste we're talking about here, these excerpts are physically cut and pasted so you see the original fonts and X-acto cut strips laid side by side, making this a work of collage as well. OK, I guess we've got to stop, but there's really quite a bit more including a new Tom Tomorrow, storyboards for an upcoming Dylan biopic, not to mention the regular fiction and poetry features. Check this issue out, it's a bargain!
The Best American Comics 2007	Jeffrey Brown, John Porcellino, Gabrielle Bell, Adrian Tomine and more ...	Houghton Mifflin	Best American	$19.75 ($22.00 list)
Read more and comment...	edited by Chris Ware From Lynda Barry to Dan Zettwoch and everything inbetween, this volume provides us with a a fabulous selection of excellent comics in an attractive well produced package at an affordable price. While -- as Chris Ware makes eminently clear in his excellent introduction -- it is certainly hard to make any sort of definitive argument that these are "the best" American comics of 2007, we are quite confident that no Copacetic customer will be disappointed with the 340 pages of comics herein assembled. It is true that some may find that they already own much of what appears here, but few if any will have read it all and most will discover exciting new work and be introduced to talented comics creators. Among the amazing contributors you will find, Alison Bechdel, Gabrielle Bell, Jeffrey Brown, Ivan Brunetti, Charles Burns, C.F., Robert, Aline and Sophie Crumb, Kim Deitch, Sammy Harkham, Gilbert Hernandez, Kevin Huizenga, Anders Nilsen, Gary Panter, Paper Rad, John Porcellino, Ron Regé Jr., Seth, Art Spiegelman, Adrian Tomnie, Carol Tyler and more (whew!)

Mon - Thu	11 - 5
Fri & Sat	11 - 7
Sun	12 - 4